. . . . "Schoenberg, Arnold. 1967. Fundamentals of Musical Composition. Edited by Gerald Strang, with an introduction by Leonard Stein. New York: St. Martin's Press. Reprinted 1985, London: Faber and Faber."@en . . . . . "Links to related articles"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Lebrecht, Norman. 2001. \"Why We're Still Afraid of Schoenberg\". The Lebrecht Weekly ."@en . . . . . . . . . . . . . . "Watkins, Glenn. 2010. The Gesualdo Hex: Music, Myth, and Memory. New York: W. W. Norton & Company."@en . . . . "Arnold Schoenberg (lahir, 13 September 1874 di Vienna \u2013 meninggal, 13 Juli 1951 di Los Angeles) adalah seorang komponis Ekspresionistis, dirigen dan musukolog Austria-Amerika yang menciptakan metode baru komposisi berdasarkan baris, atau seri, dari 12 nada-a, metode ini disebut dengan keadaan tanpa nada. Schoenberg juga salah satu guru paling berpengaruh abad ke-20, di antara murid-muridnya yang Paling menonjol adalah dan , keduanya akhirnya mencapai perawakannya sama dengan mentor mereka terkenal. Schoenberg berasal dari sebuah keluarga yang tidak terlalu menyukai musik, Schoenberg belajar musik sebagian besar dari otodidaknya hingga akhirnya Schoenberg menjadi seorang musisi. Ia menunjukkan bahwa dirinya sudah mempunyai bakat sejak usianya yang masih dini untuk bakat komoposisinya. Schoenberg menerima instruksi dasar dalam harmoni dan tandingan dari Oskar Adler dan kemudian belajar komposisi sebentar dengan . Pada awal kariernya, Schoenberg mengambil pekerjaan mendalangi operet, tetapi sebagian besar hidupnya juga dihabiskan untuk mengajar, baik secara mengajar pribadi dirumah maupun di berbagai lembaga, dan Schoenberg juga menghabiskan waktunya untuk menulis. Schoenberg bekerja sebagai pengajar dan sebagai kompeser dengan melawan penyakitnya, sehingga menghambat banyak tawaran pekerjaan yang mendatanginya."@in . . . . . . . . . . "\u0428\u0451\u043D\u0431\u0435\u0440\u0433, \u0410\u0440\u043D\u043E\u043B\u044C\u0434"@ru . . . . . . . . . . . . . "Auner, Joseph H. 1999. \"Schoenberg and His Public in 1930: The Six Pieces For Male Chorus, Op. 35\". In Schoenberg and His World, edited by Walter Frisch, 85\u2013125. Bard Music Festival Series. Princeton: Princeton University Press. ; ."@en . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg (Viena, 13 de septiembre de 1874-Los \u00C1ngeles, 13 de julio de 1951) fue un compositor, te\u00F3rico musical y pintor austriaco de origen jud\u00EDo. Desde que emigr\u00F3 a los Estados Unidos, en 1934, adopt\u00F3 el nombre de Arnold Schoenberg, y as\u00ED es como suele aparecer en las publicaciones en idioma ingl\u00E9s y en todo el mundo. Es reconocido como uno de los primeros compositores en adentrarse en la composici\u00F3n atonal, y especialmente por la creaci\u00F3n de la t\u00E9cnica del dodecafonismo basada en series de doce notas, abriendo la puerta al posterior desarrollo del serialismo de la segunda mitad del s. XX. Adem\u00E1s, fue el l\u00EDder de la denominada Segunda Escuela de Viena."@es . . . . . . . . . . . . . . . . . . . . . "\u0386\u03C1\u03BD\u03BF\u03BB\u03BD\u03C4 \u03A3\u03AD\u03BD\u03BC\u03C0\u03B5\u03C1\u03B3\u03BA"@el . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg"@it . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold (Franz Walter) Sch\u00F6nberg (Wenen, 13 september 1874 \u2013 Los Angeles, 13 juli 1951) was een Oostenrijks-Hongaars-Amerikaans componist, muziekleraar en -theoreticus en schilder. Hij wordt als grondlegger van de twaalftoonsmuziek tot de invloedrijkste componisten van de twintigste eeuw gerekend. In 1941 verwierf Sch\u00F6nberg de Amerikaanse nationaliteit; vanaf die tijd wordt zijn naam als Schoenberg gespeld."@nl . . . . . . . . . . . . . . . . . . "\u0623\u0631\u0646\u0648\u0644\u062F \u0634\u0648\u064A\u0646\u0628\u064A\u0631\u062C"@ar . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg, po emigraci do USA v roce 1941 Schoenberg (13. z\u00E1\u0159\u00ED 1874 V\u00EDde\u0148 \u2013 13. \u010Dervence 1951 Los Angeles) byl rakousk\u00FD modernistick\u00FD hudebn\u00ED skladatel, hudebn\u00ED teoretik a p\u0159\u00EDle\u017Eitostn\u00FD mal\u00ED\u0159. V\u011Bt\u0161inu sv\u00FDch hudebn\u00EDch skladeb vytvo\u0159il mimo tradi\u010Dn\u00ED ton\u00E1ln\u00ED syst\u00E9m \u2013 v tzv. atonalit\u011B. Vymyslel tak\u00E9 metodu hudebn\u00ED skladby dodekafonii pou\u017E\u00EDvaj\u00EDc\u00ED 12 zrovnopr\u00E1vn\u011Bn\u00FDch t\u00F3n\u016F chromatick\u00E9 stupnice jako materi\u00E1l k nov\u011B pojat\u00E9mu syst\u00E9mu hudebn\u00ED kompozice."@cs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Friedrich, Otto. 1986. City of Nets: A Portrait of Hollywood in 1940's . New York: Harper & Row. Reprinted, Berkeley and Los Angeles: University of California Press."@en . . . . . . . "Arnold Sch\u00F6nberg (ur. 13 wrze\u015Bnia 1874 w Wiedniu, zm. 13 lipca 1951 w Los Angeles) \u2013 austriacki kompozytor, teoretyk muzyki i pedagog \u017Cydowskiego pochodzenia; pionier muzyki dodekafonicznej i atonalno\u015Bci. Przedstawiciel drugiej szko\u0142y wiede\u0144skiej, zaliczany do pierwszych modernist\u00F3w."@pl . . . . . . . . . . . . "Arnold Schoenberg or Sch\u00F6nberg (/\u02C8\u0283\u025C\u02D0rnb\u025C\u02D0r\u0261/, US also /\u02C8\u0283o\u028An-/; German: [\u02C8\u0283\u00F8\u02D0nb\u025B\u0250\u032Fk]; 13 September 1874 \u2013 13 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941."@en . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg"@nl . . . . . . . . . . . . . "Schonberg, Harold C. 1970. The Lives of the Great Composers. New York: W. W. Norton. ."@en . . "Silverman, Kenneth. 2010. Begin Again: A Biography of John Cage. New York: Alfred A. Knopf, Toronto: Random House. Reprinted, Evanston, IL: Northwestern University Press, 2012."@en . . . . . . . . . "Ross, Alex. 2007. The Rest Is Noise: Listening to the Twentieth Century. New York: Farrar, Straus and Giroux,"@en . . . . . . . . . . . . . . . . "Rosen, Charles. 1975. Arnold Schoenberg. New York: Viking Press. ."@en . . . . . . . . . . . . . . . . "\u963F\u8BFA\u5FB7\u00B7\u52CB\u4F2F\u683C"@zh . "Arnold Schoenberg or Sch\u00F6nberg (/\u02C8\u0283\u025C\u02D0rnb\u025C\u02D0r\u0261/, US also /\u02C8\u0283o\u028An-/; German: [\u02C8\u0283\u00F8\u02D0nb\u025B\u0250\u032Fk]; 13 September 1874 \u2013 13 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, b\u03BFth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, his name would come to personify innovations in atonality (although Schoenberg himself detested that term) that would become the most polemical feature of 20th-century classical music. In the 1920s, Schoenberg developed the twelve-tone technique, an influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea. Schoenberg was also an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, Egon Wellesz, Nikos Skalkottas, Stefania Turkewich, and later John Cage, Lou Harrison, Earl Kim, Robert Gerhard, Leon Kirchner, Dika Newlin, Oscar Levant, and other prominent musicians. Many of Schoenberg's practices, including the formalization of compositional method and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century. His often polemical views of music history and aesthetics were crucial to many significant 20th-century musicologists and critics, including Theodor W. Adorno, Charles Rosen, and Carl Dahlhaus, as well as the pianists Artur Schnabel, Rudolf Serkin, Eduard Steuermann, and Glenn Gould. Schoenberg's archival legacy is collected at the Arnold Sch\u00F6nberg Center in Vienna."@en . . . . "Arnold Sch\u00F6nberg"@eu . . . . . . . . . . . . . . . . . . . . "Small, Christopher. 1977. Schoenberg. Novello Short Biographies. Sevenoaks, Kent: Novello."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg"@ca . . . . . . "\u963F\u8BFA\u5C14\u5FB7\u00B7\u52CB\u4F2F\u683C\uFF08\u5FB7\u8A9E\uFF1AArnold Sch\u00F6nberg\uFF0C\u5B9A\u5C45\u7F8E\u56FD\u540E\u6539\u59D3\u6C0F\u5199\u6CD5\u4E3ASchoenberg\uFF0C1874\u5E749\u670813\u65E5\uFF0D1951\u5E747\u670813\u65E5\uFF09\uFF0C\u5965\u5730\u5229\u4F5C\u66F2\u5BB6\u3001\u97F3\u6A02\u6559\u80B2\u5BB6\u3001\u97F3\u6A02\u7406\u8AD6\u5BB6\uFF0C\u4F5C\u5BB6\uFF0C\u753B\u5BB6\uFF0C\u66FE\u5411\u4E9A\u5386\u5C71\u5927\u00B7\u51AF\u00B7\u7B56\u59C6\u6797\u65AF\u57FA\u5B78\u7FD2\u4F5C\u66F2\uFF0C\u5176\u5F8C\u4E26\u8FCE\u5A36\u7B56\u6C0F\u4E4B\u59B9\u70BA\u59BB\u3002 \u52CB\u4F2F\u683C\u7684\u65B9\u6CD5\uFF0C\u65E0\u8BBA\u662F\u5728\u548C\u58F0\u8FD8\u662F\u53D1\u5C55\u65B9\u9762\uFF0C\u90FD\u662F20\u4E16\u7EAA\u6700\u6709\u5F71\u54CD\u529B\u7684\u97F3\u4E50\u7406\u5FF5\u4E4B\u4E00\u3002\u6709\u4E09\u4EE3\u6765\u81EA\u6B27\u6D32\u548C\u7F8E\u56FD\u7684\u4F5C\u66F2\u5BB6\u63A5\u53D7\u5E76\u53D1\u5C55\u4E86\u4ED6\u7684\u7406\u5FF5\uFF0C\u4F46\u540C\u65F6\u4ED6\u7684\u7406\u8BBA\u4E5F\u6FC0\u8D77\u4E86\u8BB8\u591A\u4EBA\u7684\u5F3A\u70C8\u53CD\u5BF9\u3002\u52CB\u4F2F\u683C\u5728\u97F3\u6A02\u53F2\u4E0A\u7684\u91CD\u8981\u6027\u5728\u65BC\u4ED6\u958B\u5275\u4E86\u7B2C\u4E8C\u7DAD\u4E5F\u7D0D\u6A02\u6D3E\u3001\u7DE8\u5BEB\u300A\u548C\u8072\u5B78\u300B\uFF081911\uFF09\u3001\u63D0\u51FA\u300A\u5341\u4E8C\u97F3\u5217\u7406\u8AD6\u300B\uFF081923\uFF09\uFF0C\u6DF1\u9060\u5730\u5F71\u97FF\u4E86\u4E8C\u5341\u4E16\u7D00\u97F3\u6A02\u7684\u5F8C\u7E8C\u767C\u5C55\u3002"@zh . . . . "Arnold Sch\u00F6nberg, ou Arnold Schoenberg (/\u02C8a\u0281.n\u0254lt \u02C8\u0283\u00F8\u02D0n.b\u025B\u0250\u032Fk/ ) est un compositeur, peintre et th\u00E9oricien autrichien n\u00E9 le 13 septembre 1874 \u00E0 Vienne, et mort le 13 juillet 1951 \u00E0 Los Angeles. Deux si\u00E8cles apr\u00E8s Jean-S\u00E9bastien Bach et Jean-Philippe Rameau, qui avaient pos\u00E9 les fondements de la musique tonale, il chercha \u00E0 \u00E9manciper la musique de la tonalit\u00E9 et inventa le dod\u00E9caphonisme, qui aura une influence marquante sur une part de la musique du XXe si\u00E8cle."@fr . . . . . . . . . . . . . . . . . "Haimo, Ethan. 1990. Schoenberg's Serial Odyssey: The Evolution of his Twelve-Tone Method, 1914\u20131928. Oxford [England]: Clarendon Press; New York: Oxford University Press"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1122570219"^^ . . "Shoaf, R. Wayne. 1992. \"Satellite Collections in the Archive of the Arnold Schoenberg Institute\". Journal of the Arnold Schoenberg Institute 15, no. 1 : 9\u2013110."@en . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg"@pl . "Boss, Jack. 2013. Mahler's Musical Idea: A Schenkerian-Schoenbergian Analysis of the Adagio from Symphony No. 10 ."@en . . . . . . . . . . . . "\u30A2\u30EB\u30CE\u30EB\u30C8\u30FB\u30B7\u30A7\u30FC\u30F3\u30D9\u30EB\u30AF\uFF08Arnold Sch\u00F6nberg, 1874\u5E749\u670813\u65E5 - 1951\u5E747\u670813\u65E5\uFF09\u306F\u3001\u30AA\u30FC\u30B9\u30C8\u30EA\u30A2\u306E\u4F5C\u66F2\u5BB6\u3001\u6307\u63EE\u8005\u3001\u6559\u80B2\u8005\u3002\u8ABF\u6027\u97F3\u697D\u3092\u8131\u3057\u7121\u8ABF\u306B\u5165\u308A\u3001\u5341\u4E8C\u97F3\u6280\u6CD5\u3092\u5275\u59CB\u3057\u305F\u3053\u3068\u3067\u77E5\u3089\u308C\u308B\u3002\u30A2\u30E1\u30EA\u30AB\u306B\u5E30\u5316\u3057\u3066\u304B\u30891934\u5E74\u4EE5\u964D\u306F\u3001\u300C\u30A2\u30E1\u30EA\u30AB\u306E\u7FD2\u6163\u3092\u5C0A\u91CD\u3057\u3066\u300D\"\u00F6\"\uFF08o-\u30A6\u30E0\u30E9\u30A6\u30C8\uFF09\u3092\"oe\"\u3068\u8868\u8A18\u3057\u305FSchoenberg\u3068\u3044\u3046\u7DB4\u308A\u3092\u81EA\u3089\u7528\u3044\u305F\u3002\u30A2\u30E1\u30EA\u30AB\u3067\u306F\u300C\u30A2\u30FC\u30CE\u30EB\u30C9\u30FB\u30B7\u30E7\u30FC\u30F3\u30D0\u30FC\u30B0\u300D\u3068\u547C\u3070\u308C\u305F\u3002"@ja . . . "\u0410\u0440\u043D\u043E\u043B\u044C\u0434 \u0424\u0440\u0430\u043D\u0446 \u0412\u0430\u043B\u044C\u0442\u0435\u0440 \u0428\u0451\u043D\u0431\u0435\u0440\u0433 (\u043D\u0435\u043C. Arnold Franz Walter Schoenberg, \u0438\u0437\u043D\u0430\u0447\u0430\u043B\u044C\u043D\u043E Sch\u00F6nberg; 13 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1874 \u2014 13 \u0438\u044E\u043B\u044F 1951) \u2014 \u0430\u0432\u0441\u0442\u0440\u0438\u0439\u0441\u043A\u0438\u0439 \u0438 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u043C\u0443\u0437\u044B\u043A\u043E\u0432\u0435\u0434, \u0434\u0438\u0440\u0438\u0436\u0451\u0440, \u043F\u0443\u0431\u043B\u0438\u0446\u0438\u0441\u0442. \u041A\u0440\u0443\u043F\u043D\u0435\u0439\u0448\u0438\u0439 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043B\u044C \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u044D\u043A\u0441\u043F\u0440\u0435\u0441\u0441\u0438\u043E\u043D\u0438\u0437\u043C\u0430, \u043E\u0441\u043D\u043E\u0432\u043E\u043F\u043E\u043B\u043E\u0436\u043D\u0438\u043A \u043D\u043E\u0432\u043E\u0439 \u0432\u0435\u043D\u0441\u043A\u043E\u0439 \u0448\u043A\u043E\u043B\u044B, \u0430\u0432\u0442\u043E\u0440 \u0442\u0430\u043A\u0438\u0445 \u0442\u0435\u0445\u043D\u0438\u043A, \u043A\u0430\u043A \u0434\u043E\u0434\u0435\u043A\u0430\u0444\u043E\u043D\u0438\u044F (12-\u0442\u043E\u043D\u043E\u0432\u0430\u044F) \u0438 \u0441\u0435\u0440\u0438\u0439\u043D\u0430\u044F \u0442\u0435\u0445\u043D\u0438\u043A\u0430."@ru . . "Arnold Franz Walter Sch\u00F6nberg (Viena, 13 de setembro de 1874 \u2014 Los Angeles, 13 de julho de 1951) foi um compositor austr\u00EDaco de m\u00FAsica erudita e criador do dodecafonismo, um dos mais revolucion\u00E1rios e influentes estilos de composi\u00E7\u00E3o do s\u00E9culo XX. Suas primeiras obras, apesar de ligadas \u00E0 tradi\u00E7\u00E3o p\u00F3s-rom\u00E2ntica, j\u00E1 prenunciavam um m\u00E9todo composicional inovador, que evoluiu para a atonalidade e, mais tarde, para um estilo pr\u00F3prio, o dodecafonismo. Sch\u00F6nberg foi tamb\u00E9m pintor e importante te\u00F3rico musical, autor de Harmonia e Exerc\u00EDcios Preliminares em Contraponto. O compositor sofria de triscaidecafobia, o medo do n\u00FAmero 13. Ironicamente ele nasceu dia 13 de setembro e morreu dia 13 de julho, \u00E0s 23h47min, 13 minutos antes da meia-noite, numa sexta-feira 13."@pt . . . . . . . . . . . . . "Arnold Sch\u00F6nberg (Viena, 13 de septiembre de 1874-Los \u00C1ngeles, 13 de julio de 1951) fue un compositor, te\u00F3rico musical y pintor austriaco de origen jud\u00EDo. Desde que emigr\u00F3 a los Estados Unidos, en 1934, adopt\u00F3 el nombre de Arnold Schoenberg, y as\u00ED es como suele aparecer en las publicaciones en idioma ingl\u00E9s y en todo el mundo."@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Self-published website."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Cook, Nicholas. 1998. Music: A Very Short Introduction. Oxford and New York: Oxford University Press."@en . . . . . . . . . . . . . . . "Sean O'Brien, \"Book of a Lifetime: Doktor Faustus, by Thomas Mann\". Independent ."@en . . . . . "Arnold Franz Walther Sch\u00F6nberg (IPA: [\u02C8a\u02D0\u0250\u032Fn\u0254lt f\u0281ant\u0361s \u02C8\u0283\u00F8\u02D0nb\u025B\u0250\u032Fk]; Vienna, 13 settembre 1874 \u2013 Los Angeles, 13 luglio 1951) \u00E8 stato un compositore austriaco naturalizzato statunitense.\u00C8 stato uno tra i primi, nel XX secolo, a scrivere musica al di fuori dalle regole del sistema tonale, ed \u00E8 stato, con Josef Matthias Hauer, uno dei teorici del metodo dodecafonico, basato su una sequenza (detta serie, da cui il termine musica seriale) comprendente tutti i dodici suoni della scala musicale cromatica temperata. Fu buon amico del compositore e direttore d'orchestra Alexander von Zemlinsky."@it . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg (tyskt uttal: [\u02C8a\u02D0rn\u0254lt \u02C8\u0283\u00F8\u02D0nb\u025Brk]), f\u00F6dd 13 september 1874 i Wien, d\u00F6d 13 juli 1951 i Los Angeles, var en \u00F6sterrikisk tons\u00E4ttare, fr\u00E4mst f\u00F6rknippad med expressionismen inom den tyska poesin och konsten, samt ledare f\u00F6r den s\u00E5 kallade Andra Wienskolan. Han flyttade till USA 1934 och \u00E4ndrade d\u00E5 stavningen av sitt namn till Schoenberg. Sch\u00F6nbergs kvarl\u00E5tenskap finns bevarad i Arnold Sch\u00F6nberg Center i Wien."@sv . . . . "Arnold Sch\u00F6nberg (* 13. September 1874 in Wien, \u00D6sterreich-Ungarn; \u2020 13. Juli 1951 in Los Angeles, Vereinigte Staaten) war ein \u00F6sterreichischer Komponist, Musiktheoretiker, Kompositionslehrer, Maler, Dichter und Erfinder. Er stammte aus einer j\u00FCdischen Familie, emigrierte 1933 in die USA und nahm 1941 die Staatsb\u00FCrgerschaft der Vereinigten Staaten an. Nach seiner Emigration schrieb er sich Arnold Schoenberg."@de . . . . "Beaumont, Antony. 2000. Zemlinsky. London: Faber and Faber. Ithaca: Cornell University Press."@en . . . . . . . . . . . . . . . "\uC544\uB974\uB180\uD2B8 \uC1E4\uBCA0\uB974\uD06C(\uB3C5\uC77C\uC5B4: Arnold Sch\u00F6nberg, 1941\uB144 \uC774\uD6C4: Arnold Schoenberg, 1874\uB144 9\uC6D4 13\uC77C ~ 1951\uB144 7\uC6D4 13\uC77C)\uB294 \uC624\uC2A4\uD2B8\uB9AC\uC544\uC5D0\uC11C \uD0DC\uC5B4\uB098 \uBBF8\uAD6D\uC73C\uB85C \uADC0\uD654\uD55C \uC791\uACE1\uAC00, \uC74C\uC545\uC774\uB860\uAC00\uC774\uC790 \uC74C\uC545\uAD50\uC721\uAC00\uC774\uB2E4. \uC1E4\uBCA0\uB974\uD06C\uC758 \uAC00\uACC4\uB294 \uBE48\uC5D0 \uAE30\uBC18\uC744 \uB454 \uC720\uB300\uC778 \uC9D1\uC548\uC774\uB2E4. 1933\uB144 \uB3C5\uC77C\uC5D0\uC11C \uAD6D\uAC00\uC0AC\uD68C\uC8FC\uC758 \uB178\uB3D9\uC790\uB2F9\uC774 \uC815\uAD8C\uC744 \uD68D\uB4DD\uD558\uC790 \uBBF8\uAD6D\uC73C\uB85C \uB3C4\uD53C\uD558\uC600\uC73C\uBA70, 1941\uB144\uC5D0 \uBBF8\uAD6D \uAD6D\uC801\uC744 \uCDE8\uB4DD\uD558\uC600\uB2E4. \uC1E4\uBCA0\uB974\uD06C\uB294 20\uC138\uAE30 \uC804\uBC18\uAE30\uC758 \uAC00\uC7A5 \uC601\uD5A5\uB825\uC788\uB294 \uC791\uACE1\uAC00 \uC911\uC758 \uD558\uB098\uC600\uC73C\uBA70, \uC870\uC131\uC74C\uC545\uC758 \uD574\uCCB4\uC5D0 \uAE30\uC5EC\uD55C \uC911\uC2EC\uC778\uBB3C \uC911 \uD558\uB098\uC774\uB2E4. \uC7A5\uC870\uC640 \uB2E8\uC870\uC5D0 \uAE30\uBC18\uD55C \uC870\uC131\uC758 \uD574\uCCB4\uB294 \uC2DC\uAE30\uC801\uC73C\uB85C 1906\uB144\uACFC 1909\uB144 \uC0AC\uC774\uC5D0 \uC774\uB8E8\uC5B4\uC84C\uB2E4. \uC1E4\uBCA0\uB974\uD06C\uB294 12\uC74C\uAE30\uBC95\uC744 \uD655\uB9BD\uD55C \uC7A5\uBCF8\uC778 \uC911\uC758 \uD55C \uBA85\uC774\uBA70, 12\uC74C\uAE30\uBC95\uC740 \uC74C\uB82C\uC8FC\uC758 \uC74C\uC545\uC73C\uB85C \uBC1C\uC804\uD558\uC5EC \uD604\uB300\uC74C\uC545\uC5D0\uC11C \uB9CE\uC740 \uC791\uACE1\uAC00\uB4E4\uC758 \uC74C\uC545\uC5D0 \uACC4\uC2B9\uB418\uC5C8\uB2E4."@ko . . "Arnold Schoenberg"@en . . . . . . . "Arnold Sch\u00F6nberg (ur. 13 wrze\u015Bnia 1874 w Wiedniu, zm. 13 lipca 1951 w Los Angeles) \u2013 austriacki kompozytor, teoretyk muzyki i pedagog \u017Cydowskiego pochodzenia; pionier muzyki dodekafonicznej i atonalno\u015Bci. Przedstawiciel drugiej szko\u0142y wiede\u0144skiej, zaliczany do pierwszych modernist\u00F3w."@pl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold Schoenberg"@ga . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold Schoenberg (lahir, 13 September 1874 di Vienna \u2013 meninggal, 13 Juli 1951 di Los Angeles) adalah seorang komponis Ekspresionistis, dirigen dan musukolog Austria-Amerika yang menciptakan metode baru komposisi berdasarkan baris, atau seri, dari 12 nada-a, metode ini disebut dengan keadaan tanpa nada. Schoenberg juga salah satu guru paling berpengaruh abad ke-20, di antara murid-muridnya yang Paling menonjol adalah dan , keduanya akhirnya mencapai perawakannya sama dengan mentor mereka terkenal."@in . . . . . . . . . . . . . . "Reprinted 1996, with a new preface. Chicago: University of Chicago Press."@en . . . . . . . "\u0410\u0440\u043D\u043E\u043B\u044C\u0434 \u0428\u0435\u043D\u0431\u0435\u0440\u0433"@uk . . . . "69194"^^ . . . . . . . . . . . . "Arnold Sch\u00F6nberg, po emigraci do USA v roce 1941 Schoenberg (13. z\u00E1\u0159\u00ED 1874 V\u00EDde\u0148 \u2013 13. \u010Dervence 1951 Los Angeles) byl rakousk\u00FD modernistick\u00FD hudebn\u00ED skladatel, hudebn\u00ED teoretik a p\u0159\u00EDle\u017Eitostn\u00FD mal\u00ED\u0159. V\u011Bt\u0161inu sv\u00FDch hudebn\u00EDch skladeb vytvo\u0159il mimo tradi\u010Dn\u00ED ton\u00E1ln\u00ED syst\u00E9m \u2013 v tzv. atonalit\u011B. Vymyslel tak\u00E9 metodu hudebn\u00ED skladby dodekafonii pou\u017E\u00EDvaj\u00EDc\u00ED 12 zrovnopr\u00E1vn\u011Bn\u00FDch t\u00F3n\u016F chromatick\u00E9 stupnice jako materi\u00E1l k nov\u011B pojat\u00E9mu syst\u00E9mu hudebn\u00ED kompozice."@cs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold Schonberg"@in . . . . . . . "Helm, Paul. 2006\u20132017. \"Arnold Schoenberg\". 52composers.com ."@en . . . . . . . . . . . "Walsh, Stephen. 2018. Debussy: A Painter in Sound. London: Faber and Faber Limited ; New York: Alfred A. Knopf"@en . . . . . . . . . . . . . . "Lebrecht, Norman. 1985. The Book of Musical Anecdotes. New York: Simon & Schuster; London: Sphere Books."@en . . . . . . . . . . . . . "Marquis Who's Who. n.d. . ."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "McCoy, Marilyn. 1999. \"A Schoenberg Chronology\". In Schoenberg and His World, edited by Walter Frisch, 1\u201315. Bard Music Festival Series. Princeton: Princeton University Press. ; ."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "MacDonald, Malcolm. 2008. Schoenberg, second, revised edition. The Master Musicians Series. Oxford and New York: Oxford University Press. ;"@en . . "\u039F \u0386\u03C1\u03BD\u03BF\u03BB\u03BD\u03C4 \u03A3\u03AD\u03BD\u03BC\u03C0\u03B5\u03C1\u03B3\u03BA (Arnold Sch\u00F6nberg, 13 \u03A3\u03B5\u03C0\u03C4\u03B5\u03BC\u03B2\u03C1\u03AF\u03BF\u03C5 1874 \u2013 13 \u0399\u03BF\u03C5\u03BB\u03AF\u03BF\u03C5 1951) \u03AE\u03C4\u03B1\u03BD \u0391\u03C5\u03C3\u03C4\u03C1\u03B9\u03B1\u03BA\u03CC\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03C4\u03BF\u03C5 \u03BF\u03C0\u03BF\u03AF\u03BF\u03C5 \u03B7 \u03B4\u03C1\u03AC\u03C3\u03B7 \u03C3\u03C5\u03BD\u03B4\u03AD\u03B8\u03B7\u03BA\u03B5 \u03BC\u03B5 \u03C4\u03BF \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03CC \u03B5\u03BE\u03C0\u03C1\u03B5\u03C3\u03B9\u03BF\u03BD\u03B9\u03C3\u03C4\u03B9\u03BA\u03CC \u03BA\u03AF\u03BD\u03B7\u03BC\u03B1 \u03CC\u03C0\u03C9\u03C2 \u03B1\u03C5\u03C4\u03CC \u03B5\u03BA\u03C6\u03C1\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03C4\u03B7\u03BD \u03B3\u03B5\u03C1\u03BC\u03B1\u03BD\u03B9\u03BA\u03AE \u03C0\u03BF\u03AF\u03B7\u03C3\u03B7 \u03BA\u03B1\u03B9 \u03C4\u03AD\u03C7\u03BD\u03B7, \u03B5\u03BD\u03CE \u03C3\u03C4\u03B7\u03BD \u03C3\u03C5\u03BD\u03AD\u03C7\u03B5\u03B9\u03B1 \u03B1\u03BD\u03B1\u03B4\u03B5\u03AF\u03C7\u03B8\u03B7\u03BA\u03B5 \u03B5\u03C0\u03B9\u03BA\u03B5\u03C6\u03B1\u03BB\u03AE\u03C2 \u03C4\u03B7\u03C2 \u0394\u03B5\u03CD\u03C4\u03B5\u03C1\u03B7\u03C2 \u03A3\u03C7\u03BF\u03BB\u03AE\u03C2 \u03C4\u03B7\u03C2 \u0392\u03B9\u03AD\u03BD\u03BD\u03B7\u03C2. \u03A4\u03BF \u03B1\u03C1\u03C7\u03B5\u03B9\u03B1\u03BA\u03CC \u03C5\u03BB\u03B9\u03BA\u03CC \u03C4\u03BF\u03C5 \u0386\u03C1\u03BD\u03BF\u03BB\u03BD\u03C4 \u03A3\u03AD\u03BD\u03BC\u03C0\u03B5\u03C1\u03B3\u03BA \u03AD\u03C7\u03B5\u03B9 \u03C3\u03C5\u03B3\u03BA\u03B5\u03BD\u03C4\u03C1\u03C9\u03B8\u03B5\u03AF \u03BA\u03B1\u03B9 \u03B2\u03C1\u03AF\u03C3\u03BA\u03B5\u03C4\u03B1\u03B9 \u03C3\u03C4\u03BF \u039A\u03AD\u03BD\u03C4\u03C1\u03BF \u0386\u03C1\u03BD\u03BF\u03BB\u03BD\u03C4 \u03A3\u03AD\u03BD\u03BC\u03C0\u03B5\u03C1\u03B3\u03BA \u03C3\u03C4\u03B7 \u0392\u03B9\u03AD\u03BD\u03BD\u03B7."@el . . . . . . . . . . . . . . . . . . . "\u0623\u0631\u0646\u0648\u0644\u062F \u0634\u0648\u064A\u0646\u0628\u064A\u0631\u062C (\u061F\u00B7\u0645\u0639\u0644\u0648\u0645\u0627\u062A) (\u062A\u0644\u0641\u0638 \u0623\u0644\u0645\u0627\u0646\u064A: [\u02C8a:\u0250\u032Fn\u0254lt \u02C8\u0283\u00F8:nb\u025B\u0250\u032Fk]\u061B 13 \u0645\u0646 \u0633\u0628\u062A\u0645\u0628\u0631 1874\u0645 - 13 \u0645\u0646 \u064A\u0648\u0644\u064A\u0648 1951\u0645) \u0643\u0627\u0646 \u0645\u064F\u0644\u062D\u0646\u064B\u0627 \u0646\u0645\u0633\u0627\u0648\u064A\u064B\u0627 \u0648\u0631\u0633\u0627\u0645\u064B\u0627\u060C \u0645\u064F\u0631\u062A\u0628\u0637\u064B\u0627 \u0628\u0627\u0644\u062D\u0631\u0643\u0629 \u0627\u0644\u062A\u0639\u0628\u064A\u0631\u064A\u0629 \u0641\u064A \u0627\u0644\u0634\u0639\u0631 \u0648\u0627\u0644\u0641\u0646 \u0627\u0644\u0623\u0644\u0645\u0627\u0646\u064A\u060C \u0648\u0631\u0627\u0626\u062F\u064B\u0627 \u0644\u0644\u0645\u062F\u0631\u0633\u0629 \u0627\u0644\u0641\u064A\u064A\u0646\u064A\u0629 \u0627\u0644\u062B\u0627\u0646\u064A\u0629. \u0627\u0633\u062A\u062E\u062F\u0645 \u0634\u0648\u064A\u0646\u0628\u064A\u0631\u062C \u0627\u0644\u0647\u062C\u0627\u0621 \u0627\u0644\u0623\u0644\u0645\u0627\u0646\u064A \u0627\u0644\u0645\u0639\u064A\u0627\u0631\u064A \u0634\u0648\u0646\u0628\u064A\u0631\u062C \u062D\u062A\u0649 \u0628\u0639\u062F \u0627\u0646\u062A\u0642\u0627\u0644\u0647 \u0625\u0644\u0649 \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u0641\u064A \u0639\u0627\u0645 1934\u0645 (\u0634\u062A\u0627\u064A\u0646\u0628\u0631\u062C 1995\u060C 463)\u060C \u0648\u0639\u0646\u062F\u0626\u0630 \u0628\u062F\u064E\u0651\u0644\u0647 \u0625\u0644\u0649 \u0634\u0648\u064A\u0646\u0628\u064A\u0631\u062C \u00AB\u0627\u062D\u062A\u0631\u0627\u0645\u064B\u0627 \u0644\u0644\u0645\u0645\u0627\u0631\u0633\u0629 \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A\u0629\u00BB (\u0641\u0648\u0633 1951\u060C 401)\u060C \u0639\u0644\u0649 \u0627\u0644\u0631\u063A\u0645 \u0645\u0646 \u0627\u062F\u0651\u0639\u0627\u0621 \u0623\u062D\u062F \u0627\u0644\u0643\u064F\u062A\u064E\u0651\u0627\u0628 \u0628\u0623\u0646 \u0623\u0631\u0646\u0648\u0644\u062F \u0642\u0627\u0645 \u0628\u0627\u0644\u062A\u063A\u064A\u064A\u0631 \u0642\u0628\u0644 \u0645\u0648\u0639\u062F\u0647 \u0628\u0633\u0646\u0629 (\u0631\u0648\u0633 2007\u060C 45). \u0648\u062A\u0645 \u062C\u0645\u0639 \u0625\u0631\u062B \u0634\u0648\u064A\u0646\u0628\u064A\u0631\u062C \u0627\u0644\u0623\u0631\u0634\u064A\u0641\u064A \u0641\u064A \u0645\u0631\u0643\u0632 \u0623\u0631\u0646\u0648\u0644\u062F \u0634\u0648\u0646\u0628\u064A\u0631\u062C \u0641\u064A \u0641\u064A\u064A\u0646\u0627."@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg"@pt . . . "music"@en . . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg (Viena, 1874ko irailaren 13a - Los Angeles, 1951ko uztailaren 13a) austriar musikagile, zuzendari eta irakaslea izan zen."@eu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Schoenberg, Arnold. 1975. Style and Idea: Selected Writings of Arnold Schoenberg. Edited by Leonard Stein, with translations by Leo Black. New York: St. Martins Press; London: Faber & Faber. Expanded from the 1950 Philosophical Library publication edited by Dika Newlin. The volume carries the note \"Several of the essays ... were originally written in German \" in both editions."@en . . . . . . . . . . . . . . "67025"^^ . . "Arnold Sch\u00F6nberg"@sv . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg"@fr . . . . . . . . . "Arnold Franz Walther Sch\u00F6nberg (IPA: [\u02C8a\u02D0\u0250\u032Fn\u0254lt f\u0281ant\u0361s \u02C8\u0283\u00F8\u02D0nb\u025B\u0250\u032Fk]; Vienna, 13 settembre 1874 \u2013 Los Angeles, 13 luglio 1951) \u00E8 stato un compositore austriaco naturalizzato statunitense.\u00C8 stato uno tra i primi, nel XX secolo, a scrivere musica al di fuori dalle regole del sistema tonale, ed \u00E8 stato, con Josef Matthias Hauer, uno dei teorici del metodo dodecafonico, basato su una sequenza (detta serie, da cui il termine musica seriale) comprendente tutti i dodici suoni della scala musicale cromatica temperata. Fu buon amico del compositore e direttore d'orchestra Alexander von Zemlinsky."@it . . . . . . . . . . . . . . . . . . . . "December 2016"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg"@de . . . . . . . . . . . . . . . . . . . . . . . . . . "Plush, Vincent. 1996. \"They Could Have Been Ours\", ABC Radio 24 Hours ."@en . . . . . . "\u30A2\u30EB\u30CE\u30EB\u30C8\u30FB\u30B7\u30A7\u30FC\u30F3\u30D9\u30EB\u30AF\uFF08Arnold Sch\u00F6nberg, 1874\u5E749\u670813\u65E5 - 1951\u5E747\u670813\u65E5\uFF09\u306F\u3001\u30AA\u30FC\u30B9\u30C8\u30EA\u30A2\u306E\u4F5C\u66F2\u5BB6\u3001\u6307\u63EE\u8005\u3001\u6559\u80B2\u8005\u3002\u8ABF\u6027\u97F3\u697D\u3092\u8131\u3057\u7121\u8ABF\u306B\u5165\u308A\u3001\u5341\u4E8C\u97F3\u6280\u6CD5\u3092\u5275\u59CB\u3057\u305F\u3053\u3068\u3067\u77E5\u3089\u308C\u308B\u3002\u30A2\u30E1\u30EA\u30AB\u306B\u5E30\u5316\u3057\u3066\u304B\u30891934\u5E74\u4EE5\u964D\u306F\u3001\u300C\u30A2\u30E1\u30EA\u30AB\u306E\u7FD2\u6163\u3092\u5C0A\u91CD\u3057\u3066\u300D\"\u00F6\"\uFF08o-\u30A6\u30E0\u30E9\u30A6\u30C8\uFF09\u3092\"oe\"\u3068\u8868\u8A18\u3057\u305FSchoenberg\u3068\u3044\u3046\u7DB4\u308A\u3092\u81EA\u3089\u7528\u3044\u305F\u3002\u30A2\u30E1\u30EA\u30AB\u3067\u306F\u300C\u30A2\u30FC\u30CE\u30EB\u30C9\u30FB\u30B7\u30E7\u30FC\u30F3\u30D0\u30FC\u30B0\u300D\u3068\u547C\u3070\u308C\u305F\u3002"@ja . . . . . "--12-26"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg, ou Arnold Schoenberg (/\u02C8a\u0281.n\u0254lt \u02C8\u0283\u00F8\u02D0n.b\u025B\u0250\u032Fk/ ) est un compositeur, peintre et th\u00E9oricien autrichien n\u00E9 le 13 septembre 1874 \u00E0 Vienne, et mort le 13 juillet 1951 \u00E0 Los Angeles. Deux si\u00E8cles apr\u00E8s Jean-S\u00E9bastien Bach et Jean-Philippe Rameau, qui avaient pos\u00E9 les fondements de la musique tonale, il chercha \u00E0 \u00E9manciper la musique de la tonalit\u00E9 et inventa le dod\u00E9caphonisme, qui aura une influence marquante sur une part de la musique du XXe si\u00E8cle."@fr . . . . . . . . . . . . "Arnold SCH\u00D6NBERG a\u016D Arnold SCHOENBERG [ARnold \u015CENberg] (la angligita formo de Sch\u00F6nberg \u2014 li oficiale \u015Dan\u011Dis la ortografion de sia familia nomo kiam li i\u011Dis usona civitano) (naski\u011Dis la 13-an de septembro 1874 en Vieno, A\u016Dstrio, mortis la 13-an de julio 1951 en Los-An\u011Deleso, Kalifornio, Usono) estis komponisto. Li speciale memori\u011Dis kiel unu el la unuaj komponistoj, kiuj komponis atonale, kaj pro sia dekdutonismo uzanta , en kiuj \u0109iuj dek du tonoj de la kromata gamo estas same gravaj."@eo . "Arnold SCH\u00D6NBERG a\u016D Arnold SCHOENBERG [ARnold \u015CENberg] (la angligita formo de Sch\u00F6nberg \u2014 li oficiale \u015Dan\u011Dis la ortografion de sia familia nomo kiam li i\u011Dis usona civitano) (naski\u011Dis la 13-an de septembro 1874 en Vieno, A\u016Dstrio, mortis la 13-an de julio 1951 en Los-An\u011Deleso, Kalifornio, Usono) estis komponisto. Li speciale memori\u011Dis kiel unu el la unuaj komponistoj, kiuj komponis atonale, kaj pro sia dekdutonismo uzanta , en kiuj \u0109iuj dek du tonoj de la kromata gamo estas same gravaj. Li estis grandparte meminstruita (preninta lecionojn nur por , kiu i\u011Dis lia unua bofrato). En sia tria jardeko li vivtenis sin aran\u011Dante operetojn, dum li samtempe komponis verkojn kia la ar\u0109a sesteto (Transfigurita Nokto) en 1899. Li poste faris ar\u0109orkestran version de \u0109i tiu, kaj \u011Di estas unu el liaj plej popularaj verkoj. Kaj Richard Strauss kaj Gustav Mahler rekonis la signifon de Sch\u00F6nberg kiel komponisto; Strauss post a\u016Ddo de lia kompona\u0135o Gurrelieder. Mahler adoptis lin kiel protektaton kaj prizorgis lian estontecon post sia propra morto. Sch\u00F6nberg influi\u011Dis de Mahler, \u0109ampionis lian verkon, kaj konsideris lin \"sankta\". Tamen, granda parto de lia verkaro estis ne bone akceptata. En 1907 lia \u0108ambra Simfonio Numero 1 havis unuan prezenton; per \u011Di, li forlasis la muzikan romantikismon kaj ali\u011Dis al la modernismo. La a\u016Ddantaro estis malgranda, kaj la reago al la verko estis varmeta. Kiam \u011Di ludi\u011Dis denove, tamen, en koncerto en 1913, kiu anka\u016D inkluzivis verkojn de Alban Berg, Anton Webern kaj , iom de la audantaro ekis kriegi kvaza\u016D turmentate. Malfrue en la koncerto, dum ludado de iuj kantoj de Berg, batalado eki\u011Dis, kaj la polico devis esti vokata. Alia el liaj plej gravaj verkoj el \u0109i tiu periodo estas de 1912, ciklo da kantoj al teksto de Albert GIRAUD, kiu estis malsimila al \u0109io, kio anta\u016Dis \u011Din. Uzante la teknikon de , a\u016D parolokantada recitado, la verko parigas inan kantiston, en Pierrot-a kostumo, kun malgranda orkestro de 5 (nuntempe kelkfoje 6) muzikistoj, kiu en \u0109iu el la kantoj ludas diferencan, kaj trafan instrumentan kombina\u0135on. Poste, Sch\u00F6nberg kreis la dekdu-tonan metodon de komponado (kiu poste kreskis en ). \u0108i-tiu tekniko adopti\u011Dis de multaj el liaj lernantoj, kiuj konsistigis la tiel nomatan Duan Vienan Skolon. Ili inkluzivis Anton Webern, Alban Berg kaj Hanns Eisler, kiuj grande influi\u011Dis de Sch\u00F6nberg. Li elstaris kiel instruisto de muziko, parte \u0109ar lia metodo enga\u011Di\u011Danta kaj samtempe analizanta transcendis la metodojn de la grandaj klasikaj komponistoj, speciale Bach, Mozart, Beethoven, kaj Brahms, parte pro lia fokuso sur reliefigado de la muzika kaj verkada individueco de liaj lernantoj. Li eldonis nombron da libroj, de lia fama Harmonielehre (Teorio de Harmonio) al Fundamentoj de Muzika Komponado, multaj el kiuj estas ankora\u016D haveblaj kaj ankora\u016D uzataj de muzikistoj kaj disvolvi\u011Dantaj komponistoj."@eo . . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg (Viena, 1874ko irailaren 13a - Los Angeles, 1951ko uztailaren 13a) austriar musikagile, zuzendari eta irakaslea izan zen."@eu . . . . . "Feisst, Sabine. 2011. Schoenberg's New World: The American Years. Oxford and New York: Oxford University Press."@en . . "\u30A2\u30EB\u30CE\u30EB\u30C8\u30FB\u30B7\u30A7\u30FC\u30F3\u30D9\u30EB\u30AF"@ja . . . . . . . . . . . "Schoenberg, Randy. 2018. \"Samuel Sch\u00F6nberg\". Geni.com ."@en . . . . . . . . . . . . . . . . "Arnold Franz Walter Sch\u00F6nberg (Viena, 13 de setembro de 1874 \u2014 Los Angeles, 13 de julho de 1951) foi um compositor austr\u00EDaco de m\u00FAsica erudita e criador do dodecafonismo, um dos mais revolucion\u00E1rios e influentes estilos de composi\u00E7\u00E3o do s\u00E9culo XX."@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Inclusive page numbers of Schoenberg's contribution to this collection of lectures needed."@en . . . . . . . . . "Arnold Sch\u00F6nberg (tyskt uttal: [\u02C8a\u02D0rn\u0254lt \u02C8\u0283\u00F8\u02D0nb\u025Brk]), f\u00F6dd 13 september 1874 i Wien, d\u00F6d 13 juli 1951 i Los Angeles, var en \u00F6sterrikisk tons\u00E4ttare, fr\u00E4mst f\u00F6rknippad med expressionismen inom den tyska poesin och konsten, samt ledare f\u00F6r den s\u00E5 kallade Andra Wienskolan. Han flyttade till USA 1934 och \u00E4ndrade d\u00E5 stavningen av sitt namn till Schoenberg. Sch\u00F6nbergs f\u00F6rh\u00E5llningss\u00E4tt till b\u00E5de harmonik och genomf\u00F6ring r\u00E4knas som en av 1900-talet musikaliska milstolpar. Flera generationer av komposit\u00F6rer i Europa och Amerika har fortsatt att utveckla hans tankar medan andra, med passion, har reagerat emot hans id\u00E9er. Under nazismens framv\u00E4xt i \u00D6sterrike betecknades hans musik, tillsammans med bland annat jazz, som entartete Musik. Sch\u00F6nberg var tidigt vida k\u00E4nd f\u00F6r att parallellt ha lyckats utveckla tankegods fr\u00E5n b\u00E5de Brahms och Wagner, vilka tidigare ofta beskrivits som motsatta traditioner av den tyska romantiken. Senare blev han synonym med sina innovationer inom atonalitet som kom att bli en av de mest omdebatterade uttrycken inom 1900-talets konstmusik. P\u00E5 1920-talet utvecklade Sch\u00F6nberg den seriella tolvtonstekniken, ett inflytelserikt formellt regelverk inom komposition f\u00F6r att skapa serier av de tolv tonerna i den kromatiska skalan. Han myntade ocks\u00E5 begreppet developing variation (ungef\u00E4r: 'varierad genomf\u00F6ring') f\u00F6r en formalistisk teknik att skapa utifr\u00E5n redan existerande material. Han var \u00E4ven den f\u00F6rsta moderna tons\u00E4ttare att ta till sig tekniken att utveckla musikaliska motiv utan att anv\u00E4nda ett dominerande centralt melodiskt tema. Sch\u00F6nberg var ocks\u00E5 konstn\u00E4r, en betydande musikteoretiker och en inflytelserik kompositionsl\u00E4rare. Bland hans elever fanns Alban Berg, Anton Webern, Viktor Ullmann, Eduard Hladisch, John Cage, Hanns Eisler, Josef Zmigrod, med flera. M\u00E5nga av Sch\u00F6nbergs \u00F6vningar innebar en formalisering av kompositionsmetoden och han hade f\u00F6r vana att uppmana \u00E5h\u00F6rarna till ett analytiskt t\u00E4nkande, n\u00E5got som gav eko hos det musikaliska avantgardet under hela 1900-talet. Hans ofta polemiska tankar kring musikhistorien och estetiken var av avg\u00F6rande betydelse f\u00F6r m\u00E5nga av 1900-talets betydande musikvetare och musikkritiker, bland andra Theodor Adorno, Charles Rosen, och Carl Dahlhaus. Sch\u00F6nbergs kvarl\u00E5tenskap finns bevarad i Arnold Sch\u00F6nberg Center i Wien."@sv . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Played by the Carmel Quartet with soprano Rona Israel-Kolatt, in 2007"@en . . "Arnold Schoenberg"@cs . . . . . . . . . . . . . . . . . . . . . . . "Strimple, Nick. 2005. Choral Music in the Twentieth Century. Portland, Oregon & Cambridge, UK: Amadeus."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Marcus, Kenneth H. 2016. Schoenberg and Hollywood Modernism. Cambridge: Cambridge University Press."@en . . . . . . . . . . . . . . . . "Earle, Ben. 2003. \"Taste, Power and Trying to Understand Op. 36: British Attempts to Popularize Schoenberg\". Music & Letters 84, no. 4: 608\u201343."@en . . "Schoenberg Quartet No. 2 4th movement.OGG"@en . . "Second String Quartet, fourth movement"@en . . . . "Cumad\u00F3ir ceoil a rugadh i V\u00EDn na hOstaire ab ea Arnold Schoenberg (13 Me\u00E1n F\u00F3mhair 1874 \u2013 13 I\u00FAil 1951). Nuair a seinneadh a shiansa aireagail den ch\u00E9ad uair i 1907 tharla c\u00EDr\u00E9ib de bhr\u00ED gur thr\u00E9ig s\u00E9 coincheap traidisi\u00FAnta na ton\u00FAlachta. Thug s\u00E9 coincheap an d\u00E1 thon shrathacha d\u00E9ag isteach, agus chuir i bhfeidhm ina cheol n\u00EDos d\u00E9ana\u00ED \u00E9. Ghlac s\u00E9 saor\u00E1nacht na St\u00E1t Aontaithe agus d'\u00E9ag s\u00E9 in Los Angeles, California."@ga . . . . . . . . . . . . . "Hailey, Christopher. 1993. Franz Schreker, 1878\u20131934: A Cultural Biography. Cambridge and New York: Cambridge University Press."@en . . . "-1951.0"^^ . . . . . . . . . . . . "\u039F \u0386\u03C1\u03BD\u03BF\u03BB\u03BD\u03C4 \u03A3\u03AD\u03BD\u03BC\u03C0\u03B5\u03C1\u03B3\u03BA (Arnold Sch\u00F6nberg, 13 \u03A3\u03B5\u03C0\u03C4\u03B5\u03BC\u03B2\u03C1\u03AF\u03BF\u03C5 1874 \u2013 13 \u0399\u03BF\u03C5\u03BB\u03AF\u03BF\u03C5 1951) \u03AE\u03C4\u03B1\u03BD \u0391\u03C5\u03C3\u03C4\u03C1\u03B9\u03B1\u03BA\u03CC\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03C4\u03BF\u03C5 \u03BF\u03C0\u03BF\u03AF\u03BF\u03C5 \u03B7 \u03B4\u03C1\u03AC\u03C3\u03B7 \u03C3\u03C5\u03BD\u03B4\u03AD\u03B8\u03B7\u03BA\u03B5 \u03BC\u03B5 \u03C4\u03BF \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03CC \u03B5\u03BE\u03C0\u03C1\u03B5\u03C3\u03B9\u03BF\u03BD\u03B9\u03C3\u03C4\u03B9\u03BA\u03CC \u03BA\u03AF\u03BD\u03B7\u03BC\u03B1 \u03CC\u03C0\u03C9\u03C2 \u03B1\u03C5\u03C4\u03CC \u03B5\u03BA\u03C6\u03C1\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03C4\u03B7\u03BD \u03B3\u03B5\u03C1\u03BC\u03B1\u03BD\u03B9\u03BA\u03AE \u03C0\u03BF\u03AF\u03B7\u03C3\u03B7 \u03BA\u03B1\u03B9 \u03C4\u03AD\u03C7\u03BD\u03B7, \u03B5\u03BD\u03CE \u03C3\u03C4\u03B7\u03BD \u03C3\u03C5\u03BD\u03AD\u03C7\u03B5\u03B9\u03B1 \u03B1\u03BD\u03B1\u03B4\u03B5\u03AF\u03C7\u03B8\u03B7\u03BA\u03B5 \u03B5\u03C0\u03B9\u03BA\u03B5\u03C6\u03B1\u03BB\u03AE\u03C2 \u03C4\u03B7\u03C2 \u0394\u03B5\u03CD\u03C4\u03B5\u03C1\u03B7\u03C2 \u03A3\u03C7\u03BF\u03BB\u03AE\u03C2 \u03C4\u03B7\u03C2 \u0392\u03B9\u03AD\u03BD\u03BD\u03B7\u03C2. \u039F \u0386\u03C1\u03BD\u03BF\u03BB\u03BD\u03C4 \u03A3\u03AD\u03BD\u03BC\u03C0\u03B5\u03C1\u03B3\u03BA \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B1 \u03B3\u03BD\u03C9\u03C3\u03C4\u03CC\u03C2 \u03B3\u03B9\u03B1 \u03C4\u03B7\u03BD \u03B1\u03BD\u03B1\u03BD\u03AD\u03C9\u03C3\u03B7 \u03C0\u03BF\u03C5 \u03AD\u03C6\u03B5\u03C1\u03B5 \u03B1\u03C0\u03CC \u03BC\u03BF\u03C1\u03C6\u03BF\u03BB\u03BF\u03B3\u03B9\u03BA\u03AE\u03C2 \u03BA\u03B9 \u03B5\u03BA\u03C6\u03C1\u03B1\u03C3\u03C4\u03B9\u03BA\u03AE\u03C2 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\u0648\u062A\u0645 \u062C\u0645\u0639 \u0625\u0631\u062B \u0634\u0648\u064A\u0646\u0628\u064A\u0631\u062C \u0627\u0644\u0623\u0631\u0634\u064A\u0641\u064A \u0641\u064A \u0645\u0631\u0643\u0632 \u0623\u0631\u0646\u0648\u0644\u062F \u0634\u0648\u0646\u0628\u064A\u0631\u062C \u0641\u064A \u0641\u064A\u064A\u0646\u0627."@ar . . . . . . . . . . . . . . . . . . . "Stein, Erwin . 1987. Arnold Schoenberg: Letters, translated by Eithne Wilkins and Ernst Kaiser. Berkeley and Los Angeles: University of California Press."@en . . . . . "\uC544\uB974\uB180\uD2B8 \uC1E4\uBCA0\uB974\uD06C(\uB3C5\uC77C\uC5B4: Arnold Sch\u00F6nberg, 1941\uB144 \uC774\uD6C4: Arnold Schoenberg, 1874\uB144 9\uC6D4 13\uC77C ~ 1951\uB144 7\uC6D4 13\uC77C)\uB294 \uC624\uC2A4\uD2B8\uB9AC\uC544\uC5D0\uC11C \uD0DC\uC5B4\uB098 \uBBF8\uAD6D\uC73C\uB85C \uADC0\uD654\uD55C \uC791\uACE1\uAC00, \uC74C\uC545\uC774\uB860\uAC00\uC774\uC790 \uC74C\uC545\uAD50\uC721\uAC00\uC774\uB2E4. \uC1E4\uBCA0\uB974\uD06C\uC758 \uAC00\uACC4\uB294 \uBE48\uC5D0 \uAE30\uBC18\uC744 \uB454 \uC720\uB300\uC778 \uC9D1\uC548\uC774\uB2E4. 1933\uB144 \uB3C5\uC77C\uC5D0\uC11C \uAD6D\uAC00\uC0AC\uD68C\uC8FC\uC758 \uB178\uB3D9\uC790\uB2F9\uC774 \uC815\uAD8C\uC744 \uD68D\uB4DD\uD558\uC790 \uBBF8\uAD6D\uC73C\uB85C \uB3C4\uD53C\uD558\uC600\uC73C\uBA70, 1941\uB144\uC5D0 \uBBF8\uAD6D \uAD6D\uC801\uC744 \uCDE8\uB4DD\uD558\uC600\uB2E4. \uC1E4\uBCA0\uB974\uD06C\uB294 20\uC138\uAE30 \uC804\uBC18\uAE30\uC758 \uAC00\uC7A5 \uC601\uD5A5\uB825\uC788\uB294 \uC791\uACE1\uAC00 \uC911\uC758 \uD558\uB098\uC600\uC73C\uBA70, \uC870\uC131\uC74C\uC545\uC758 \uD574\uCCB4\uC5D0 \uAE30\uC5EC\uD55C \uC911\uC2EC\uC778\uBB3C \uC911 \uD558\uB098\uC774\uB2E4. \uC7A5\uC870\uC640 \uB2E8\uC870\uC5D0 \uAE30\uBC18\uD55C \uC870\uC131\uC758 \uD574\uCCB4\uB294 \uC2DC\uAE30\uC801\uC73C\uB85C 1906\uB144\uACFC 1909\uB144 \uC0AC\uC774\uC5D0 \uC774\uB8E8\uC5B4\uC84C\uB2E4. \uC1E4\uBCA0\uB974\uD06C\uB294 12\uC74C\uAE30\uBC95\uC744 \uD655\uB9BD\uD55C \uC7A5\uBCF8\uC778 \uC911\uC758 \uD55C \uBA85\uC774\uBA70, 12\uC74C\uAE30\uBC95\uC740 \uC74C\uB82C\uC8FC\uC758 \uC74C\uC545\uC73C\uB85C \uBC1C\uC804\uD558\uC5EC \uD604\uB300\uC74C\uC545\uC5D0\uC11C \uB9CE\uC740 \uC791\uACE1\uAC00\uB4E4\uC758 \uC74C\uC545\uC5D0 \uACC4\uC2B9\uB418\uC5C8\uB2E4."@ko . . "UCLA Department of Music. 2008. \"Facilities and Maintenance\" ."@en . . . . . . . . . . . . . . . . . . . "Stuckenschmidt, Hans Heinz. 1977. Schoenberg: His Life, World and Work, translated from the German by Humphrey Searle. New York: Schirmer Books."@en . . . . . . . . . . . . . "Crawford, Dorothy L. 2009. A Windfall of Musicians: Hitler's \u00C9migr\u00E9s and Exiles in Southern California. New Haven and London: Yale University Press."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . "June 2018"@en . . . "Neighbour, O[liver] W. 2001. \"Schoenberg [Sch\u00F6nberg], Arnold \". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers."@en . . . . "Cumad\u00F3ir ceoil a rugadh i V\u00EDn na hOstaire ab ea Arnold Schoenberg (13 Me\u00E1n F\u00F3mhair 1874 \u2013 13 I\u00FAil 1951). Nuair a seinneadh a shiansa aireagail den ch\u00E9ad uair i 1907 tharla c\u00EDr\u00E9ib de bhr\u00ED gur thr\u00E9ig s\u00E9 coincheap traidisi\u00FAnta na ton\u00FAlachta. Thug s\u00E9 coincheap an d\u00E1 thon shrathacha d\u00E9ag isteach, agus chuir i bhfeidhm ina cheol n\u00EDos d\u00E9ana\u00ED \u00E9. Ghlac s\u00E9 saor\u00E1nacht na St\u00E1t Aontaithe agus d'\u00E9ag s\u00E9 in Los Angeles, California."@ga . . . . . . . . "Arnold Sch\u00F6nberg"@eo . . . . . . . . . . . . . . . . . . . . . . . . "University of Southern California Thornton School of Music. 2008. \"Performance Halls and Studios\" ."@en . . . . . . . . "(Viena, 13 de setembre de 1874 - Los Angeles, 13 de juliol de 1951), de nom complet Arnold Franz Walter Sch\u00F6nbergfou un compositor austr\u00EDac nacionalitzat estatunidenc. Part de les seves obres s'associen amb els moviments expressionistes de principis del segle xx en l'art i la literatura germ\u00E0niques. Va ser dels primers compositors a abra\u00E7ar l'atonalisme. La principal innovaci\u00F3 de Sch\u00F6nberg \u00E9s la t\u00E8cnica dodecaf\u00F2nica, que utilitza s\u00E8ries de notes (serialisme). Tamb\u00E9 va ser pintor, un important te\u00F2ric musical i un influent mestre de composici\u00F3."@ca . . "Schoenberg, Arnold. 1964. Arnold Schoenberg Letters, selected and edited by Erwin Stein, translated from the original German by Eithne Wilkins and Ernst Kaiser. London: Faber. Paperback reprint, Berkeley: University of California Press, 1987."@en . . . . . . . . . . . . . . . "Arnold (Franz Walter) Sch\u00F6nberg (Wenen, 13 september 1874 \u2013 Los Angeles, 13 juli 1951) was een Oostenrijks-Hongaars-Amerikaans componist, muziekleraar en -theoreticus en schilder. Hij wordt als grondlegger van de twaalftoonsmuziek tot de invloedrijkste componisten van de twintigste eeuw gerekend. In 1941 verwierf Sch\u00F6nberg de Amerikaanse nationaliteit; vanaf die tijd wordt zijn naam als Schoenberg gespeld."@nl . . . . "\uC544\uB974\uB180\uD2B8 \uC1E4\uBCA0\uB974\uD06C"@ko . . . . . . . . . . . . . . . . . . . . . . "Arnold Sch\u00F6nberg (* 13. September 1874 in Wien, \u00D6sterreich-Ungarn; \u2020 13. Juli 1951 in Los Angeles, Vereinigte Staaten) war ein \u00F6sterreichischer Komponist, Musiktheoretiker, Kompositionslehrer, Maler, Dichter und Erfinder. Er stammte aus einer j\u00FCdischen Familie, emigrierte 1933 in die USA und nahm 1941 die Staatsb\u00FCrgerschaft der Vereinigten Staaten an. Nach seiner Emigration schrieb er sich Arnold Schoenberg. Sch\u00F6nberg gilt zusammen mit Igor Strawinsky als \u201Eeiner der einflussreichsten Komponisten des fr\u00FChen 20. Jahrhunderts nach Claude Debussy\u201C und war die zentrale Gestalt der Zweiten Wiener Schule (auch Wiener atonale Schule). Ihr Bestreben, \u201Edie Tonalit\u00E4t in ihrer sp\u00E4tromantischen Erscheinungsform konsequent zu Ende\u201C zu denken, m\u00FCndete nach Aufgabe der Dur-Moll-Tonalit\u00E4t zwischen 1906 und 1909, beziehungsweise zwischen 1904 und 1911 in die Zw\u00F6lftontechnik. Sch\u00F6nberg entwickelte um 1920 parallel zum weniger bekannten Josef Matthias Hauer die theoretische Formulierung dieser neuen Kompositionstechnik, die sp\u00E4ter zur seriellen Musik weiterentwickelt und von zahlreichen Komponisten der Neuen Musik aufgegriffen wurde. In der Villa Josef in Traunkirchen komponierte Arnold Sch\u00F6nberg im Juli 1921 mit dem Praeludium der Klaviersuite op. 25 das erste St\u00FCck in der von ihm entwickelten Zw\u00F6lftontechnik."@de . . . . . . . . . . . . . . . . . . . . . . . "\u0410\u0440\u043D\u043E\u043B\u044C\u0434 \u0428\u0435\u0301\u043D\u0431\u0435\u0440\u0433 (\u043D\u0456\u043C. Arnold Sch\u00F6nberg; 13 \u0432\u0435\u0440\u0435\u0441\u043D\u044F 1874, \u0412\u0456\u0434\u0435\u043D\u044C \u2014 13 \u043B\u0438\u043F\u043D\u044F 1951) \u2014 \u0430\u0432\u0441\u0442\u0440\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A, \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A, \u0434\u0438\u0440\u0438\u0433\u0435\u043D\u0442 \u0454\u0432\u0440\u0435\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u043F\u043E\u0445\u043E\u0434\u0436\u0435\u043D\u043D\u044F. \u041D\u0430\u0439\u0431\u0456\u043B\u044C\u0448\u0438\u0439 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043D\u0438\u043A \u043C\u0443\u0437\u0438\u0447\u043D\u043E\u0433\u043E \u0435\u043A\u0441\u043F\u0440\u0435\u0441\u0456\u043E\u043D\u0456\u0437\u043C\u0443, \u0437\u0430\u0441\u043D\u043E\u0432\u043D\u0438\u043A \u041D\u043E\u0432\u043E\u0457 \u0432\u0456\u0434\u0435\u043D\u0441\u044C\u043A\u043E\u0457 \u0448\u043A\u043E\u043B\u0438, \u0430\u0432\u0442\u043E\u0440 \u0442\u0430\u043A\u0438\u0445 \u0442\u0435\u0445\u043D\u0456\u043A, \u044F\u043A \u0434\u043E\u0434\u0435\u043A\u0430\u0444\u043E\u043D\u0456\u044F \u0456 \u0441\u0435\u0440\u0456\u0439\u043D\u0430 \u0442\u0435\u0445\u043D\u0456\u043A\u0430. \u0412\u0432\u0430\u0436\u0430\u0454\u0442\u044C\u0441\u044F \u043E\u0434\u043D\u0438\u043C \u0437 \u043D\u0430\u0439\u0432\u043F\u043B\u0438\u0432\u043E\u0432\u0456\u0448\u0438\u0445 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0456\u0432 \u043F\u043E\u0447\u0430\u0442\u043A\u0443 XX-\u0433\u043E \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F."@uk . . "Schoenberg, Arnold. 1984. Style and Idea: Selected Writings, translated by Leo Black. Berkeley: California University Press."@en . . . "\u0410\u0440\u043D\u043E\u043B\u044C\u0434 \u0424\u0440\u0430\u043D\u0446 \u0412\u0430\u043B\u044C\u0442\u0435\u0440 \u0428\u0451\u043D\u0431\u0435\u0440\u0433 (\u043D\u0435\u043C. Arnold Franz Walter Schoenberg, \u0438\u0437\u043D\u0430\u0447\u0430\u043B\u044C\u043D\u043E Sch\u00F6nberg; 13 \u0441\u0435\u043D\u0442\u044F\u0431\u0440\u044F 1874 \u2014 13 \u0438\u044E\u043B\u044F 1951) \u2014 \u0430\u0432\u0441\u0442\u0440\u0438\u0439\u0441\u043A\u0438\u0439 \u0438 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u043C\u0443\u0437\u044B\u043A\u043E\u0432\u0435\u0434, \u0434\u0438\u0440\u0438\u0436\u0451\u0440, \u043F\u0443\u0431\u043B\u0438\u0446\u0438\u0441\u0442. \u041A\u0440\u0443\u043F\u043D\u0435\u0439\u0448\u0438\u0439 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043B\u044C \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u044D\u043A\u0441\u043F\u0440\u0435\u0441\u0441\u0438\u043E\u043D\u0438\u0437\u043C\u0430, \u043E\u0441\u043D\u043E\u0432\u043E\u043F\u043E\u043B\u043E\u0436\u043D\u0438\u043A \u043D\u043E\u0432\u043E\u0439 \u0432\u0435\u043D\u0441\u043A\u043E\u0439 \u0448\u043A\u043E\u043B\u044B, \u0430\u0432\u0442\u043E\u0440 \u0442\u0430\u043A\u0438\u0445 \u0442\u0435\u0445\u043D\u0438\u043A, \u043A\u0430\u043A \u0434\u043E\u0434\u0435\u043A\u0430\u0444\u043E\u043D\u0438\u044F (12-\u0442\u043E\u043D\u043E\u0432\u0430\u044F) \u0438 \u0441\u0435\u0440\u0438\u0439\u043D\u0430\u044F \u0442\u0435\u0445\u043D\u0438\u043A\u0430."@ru . . . . "Arnold Sch\u00F6nberg"@es . . "Laskin, David. 2008. When Weimar Luminaries Went West Coast. The New York Times ."@en . . . . . . . . . . . . . . . . . . . "Schoenberg, E. Randol. 2018. Doctor Faustus Dossier, The: Arnold Schoenberg, Thomas Mann and Their Contemporaries, 1930\u20131951. University of California Press."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u963F\u8BFA\u5C14\u5FB7\u00B7\u52CB\u4F2F\u683C\uFF08\u5FB7\u8A9E\uFF1AArnold Sch\u00F6nberg\uFF0C\u5B9A\u5C45\u7F8E\u56FD\u540E\u6539\u59D3\u6C0F\u5199\u6CD5\u4E3ASchoenberg\uFF0C1874\u5E749\u670813\u65E5\uFF0D1951\u5E747\u670813\u65E5\uFF09\uFF0C\u5965\u5730\u5229\u4F5C\u66F2\u5BB6\u3001\u97F3\u6A02\u6559\u80B2\u5BB6\u3001\u97F3\u6A02\u7406\u8AD6\u5BB6\uFF0C\u4F5C\u5BB6\uFF0C\u753B\u5BB6\uFF0C\u66FE\u5411\u4E9A\u5386\u5C71\u5927\u00B7\u51AF\u00B7\u7B56\u59C6\u6797\u65AF\u57FA\u5B78\u7FD2\u4F5C\u66F2\uFF0C\u5176\u5F8C\u4E26\u8FCE\u5A36\u7B56\u6C0F\u4E4B\u59B9\u70BA\u59BB\u3002 \u52CB\u4F2F\u683C\u7684\u65B9\u6CD5\uFF0C\u65E0\u8BBA\u662F\u5728\u548C\u58F0\u8FD8\u662F\u53D1\u5C55\u65B9\u9762\uFF0C\u90FD\u662F20\u4E16\u7EAA\u6700\u6709\u5F71\u54CD\u529B\u7684\u97F3\u4E50\u7406\u5FF5\u4E4B\u4E00\u3002\u6709\u4E09\u4EE3\u6765\u81EA\u6B27\u6D32\u548C\u7F8E\u56FD\u7684\u4F5C\u66F2\u5BB6\u63A5\u53D7\u5E76\u53D1\u5C55\u4E86\u4ED6\u7684\u7406\u5FF5\uFF0C\u4F46\u540C\u65F6\u4ED6\u7684\u7406\u8BBA\u4E5F\u6FC0\u8D77\u4E86\u8BB8\u591A\u4EBA\u7684\u5F3A\u70C8\u53CD\u5BF9\u3002\u52CB\u4F2F\u683C\u5728\u97F3\u6A02\u53F2\u4E0A\u7684\u91CD\u8981\u6027\u5728\u65BC\u4ED6\u958B\u5275\u4E86\u7B2C\u4E8C\u7DAD\u4E5F\u7D0D\u6A02\u6D3E\u3001\u7DE8\u5BEB\u300A\u548C\u8072\u5B78\u300B\uFF081911\uFF09\u3001\u63D0\u51FA\u300A\u5341\u4E8C\u97F3\u5217\u7406\u8AD6\u300B\uFF081923\uFF09\uFF0C\u6DF1\u9060\u5730\u5F71\u97FF\u4E86\u4E8C\u5341\u4E16\u7D00\u97F3\u6A02\u7684\u5F8C\u7E8C\u767C\u5C55\u3002"@zh . . . . . "Nicolas Slonimsky, Nicolas, Laura Kuhn, and Dennis McIntire. 2001. \"Schoenberg , Arnold .\" Baker's Biographical Dictionary of Musicians, eighth edition, edited by Nicolas Slonimsky and Laura Kuhn. Six volumes. New York: Schirmer Books."@en . . . . . . . . . . . . . . . "\u0410\u0440\u043D\u043E\u043B\u044C\u0434 \u0428\u0435\u0301\u043D\u0431\u0435\u0440\u0433 (\u043D\u0456\u043C. Arnold Sch\u00F6nberg; 13 \u0432\u0435\u0440\u0435\u0441\u043D\u044F 1874, \u0412\u0456\u0434\u0435\u043D\u044C \u2014 13 \u043B\u0438\u043F\u043D\u044F 1951) \u2014 \u0430\u0432\u0441\u0442\u0440\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A, \u043F\u0435\u0434\u0430\u0433\u043E\u0433, \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A, \u0434\u0438\u0440\u0438\u0433\u0435\u043D\u0442 \u0454\u0432\u0440\u0435\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u043F\u043E\u0445\u043E\u0434\u0436\u0435\u043D\u043D\u044F. \u041D\u0430\u0439\u0431\u0456\u043B\u044C\u0448\u0438\u0439 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043D\u0438\u043A \u043C\u0443\u0437\u0438\u0447\u043D\u043E\u0433\u043E \u0435\u043A\u0441\u043F\u0440\u0435\u0441\u0456\u043E\u043D\u0456\u0437\u043C\u0443, \u0437\u0430\u0441\u043D\u043E\u0432\u043D\u0438\u043A \u041D\u043E\u0432\u043E\u0457 \u0432\u0456\u0434\u0435\u043D\u0441\u044C\u043A\u043E\u0457 \u0448\u043A\u043E\u043B\u0438, \u0430\u0432\u0442\u043E\u0440 \u0442\u0430\u043A\u0438\u0445 \u0442\u0435\u0445\u043D\u0456\u043A, \u044F\u043A \u0434\u043E\u0434\u0435\u043A\u0430\u0444\u043E\u043D\u0456\u044F \u0456 \u0441\u0435\u0440\u0456\u0439\u043D\u0430 \u0442\u0435\u0445\u043D\u0456\u043A\u0430. \u0412\u0432\u0430\u0436\u0430\u0454\u0442\u044C\u0441\u044F \u043E\u0434\u043D\u0438\u043C \u0437 \u043D\u0430\u0439\u0432\u043F\u043B\u0438\u0432\u043E\u0432\u0456\u0448\u0438\u0445 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0456\u0432 \u043F\u043E\u0447\u0430\u0442\u043A\u0443 XX-\u0433\u043E \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F."@uk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "(Viena, 13 de setembre de 1874 - Los Angeles, 13 de juliol de 1951), de nom complet Arnold Franz Walter Sch\u00F6nbergfou un compositor austr\u00EDac nacionalitzat estatunidenc. Part de les seves obres s'associen amb els moviments expressionistes de principis del segle xx en l'art i la literatura germ\u00E0niques. Va ser dels primers compositors a abra\u00E7ar l'atonalisme. La principal innovaci\u00F3 de Sch\u00F6nberg \u00E9s la t\u00E8cnica dodecaf\u00F2nica, que utilitza s\u00E8ries de notes (serialisme). Tamb\u00E9 va ser pintor, un important te\u00F2ric musical i un influent mestre de composici\u00F3."@ca . . . . . "Anon. 2013. \"Max Deutsch Conducts Arnold Schonberg\" ArkivMusic: The Source for Classical Music ."@en . . . . . . . . . "Leeuw, Ton de. 2005. Music of the Twentieth Century: A Study of Its Elements and Structure, translated from the Dutch by Stephen Taylor. Amsterdam: Amsterdam University Press. Translation of Muziek van de twintigste eeuw: een onderzoek naar haar elementen en structuur. Utrecht: Oosthoek's Uitgevers Mij. N.V., 1964. Third impression, Utrecht: Bohn, Scheltema & Holkema, 1977."@en . . . . . . . . . . . . . . . .