About: Performing Interventions: The Politics and Theatre of China’s AIDS Crisis in the Early Twenty-First Century

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An Entity of Type : schema:ScholarlyArticle, within Data Space : wasabi.inria.fr associated with source document(s)

Attributes	Values
type	Academic Article research paper schema:ScholarlyArticle
isDefinedBy	Covid-on-the-Web dataset
has title	Performing Interventions: The Politics and Theatre of China’s AIDS Crisis in the Early Twenty-First Century
Creator	Anderson, Virginia Anderson, V
Source	PMC
abstract	Theatrical productions attest to a radical shift in Chinese governmental policy and public awareness of the AIDS epidemic at the dawn of the twenty-first century; state-subsidised theatre worked directly with the government to contain the transmission of HIV. Produced by two of the country’s most elite cultural institutions, the Shanghai Dramatic Arts Center and the Beijing People’s Art Theatre respectively, The Dying Kiss (Shengsi Zhiwen) in 2003 and Student Zhao Ping (Zhao Ping Tongxue) in 2005 represented a sea change in the political response to the epidemic while documenting public perceptions towards people living with HIV and AIDS in China. Marking policy change, they reflect experiences that capture a society transitioning from denial to confrontation at the dawn of the twenty-first century.
has issue date	2017-11-08(xsd:dateTime)
bibo:doi	10.1007/978-3-319-70317-6_9
has license	no-cc
sha1sum (hex)	08cb3fe4c411a2c32e04450da7f7216dc6f47548
schema:url	https://doi.org/10.1007/978-3-319-70317-6_9
resource representing a document's title	Performing Interventions: The Politics and Theatre of China’s AIDS Crisis in the Early Twenty-First Century
has PubMed Central identifier	PMC7121085
schema:publication	Viral Dramaturgies
resource representing a document's body	covid:08cb3fe4c411a2c32e04450da7f7216dc6f47548#body_text
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