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type
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label
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sameAs
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name
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gender
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dbo:genre
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dbo:associatedMusicalArtist
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Subject
| - 1975 deaths
- Rock and Roll Hall of Fame inductees
- Mercury Records artists
- African-American musicians
- American male singers
- 20th-century American singers
- Blues Hall of Fame inductees
- American blues singers
- Urban blues musicians
- 1908 births
- American blues musicians
- American jazz saxophonists
- American jazz singers
- American rhythm and blues musicians
- American saxophonists
- Jump blues musicians
- Musicians from Arkansas
- X Records artists
- East Coast blues musicians
- People from Brinkley, Arkansas
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abstract
| - Louis Jordan was born July 8, 1908 in Brinkley, Arkansas, USA and died February 4, 1975 in Los Angeles, California, USA.After a few years playing in the “Chitlin circuit” of the 1930s and just after World War II, Jordan launched a revolutionary sound: it wasn’t Blues nor Jazz but the “Jump Blues” sound which evolved into Rhythm And Blues. His jumping shuffle rhythms were copied by many in the 1940s and Louis Jordan with the tightest bands around “The Tympany Five” came to inspire many artists who followed in the mid 1950s, to the 60s and 70s, from Bill Haley And His Comets to James Brown but also Ray Charles or Branford Marsalis. Between 1942 and 1951 Louis Jordan And His Tympany Five had 57 R&B chart hits on Decca (2) Records. His first release was “Honey in The Bee Ball%22 in 1938. In the 1950s he left Decca and recorded for Aladdin Records and in the 1960s for Ray Charles’ Tangerine Records.Ray Charles often mentioned Louis Jordan as one of his biggest influences in music.Louis Jordan, popular to all audiences, is unforgotten for developing the blueprint of Rock and Roll and R&B.He died February 04, 1975 of a heart attack, in Los Angeles, California, USA.Inducted into Rock And Roll Hall of Fame in 1987 (Early Influence).
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dbo:abstract
| - Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was a pioneering American musician, songwriter and bandleader who enjoyed his greatest popularity from the late 1930s to the early 1950s. Known as %22The King of the Jukebox%22, he was highly popular with both black and white audiences in the later years of the swing era.Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the all-time most successful black recording artists according to Billboard magazine's chart methodology. Though comprehensive sales figures are not available, he scored at least four million-selling hits during his career. Jordan regularly topped the R&B %22race%22 charts, and was one of the first black recording artists to achieve a significant crossover in popularity into the mainstream (predominantly white) American audience, scoring simultaneous Top Ten hits on the white pop charts on several occasions. After Duke Ellington and Count Basie, Louis Jordan was probably the most popular and successful African-American bandleader of his day.Jordan was a talented singer with great comedic flair, and he fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his day, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. Jordan was also an actor and a major black film personality—he appeared in dozens of %22soundies%22 (promotional film clips), made numerous cameos in mainstream features and short films, and starred in two musical feature films made especially for him. He was an instrumentalist who played all forms of the saxophone, but specialized in the alto, in addition to playing piano and clarinet. A productive songwriter, he wrote or co-wrote many songs that became influential classics of 20th-century popular music.Although Jordan began his career in big-band swing jazz in the 1930s, he became famous as one of the leading practitioners, innovators and popularizers of %22jump blues%22, a swinging, up-tempo, dance-oriented hybrid of jazz, blues and boogie-woogie. Typically performed by smaller bands consisting of five or six players, jump music featured shouted, highly syncopated vocals and earthy, comedic lyrics on contemporary urban themes. It strongly emphasized the rhythm section of piano, bass and drums; after the mid-1940s, this mix was often augmented by electric guitar. Jordan's band also pioneered the use of electric organ.With his dynamic Tympany Five bands, Jordan mapped out the main parameters of the classic R&B, urban blues and early rock'n'roll genres with a series of hugely influential 78 rpm discs for the Decca label. These recordings presaged many of the styles of black popular music in the late 1940s, 1950s and 1960s, and exerted a huge influence on many leading performers in these genres. Many of his records were produced by Milt Gabler, who went on to refine and develop the qualities of Jordan's recordings in his later production work with Bill Haley, including %22Rock Around The Clock%22.
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schema:alternateName
| - Jordan
- Jordon
- J.Jordan
- Jourdan
- L Jordan
- L. Jordan
- L. Jordon
- L. Jourdan
- L.Jordan
- Lewis Jordon
- Lou Jordan
- Louie Jordan
- Louis And The Boys
- Louis Jordan & His Tympani Five
- Louis Jordan-Walsh
- Louis Jourdan
- Luis L. Jordan
- Luis Lewis Jordan
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schema:disambiguatingDescription
| - American jazz, blues and rhythm & blues musician and songwriter
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discogs
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musicbrainz
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Musicbrainz GUID
| - b8b30699-7814-4fd1-ab75-6f22f5da0fac
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universally unique identifier
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wikipedia
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schema:birthDate
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schema:deathDate
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schema:members
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wsb:BBC_page
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wsb:allMusic_page
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wsb:amazon_page
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wsb:deezer_artist_id
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wsb:deezer_fans
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wsb:deezer_page
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wsb:discogs_id
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wsb:iTunes_page
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wsb:location
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wsb:name_without_accent
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wsb:rateYourMusic_page
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wsb:record_label
| - Decca Records
- Mercury Records
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wsb:secondHandSongs_page
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wsb:spotify_page
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wsb:wikia_page
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wsb:wikidata_page
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schema:genre
| - Blues
- Jazz
- R&B
- Big Band
- Jump Blues
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is mo:performer
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