About: Edward Elgar   Goto Sponge  NotDistinct  Permalink

An Entity of Type : mo:MusicArtist, within Data Space : wasabi.inria.fr associated with source document(s)

AttributesValues
type
label
  • Edward Elgar
sameAs
name
  • Edward Elgar
subject
  • 20th-century classical composers
  • Edward Elgar
  • English Roman Catholics
  • Deaths from colorectal cancer
  • People associated with Malvern, Worcestershire
  • 1934 deaths
  • 19th-century classical composers
  • 20th-century English musicians
  • Ballet composers
  • Cancer deaths in England
  • Classical composers of church music
  • Composers awarded knighthoods
  • English classical composers
  • English conductors (music)
  • Knights Grand Cross of the Royal Victorian Order
  • Musicians from Worcestershire
  • Oratorio composers
  • Romantic composers
  • Royal Philharmonic Society Gold Medallists
  • English male classical composers
  • Members of the Order of Merit
  • People from Worcester
  • Brass band composers
  • 1857 births
  • Members of the Accademia Nazionale di Santa Cecilia
  • Academics of the University of Birmingham
  • Baronets in the Baronetage of the United Kingdom
  • British special constables
  • Burials in Worcestershire
  • Composers for pipe organ
  • London Symphony Orchestra principal conductors
  • Masters of the Queen's Music
  • Metropolitan Police officers
  • People of the Edwardian era
  • People of the Victorian era
abstract
  • English Romantic composer, born June 2, 1857 in Broadheath, England, UK and died February 23, 1934 in Worcester, England, UK.
dbo:abstract
  • Sir Edward William Elgar, 1st Baronet OM GCVO (2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory.In his fifties, Elgar composed a symphony and a violin concerto that were immensely successful. His second symphony and his cello concerto did not gain immediate public popularity and took many years to achieve a regular place in the concert repertory of British orchestras. Elgar's music came, in his later years, to be seen as appealing chiefly to British audiences. His stock remained low for a generation after his death. It began to revive significantly in the 1960s, helped by new recordings of his works. Some of his works have, in recent years, been taken up again internationally, but the music remains more played in Britain than elsewhere.Elgar has been described as the first composer to take the gramophone seriously. Between 1914 and 1925, he conducted a series of acoustic recordings of his works. The introduction of the microphone in 1925 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral works and excerpts from The Dream of Gerontius.
schema:alternateName
  • Edward Elgar
  • Elgar
  • E. Elgar
  • E. Elgaras
  • E.Elgar
  • E.elger
  • Edgar Elgar
  • Edvard Elgar
  • Edwar Elgar
  • Edward Elga
  • Edward Elger
  • Elgar E.
  • Elgar Edward
  • Elgar, Edward
  • Elgar, Sir Edward
  • Elger
  • Sir E. Elgar
  • Sir Ed. Elgar
  • Sir Edward Elgar, Bert., K.C.V.O.
  • Sir Edward William Elgar
  • Э. Элгар
  • Э. Эльгар
  • Эдвард Эльгар
  • エルガー
discogs
universally unique identifier
  • 56d8262a53a7ddfc01f942c5
wikipedia
wsb:allMusic_page
wsb:deezer_artist_id
  • 2335
wsb:deezer_fans
wsb:deezer_page
wsb:discogs_id
  • 255804
wsb:iTunes_page
wsb:name_without_accent
  • Edward Elgar
wsb:spotify_page
wsb:wikia_page
is mo:performer of
Faceted Search & Find service v1.13.91 as of Mar 24 2020


Alternative Linked Data Documents: Sponger | ODE     Content Formats:       RDF       ODATA       Microdata      About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data]
OpenLink Virtuoso version 07.20.3229 as of Jul 10 2020, on Linux (x86_64-pc-linux-gnu), Single-Server Edition (94 GB total memory)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2025 OpenLink Software