About: Do-Re-Mi

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An Entity of Type : wsb:Song, within Data Space : wasabi.inria.fr associated with source document(s)

Attributes	Values
type	wsb:Song
sameAs	Do-Re-Mi
title	Do-Re-Mi
subject	1959 songs NHK Kōhaku Uta Gassen songs Harry Connick, Jr. songs Scotland national football team songs Songs with music by Richard Rodgers Songs with lyrics by Oscar Hammerstein II Anita Bryant songs Songs from The Sound of Music The Sound of Music
abstract	%22Do-Re-Mi%22 is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Within the story, it is used by Maria to teach the notes of the major musical scale to the Von Trapp children who learn to sing for the first time, even though their father has disallowed frivolity after their mother's death. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song. According to assistant conductor Peter Howard, the heart of the number - in which Maria assigns a musical tone to each child, like so many Swiss bell ringers - was devised in rehearsal by Rittmann (who was credited for choral arrangements) and choreographer Joe Layton. The fourteen note and tune lyric - 'when you know the notes to sing . . .' - were provided by Rodgers and Hammerstein; the rest, apparently, came from Rittmann. Howard: 'Rodgers allowed her to do whatever she liked. When we started doing the staging of it, Joe took over. He asked Trude for certain parts to be repeated, certain embellishments.'In the stage version, Maria sings this song in the living room of Captain von Trapp's house, shortly after she introduces herself to the children. However, when Ernest Lehman adapted the stage script into a screenplay for the 1965 film adaptation, he moved the song to later on in the story. In the film, Maria and the children sing this song over a montage as they wander and frolic over Salzburg. Later on, in both the film and stage versions, a more intricate reprise of the song is sung in the style of a Bach cantata, showing the audience how versatile they were at multi-part choral singing.The tune finished at #88 in AFI's 100 Years...100 Songs survey of the top tunes in American cinema in 2004.
schema:author	Oscar Hammerstein II
schema:datePublished	2010-12-01(xsd:dateTime)
homepage	http://lyrics.wikia.com/Anita_Bryant:Do-Re-Mi
mo:performer	Anita Bryant
universally unique identifier	5714dec525ac0d8aee398739
wikipedia	wikipedia-en:Do-Re-Mi
mo:duration	103000.000000(xsd:float)
isrc	USA371132734
track number	28(xsd:integer)
schema:album	All The Hits/Kisses Sweeter Than Wine
schema:duration	PT103.23698412S
wsb:deezer_artist_id	333375
wsb:deezer_page	http://www.deezer.com/track/7954299
wsb:deezer_song_id	7954299
wsb:explicit_lyrics_count	0(xsd:integer)
wsb:has_explicit_lyrics	0(xsd:integer)
wsb:language_detected	english
wsb:rank	111663(xsd:integer)
wsb:title_without_accent	DoReMi
confidence	0.691191(xsd:float)
chord	chord:symbol/A:maj chord:symbol/B:min7 chord:symbol/Bb:maj chord:symbol/C:7 chord:symbol/C:maj chord:symbol/C:min chord:symbol/C:min7 chord:symbol/D:7 chord:symbol/D:maj chord:symbol/D:min7 chord:symbol/Eb:maj chord:symbol/F:7 chord:symbol/F:maj chord:symbol/F:min7 chord:symbol/G:7 chord:symbol/G:maj chord:symbol/G:min7 chord:symbol/Gb:min
wsb:topic_probability	nodeID://b404844545 nodeID://b404844546 nodeID://b404844547 nodeID://b404844548 nodeID://b404844549 nodeID://b404844550 nodeID://b404844551 nodeID://b404844552 nodeID://b404844553 nodeID://b404844554 nodeID://b404844555 nodeID://b404844556 nodeID://b404844557 nodeID://b404844558 nodeID://b404844559 nodeID://b404844560 nodeID://b404844561 nodeID://b404844562
wsb:arousal	-0.147466(xsd:float)
wsb:has_emotion_tags	0(xsd:integer)
wsb:has_social_tags	0(xsd:integer)
wsb:valence	0.197433(xsd:float)

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