. . . . . . "Elaborazione di immagini"@it . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u56FE\u50CF\u7F16\u8F91"@zh . "Penyuntingan citra digital adalah sebuah proses pengubahan gambar digital, baik citra yang berasal dari foto digital atau citra digital bentuk lainnya. Penyuntingan ini biasanya dilakukan dengan sebuah program komputer disebut untuk mengubah dan memperindah citra. Program lainnya yang dapat mengubah foto digital adalah editor grafik vektor atau . Editor di atas dapat mengubah citra dalam banyak cara. Citra digital berhubungan dekat dengan fotografi digital dan digunakan dalam bidang ilmiah, medis, dan forensik."@in . . "L'elaborazione digitale di immagini si occupa dello sviluppo di immagini digitali (nella maggior parte dei casi foto o documenti scannerizzati) attraverso l'uso del computer, nello specifico di un editore di grafica. Queste immagini vengono modificate con lo scopo di migliorarle, modificarle, ritoccarle, o mediante l'aggiunta di un elemento che non era presente al momento dello scatto o della sua scannerizzazione, al fine di ottenere il risultato desiderato.Uno dei motivi per cui l'immagine possa aver bisogno dell'elaborazione digitale pu\u00F2 essere la presenza di un errore che si \u00E8 presentato in fase di scannerizzazione o di scatto, come per esempio di sovraesposizione, sottoesposizione, mancanza di contrasto, rumore nell'immagine, effetto occhi rossi, illusione ottica, ecc. Questi errori possono incorrere per via di anomalie tecniche negli apparecchi fotografici, scanner, condizioni di lavoro precarie, errori in fase di scatto o file originali difettosi. Le immagini alla destra mostrano alcune delle potenzialit\u00E0 dell'elaborazione di immagini: l'immagine in alto \u00E8 sottoesposta, il testo offuscato e il soggetto decentrato. L'immagine in basso \u00E8 pi\u00F9 nitida e correttamente esposta e il soggetto si trova in una posizione pi\u00F9 centrata, quindi pi\u00F9 visibile. Il ritocco digitale viene preferito sempre pi\u00F9, a discapito di quello tradizionale e spesso l'elaborazione dell'immagine viene automaticamente eseguita nella fase di salvataggio dell'immagine appena scattata. L'elaborazione di immagini non si deve confondere con l'elaborazione numerica di segnali n\u00E9 con la grafica."@it . . . . . . . . . . . . . "Edici\u00F3n de im\u00E1genes"@es . . . . . "\u0420\u0435\u0434\u0430\u043A\u0442\u0438\u0440\u043E\u0432\u0430\u043D\u0438\u0435 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0439 (\u043B\u0430\u0442. redactus \u2014 \u043F\u0440\u0438\u0432\u0435\u0434\u0451\u043D\u043D\u044B\u0439 \u0432 \u043F\u043E\u0440\u044F\u0434\u043E\u043A) \u2014 \u0438\u0437\u043C\u0435\u043D\u0435\u043D\u0438\u0435 \u0444\u043E\u0442\u043E\u0433\u0440\u0430\u0444\u0438\u0439 (\u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0439) \u043A\u043B\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043A\u0438\u043C\u0438 \u0438\u043B\u0438 \u0446\u0438\u0444\u0440\u043E\u0432\u044B\u043C\u0438 \u043C\u0435\u0442\u043E\u0434\u0430\u043C\u0438. \u0422\u0430\u043A\u0436\u0435 \u043C\u043E\u0436\u0435\u0442 \u043E\u0431\u043E\u0437\u043D\u0430\u0447\u0430\u0442\u044C\u0441\u044F \u0442\u0435\u0440\u043C\u0438\u043D\u043E\u043C \u0440\u0435\u0442\u0443\u0448\u0438\u0301\u0440\u043E\u0432\u0430\u043D\u0438\u0435, \u0440\u0435\u0301\u0442\u0443\u0448\u044C (\u0444\u0440. retoucher \u2014 \u043F\u043E\u0434\u0440\u0438\u0441\u043E\u0432\u044B\u0432\u0430\u0442\u044C, \u043F\u043E\u0434\u043F\u0440\u0430\u0432\u043B\u044F\u0442\u044C). \u0426\u0435\u043B\u044C\u044E \u0440\u0435\u0434\u0430\u043A\u0442\u0438\u0440\u043E\u0432\u0430\u043D\u0438\u044F \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043A\u043E\u0440\u0440\u0435\u043A\u0446\u0438\u044F \u0434\u0435\u0444\u0435\u043A\u0442\u043E\u0432, \u043F\u043E\u0434\u0433\u043E\u0442\u043E\u0432\u043A\u0430 \u043A \u043F\u0443\u0431\u043B\u0438\u043A\u0430\u0446\u0438\u0438, \u0440\u0435\u0448\u0435\u043D\u0438\u0435 \u0442\u0432\u043E\u0440\u0447\u0435\u0441\u043A\u0438\u0445 \u0437\u0430\u0434\u0430\u0447. \u041A\u0440\u043E\u043C\u0435 \u0441\u0442\u0430\u0442\u0438\u0447\u043D\u044B\u0445 \u0434\u0432\u0443\u0445\u043C\u0435\u0440\u043D\u044B\u0445 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0439, \u043C\u043E\u0433\u0443\u0442 \u043E\u0431\u0440\u0430\u0431\u0430\u0442\u044B\u0432\u0430\u0442\u044C\u0441\u044F \u0442\u0430\u043A\u0436\u0435 \u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u0438 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0439 (\u0441\u043C. )."@ru . . . . . . "\u062A\u0639\u062F\u064A\u0644 \u0627\u0644\u0635\u0648\u0631"@ar . . . "\u0420\u0435\u0434\u0430\u043A\u0442\u0438\u0440\u043E\u0432\u0430\u043D\u0438\u0435 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0439 (\u043B\u0430\u0442. redactus \u2014 \u043F\u0440\u0438\u0432\u0435\u0434\u0451\u043D\u043D\u044B\u0439 \u0432 \u043F\u043E\u0440\u044F\u0434\u043E\u043A) \u2014 \u0438\u0437\u043C\u0435\u043D\u0435\u043D\u0438\u0435 \u0444\u043E\u0442\u043E\u0433\u0440\u0430\u0444\u0438\u0439 (\u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0439) \u043A\u043B\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043A\u0438\u043C\u0438 \u0438\u043B\u0438 \u0446\u0438\u0444\u0440\u043E\u0432\u044B\u043C\u0438 \u043C\u0435\u0442\u043E\u0434\u0430\u043C\u0438. \u0422\u0430\u043A\u0436\u0435 \u043C\u043E\u0436\u0435\u0442 \u043E\u0431\u043E\u0437\u043D\u0430\u0447\u0430\u0442\u044C\u0441\u044F \u0442\u0435\u0440\u043C\u0438\u043D\u043E\u043C \u0440\u0435\u0442\u0443\u0448\u0438\u0301\u0440\u043E\u0432\u0430\u043D\u0438\u0435, \u0440\u0435\u0301\u0442\u0443\u0448\u044C (\u0444\u0440. retoucher \u2014 \u043F\u043E\u0434\u0440\u0438\u0441\u043E\u0432\u044B\u0432\u0430\u0442\u044C, \u043F\u043E\u0434\u043F\u0440\u0430\u0432\u043B\u044F\u0442\u044C). \u0426\u0435\u043B\u044C\u044E \u0440\u0435\u0434\u0430\u043A\u0442\u0438\u0440\u043E\u0432\u0430\u043D\u0438\u044F \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043A\u043E\u0440\u0440\u0435\u043A\u0446\u0438\u044F \u0434\u0435\u0444\u0435\u043A\u0442\u043E\u0432, \u043F\u043E\u0434\u0433\u043E\u0442\u043E\u0432\u043A\u0430 \u043A \u043F\u0443\u0431\u043B\u0438\u043A\u0430\u0446\u0438\u0438, \u0440\u0435\u0448\u0435\u043D\u0438\u0435 \u0442\u0432\u043E\u0440\u0447\u0435\u0441\u043A\u0438\u0445 \u0437\u0430\u0434\u0430\u0447. \u041A\u0440\u043E\u043C\u0435 \u0441\u0442\u0430\u0442\u0438\u0447\u043D\u044B\u0445 \u0434\u0432\u0443\u0445\u043C\u0435\u0440\u043D\u044B\u0445 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0439, \u043C\u043E\u0433\u0443\u0442 \u043E\u0431\u0440\u0430\u0431\u0430\u0442\u044B\u0432\u0430\u0442\u044C\u0441\u044F \u0442\u0430\u043A\u0436\u0435 \u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0441\u0442\u0438 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0439 (\u0441\u043C. )."@ru . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Image editing"@en . . . . . . . . . . . . "\u00DAprava obrazu"@cs . "\uC774\uBBF8\uC9C0 \uD3B8\uC9D1(\uC601\uC5B4: image editing, \uC77C\uBCF8\uC5B4: \u753B\u50CF\u7DE8\u96C6)\uC740 \uB514\uC9C0\uD138 \uC0AC\uC9C4\uC774\uB098 \uC774\uB098 \uC77C\uB7EC\uC2A4\uD2B8\uB808\uC774\uC158 \uB4F1\uC758 \uC774\uBBF8\uC9C0\uB97C \uBCC0\uD654\uC2DC\uD0A4\uB294 \uACFC\uC815\uC744 \uB9D0\uD55C\uB2E4. \uB514\uC9C0\uD138 \uC2A4\uCE90\uB108\uC640 \uB514\uC9C0\uD138 \uCE74\uBA54\uB77C\uAC00 \uC8FC\uB958\uAC00 \uB418\uAE30 \uC774\uC804\uC758 \uC0AC\uC9C4 \uC774\uBBF8\uC9C0 \uD3B8\uC9D1\uC740 \uC5D0\uC5B4\uBE0C\uB7EC\uC2DC \uB4F1\uC758 \uB3C4\uAD6C\uB85C \uC218\uC815\uD558\uAC70\uB098 \uD654\uD544 \uB4F1\uC73C\uB85C \uC77C\uB7EC\uC2A4\uD2B8\uB808\uC774\uC158\uC744 \uC218\uC815\uD558\uB294 \uAC83\uC774 \uC77C\uBC18\uC801\uC774\uC5C8\uB2E4. \uADF8\uB7EC\uB098 \uB514\uC9C0\uD138 \uC774\uBBF8\uC9C0\uAC00 \uB4F1\uC7A5\uD574 \uC544\uB0A0\uB85C\uADF8 \uC774\uBBF8\uC9C0 \uD3B8\uC9D1\uC740 \uAC70\uC758 \uC0AC\uC6A9\uD558\uC9C0 \uC54A\uAC8C \uB418\uC5C8\uB2E4. \uADF8\uB798\uD53D \uC18C\uD504\uD2B8\uC6E8\uC5B4\uC5D0\uB294 \uBCA1\uD130 \uC774\uBBF8\uC9C0\uB97C \uB2E4\uB8E8\uB294 \uB4DC\uB85C\uC789 \uC18C\uD504\uD2B8\uC6E8\uC5B4, \uBE44\uD2B8\uB9F5 \uC774\uBBF8\uC9C0\uB97C \uB2E4\uB8E8\uB294 \uD398\uC778\uD2B8 \uC18C\uD504\uD2B8\uC6E8\uC5B4, 3\uCC28\uC6D0 \uCEF4\uD4E8\uD130 \uADF8\uB798\uD53D\uC2A4\uC6A9\uC758 \uBAA8\uB378\uB7EC \uB4F1\uC774 \uC788\uC5B4 \uC774\uBBF8\uC9C0\uB97C \uC870\uC791, \uC218\uC815, \uBCC0\uD658\uD558\uB294 \uB370 \uC0AC\uC6A9\uB41C\uB2E4. \uC774\uBBF8\uC9C0 \uD3B8\uC9D1 \uC18C\uD504\uD2B8\uC6E8\uC5B4\uB294 \uCEF4\uD4E8\uD130 \uC544\uD2B8 \uB4F1\uC758 \uC608\uC220\uC5D0\uB3C4 \uC774\uC6A9\uB418\uACE0 \uC788\uB2E4."@ko . . . . . . . . . . . . . . . . . . . . . . . . . . . "1116117525"^^ . "La retouche num\u00E9rique est le processus d'alt\u00E9ration d\u00E9lib\u00E9r\u00E9e d'images num\u00E9riques, qu'elles soient des photographies ou d'autres pictogrammes cr\u00E9\u00E9s par ordinateur. La manipulation se fait au moyen de logiciels sp\u00E9cialis\u00E9s dans les images matricielles ou vectorielles."@fr . . . . . . . . . . . "\u753B\u50CF\u7DE8\u96C6\uFF08\u304C\u305E\u3046\u3078\u3093\u3057\u3085\u3046\u3001\u82F1: Image editing\uFF09\u306F\u3001\u30C7\u30B8\u30BF\u30EB\u5199\u771F\u3084\u9280\u5869\u5199\u771F\u3001\u30A4\u30E9\u30B9\u30C8\u30EC\u30FC\u30B7\u30E7\u30F3\u306A\u3069\u306E\u753B\u50CF\u3092\u5909\u5316\u3055\u305B\u308B\u904E\u7A0B\u3092\u6307\u3059\u3002 \u753B\u50CF\u7DE8\u96C6\u306B\u7528\u3044\u308B\u30BD\u30D5\u30C8\u30A6\u30A7\u30A2\u306B\u3064\u3044\u3066\u306F\u3001\u30B0\u30E9\u30D5\u30A3\u30C3\u30AF\u30BD\u30D5\u30C8\u30A6\u30A7\u30A2#\u753B\u50CF\u7DE8\u96C6\u30BD\u30D5\u30C8\u30A6\u30A7\u30A2\u3092\u53C2\u7167\u3002"@ja . . "Penyuntingan gambar digital"@in . . . . . "\u062A\u0639\u062F\u064A\u0644 \u0623\u0648 \u062A\u062D\u0631\u064A\u0631 \u0627\u0644\u0635\u0648\u0631 \u064A\u0634\u0645\u0644 \u0639\u0645\u0644\u064A\u0627\u062A \u0627\u0644\u062A\u063A\u064A\u064A\u0631 \u0641\u064A \u0627\u0644\u0635\u0648\u0631\u060C \u0633\u0648\u0627\u0621 \u0643\u0627\u0646\u062A \u0627\u0644\u0635\u0648\u0631 \u0631\u0642\u0645\u064A\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: digital photographs)\u200F \u0623\u0648 \u0635\u0648\u0631 \u062A\u0646\u0627\u0638\u0631\u064A\u0629 \u062A\u0642\u0644\u064A\u062F\u064A\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: analog photographs)\u200F \u0623\u0648 \u0631\u0633\u0648\u0645\u0627\u062A (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: illustrations)\u200F. \u0627\u0644\u062A\u062D\u0631\u064A\u0631 \u0627\u0644\u062A\u0642\u0644\u064A\u062F\u064A \u0644\u0644\u0635\u0648\u0631 \u0627\u0644\u0641\u0648\u062A\u0648\u063A\u0631\u0627\u0641\u064A\u0629 \u0627\u0644\u062A\u0646\u0627\u0638\u0631\u064A\u0629 \u064A\u0633\u0645\u0649 \u0628\u0625\u0636\u0627\u0641\u0629 \u0627\u0644\u0644\u0645\u0633\u0627\u062A \u0627\u0644\u0623\u062E\u064A\u0631\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: photo retouching)\u200F\u060C \u0648\u064A\u062A\u0645 \u0630\u0644\u0643 \u0628\u0627\u0633\u062A\u062E\u062F\u0627\u0645 \u0628\u0639\u0636 \u0627\u0644\u0623\u062F\u0648\u0627\u062A \u0645\u062B\u0644 \u0645\u0631\u0630\u0627\u0630 \u0627\u0644\u0635\u0628\u0627\u063A\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: airbrush)\u200F\u060C \u0643\u0630\u0644\u0643 \u064A\u0645\u0643\u0646 \u062A\u062D\u0631\u064A\u0631 \u0627\u0644\u0631\u0633\u0648\u0645 \u0627\u0644\u062A\u0648\u0636\u064A\u062D\u064A\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: illustrations)\u200F \u0628\u0623\u064A \u0623\u062F\u0627\u0629 \u0641\u0646\u064A\u0629 \u062A\u0642\u0644\u064A\u062F\u064A\u0629 \u0623\u062E\u0631\u0649. \u062A\u064F\u0639\u062A\u0628\u0631 \u0628\u0631\u0627\u0645\u062C \u0627\u0644\u0631\u0633\u0648\u0645\u064A\u0627\u062A \u0627\u0644\u0623\u062F\u0627\u0629 \u0627\u0644\u0623\u0633\u0627\u0633\u064A\u0629 \u0644\u062A\u0639\u062F\u064A\u0644 \u0648\u062A\u062D\u0633\u064A\u0646 \u0648\u062A\u062D\u0648\u064A\u0644 \u0627\u0644\u0635\u0648\u0631\u060C \u0648\u064A\u0645\u0643\u0646 \u062A\u0635\u0646\u064A\u0641\u0647\u0627 \u0628\u0635\u0641\u0629 \u0639\u0627\u0645\u0629 \u0625\u0644\u0649 \u062B\u0644\u0627\u062B\u0629 \u0623\u0642\u0633\u0627\u0645: \u0648\u0647\u064A \u0645\u062D\u0631\u0631\u0627\u062A \u0627\u0644\u0635\u0648\u0631 \u0627\u0644\u0645\u064F\u062A\u064E\u0651\u062C\u064E\u0647\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: vector graphics editors)\u200F\u060C \u0648\u0645\u062D\u0631\u0631\u0627\u062A \u0627\u0644\u0635\u0648\u0631 \u0627\u0644\u0646\u064F\u0642\u064E\u0637\u0650\u064A\u0651\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: raster graphics editors)\u200F\u060C \u0648\u0623\u062E\u064A\u0631\u0627 \u0631\u0633\u0648\u0645\u0627\u062A \u0627\u0644\u062D\u0627\u0633\u0628 \u062B\u0644\u0627\u062B\u064A\u0629 \u0627\u0644\u0623\u0628\u0639\u0627\u062F (3d modelers). \u0643\u0645\u0627 \u062A\u064F\u0633\u062A\u062E\u062F\u0645 \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0647\u0630\u0647 \u0627\u0644\u0628\u0631\u0627\u0645\u062C \u0623\u064A\u0636\u0627 \u0644\u062A\u0635\u064A\u064A\u0631 \u0623\u0648 \u0625\u0646\u0634\u0627\u0621 \u0641\u0646\u0648\u0646 \u0631\u0642\u0645\u064A\u0629 (computer art) \u2013 \u0648\u0647\u0648 \u0627\u0644\u0641\u0646 \u0627\u0644\u0645\u064F\u0633\u062A\u062E\u062F\u0645 \u0641\u064A \u0627\u0644\u062D\u0627\u0633\u0628 \u0644\u0627\u0646\u062A\u0627\u062C\u0647 \u0645\u0646 \u0627\u0644\u0635\u0641\u0631."@ar . . . . . . . . . . . . . . . . . . . . . . . . . "A Edi\u00E7\u00E3o \u00E9 a altera\u00E7\u00E3o/manuseamento de determinado conte\u00FAdo tendo por seu documento pessoal objectivo um uso determinado. Habitualmente o termo \u00E9 mais relacionado com a edi\u00E7\u00E3o de texto, ou a transforma\u00E7\u00E3o de um manuscrito em formato comercializ\u00E1vel e reprodut\u00EDvel, como um livro. O acto de editar determinado conte\u00FAdo chama-se editora\u00E7\u00E3o, e o sujeito \u00E9 o editor. A edi\u00E7\u00E3o compreende tamb\u00E9m a altera\u00E7\u00E3o de conte\u00FAdos v\u00EDdeo, como a edi\u00E7\u00E3o de v\u00EDdeo, num processo an\u00E1logo \u00E0 Montagem cinematogr\u00E1fica ou videogr\u00E1fica, assim como imagens n\u00E3o sequenciais, como a Edi\u00E7\u00E3o de imagens como as fotografias, textos de v\u00E1rios outros formatos consoante o meio de comunica\u00E7\u00E3o, como a edi\u00E7\u00E3o jornal\u00EDstica, ou a edi\u00E7\u00E3o internet, ou sons, como a edi\u00E7\u00E3o de m\u00FAsica ou a edi\u00E7\u00E3o radiof\u00F4nica."@pt . . "Image editing encompasses the processes of altering images, whether they are digital photographs, traditional photo-chemical photographs, or illustrations. Traditional analog image editing is known as photo retouching, using tools such as an airbrush to modify photographs or editing illustrations with any traditional art medium. Graphic software programs, which can be broadly grouped into vector graphics editors, raster graphics editors, and 3D modelers, are the primary tools with which a user may manipulate, enhance, and transform images. Many image editing programs are also used to render or create computer art from scratch. The term \u201Cimage editing\u201D usually refers only to the editing of 2D images, not 3D ones."@en . . . . . . . "\u0420\u0435\u0434\u0430\u0433\u0443\u0432\u0430\u0301\u043D\u043D\u044F \u0437\u043E\u0431\u0440\u0430\u0301\u0436\u0435\u043D\u044C (\u043B\u0430\u0442. redactus \u2014 \u043F\u0440\u0438\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u0443 \u043F\u043E\u0440\u044F\u0434\u043E\u043A) \u2014 \u0437\u043C\u0456\u043D\u0430 \u043E\u0440\u0438\u0433\u0456\u043D\u0430\u043B\u0443 \u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u043D\u044F \u043A\u043B\u0430\u0441\u0438\u0447\u043D\u0438\u043C\u0438 \u0430\u0431\u043E \u0446\u0438\u0444\u0440\u043E\u0432\u0438\u043C\u0438 \u043C\u0435\u0442\u043E\u0434\u0430\u043C\u0438. \u0422\u0430\u043A\u043E\u0436 \u043C\u043E\u0436\u0435 \u043F\u043E\u0437\u043D\u0430\u0447\u0430\u0442\u0438\u0441\u044F \u0442\u0435\u0440\u043C\u0456\u043D\u043E\u043C \u0440\u0435\u0442\u0443\u0448\u0443\u0432\u0430\u043D\u043D\u044F, \u0440\u0435\u0442\u0443\u0448 (\u0444\u0440. retoucher \u2014 \u043F\u0456\u0434\u043C\u0430\u043B\u044C\u043E\u0432\u0443\u0432\u0430\u0442\u0438, \u043F\u0456\u0434\u043F\u0440\u0430\u0432\u043B\u044F\u0442\u0438). \u041C\u0435\u0442\u043E\u044E \u0440\u0435\u0434\u0430\u0433\u0443\u0432\u0430\u043D\u043D\u044F \u0454 \u043A\u043E\u0440\u0435\u043A\u0446\u0456\u044F \u0434\u0435\u0444\u0435\u043A\u0442\u0456\u0432, \u043F\u0456\u0434\u0433\u043E\u0442\u043E\u0432\u043A\u0430 \u0434\u043E \u043F\u0443\u0431\u043B\u0456\u043A\u0430\u0446\u0456\u0457, \u0432\u0438\u0440\u0456\u0448\u0435\u043D\u043D\u044F \u0442\u0432\u043E\u0440\u0447\u0438\u0445 \u0437\u0430\u0432\u0434\u0430\u043D\u044C. \u041A\u0440\u0456\u043C \u0441\u0442\u0430\u0442\u0438\u0447\u043D\u0438\u0445 \u0434\u0432\u043E\u043C\u0456\u0440\u043D\u0438\u0445 \u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u044C, \u043E\u0431\u0440\u043E\u0431\u043B\u044F\u0442\u0438 \u043F\u043E\u0442\u0440\u0456\u0431\u043D\u043E \u0442\u0430\u043A\u043E\u0436 \u043F\u043E\u0441\u043B\u0456\u0434\u043E\u0432\u043D\u043E\u0441\u0442\u0456 \u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u044C."@uk . . . . . "\u00DAprava obrazu, editace obrazu (fotografie) zahrnuje procesy zm\u011Bny obrazu, a\u0165 u\u017E jde o digit\u00E1ln\u00ED fotografii, tradi\u010Dn\u00ED klasickou fotografii, nebo ilustraci. Tradi\u010Dn\u00ED klasick\u00E9 \u00FApravy obrazu jsou zn\u00E1m\u00E9 jako retu\u0161ov\u00E1n\u00ED fotografi\u00ED pomoc\u00ED n\u00E1stroj\u016F. jako je nap\u0159\u00EDklad fix\u00EDrka, nebo \u00FAprava ilustrac\u00ED, s tradi\u010Dn\u00EDmi um\u011Bleck\u00FDmi (v\u00FDtvarn\u00FDmi) prost\u0159edky. lze obecn\u011B rozd\u011Blit na editory vektorov\u00E9 grafiky, rastrov\u00E9 grafiky a . Jsou to z\u00E1kladn\u00ED n\u00E1stroje, s jejich\u017E pomoc\u00ED u\u017Eivatel m\u016F\u017Ee upravovat, m\u011Bnit a zlep\u0161ovat obr\u00E1zky. Mnoho program\u016F pro \u00FApravu obr\u00E1zk\u016F se pou\u017E\u00EDv\u00E1 tak\u00E9 na nebo vytv\u00E1\u0159en\u00ED ."@cs . "Edi\u00E7\u00E3o de imagens"@pt . . "\uC774\uBBF8\uC9C0 \uD3B8\uC9D1"@ko . . . . . . . . . . . . . . . . . . . . . . . . "Die Bildbearbeitung ist die Ver\u00E4nderung von Fotos, Negativen, Dias oder digitalen Bildern. Sie ist zu unterscheiden von der Bildverarbeitung, mit deren Hilfe die Inhalte von Bildern verarbeitet werden. Oft wird die Bildbearbeitung dazu angewandt, um Fehler zu beseitigen, die beim Fotografieren oder anderen Bilderfassungen entstehen k\u00F6nnen. Dazu geh\u00F6ren beispielsweise \u00DCber- und Unterbelichtung, Unsch\u00E4rfe, Kontrastschw\u00E4che, Bildrauschen, Rote-Augen-Effekt und st\u00FCrzende Linien. Durch diese Fehler wirken Bilder oft zu dunkel, zu hell, zu unscharf oder anderweitig mangelhaft. Die Ursachen k\u00F6nnen technische Probleme oder mindere Qualit\u00E4t der Aufnahmeger\u00E4te (Digitalkamera, Objektiv, Scanner), deren Fehlbedienung sowie ung\u00FCnstige Arbeitsbedingungen oder mangelhafte Vorlagen sein. Die beiden Bilder auf der rechten Seite zeigen einige M\u00F6glichkeiten der Bildbearbeitung: Das obere Bild wirkt \u00FCberbelichtet, farbstichig, der Text unscharf, das Objekt zeigt oben einen Lichtreflex und liegt au\u00DFerhalb der Mitte. Das untere, korrigierte, nun farbreine Bild dagegen sieht viel klarer und deutlicher aus. Denn der Bildgegenstand wird betont, steht er doch gr\u00F6\u00DFer, entzerrt und mittig im Bildausschnitt, das Format wurde in der H\u00F6he geringf\u00FCgig angepasst."@de . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u0420\u0435\u0434\u0430\u0433\u0443\u0432\u0430\u043D\u043D\u044F \u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u044C"@uk . . . . . . . . "La retouche num\u00E9rique est le processus d'alt\u00E9ration d\u00E9lib\u00E9r\u00E9e d'images num\u00E9riques, qu'elles soient des photographies ou d'autres pictogrammes cr\u00E9\u00E9s par ordinateur. La manipulation se fait au moyen de logiciels sp\u00E9cialis\u00E9s dans les images matricielles ou vectorielles."@fr . . . "La edici\u00F3n digital de im\u00E1genes se ocupa de la edici\u00F3n apoyada en computadoras de im\u00E1genes digitales , com\u00FAnmente un gr\u00E1fico rasterizado, en la mayor\u00EDa de los casos fotos o documentos escaneados. Estas im\u00E1genes son editadas para optimizarlas, manipularlas, retocarlas, o agregar alg\u00FAn objeto o cosa que est\u00E1 imagen previamente no pose\u00EDa con el fin de alcanzar la meta deseada.Una de las metas puede ser eliminar las fallas que pueden haberse producido durante el escan\u00E9o o al fotografiar, por ejemplo sobreexposici\u00F3n, bajaexposici\u00F3n, falta de contraste, ruido en la imagen, efecto de los ojos rojos, paradoja de las l\u00EDneas paralelas en perspectiva, etc. Estas fallas se producen por defectos t\u00E9cnicos en los aparatos fotogr\u00E1ficos, esc\u00E1ner, condiciones de trabajo precarias, fallas en la operaci\u00F3n u or"@es . . . . . . . . . . . . "30153"^^ . . . . . . . . . . . . . . "\u56FE\u50CF\u7F16\u8F91\u662F\u6307\u6539\u53D8\u56FE\u50CF\u7684\u8FC7\u7A0B\uFF0C\u56FE\u50CF\u5305\u62EC\u6570\u7801\u7167\u7247\uFF0C\u4F20\u7EDF\u7684\u6A21\u62DF\u7167\u7247\u548C\u63D2\u56FE\u3002\u5BF9\u6A21\u62DF\u56FE\u50CF\u7684\u7F16\u8F91\u901A\u5E38\u4E5F\u79F0\u4E3A\u7167\u7247\u4FEE\u9970\uFF0C\u4F7F\u7528\u5DE5\u5177\u4E3A\u55B7\u67AA\u7B49\u3002\u6570\u7801\u7167\u7247\u7684\u7F16\u8F91\u91C7\u7528\u56FE\u5F62\u5904\u7406\u8F6F\u4EF6\uFF0C\u53EF\u5927\u81F4\u5206\u4E3A\u77E2\u91CF\u56FE\u5F62\u7F16\u8F91\u5668\uFF08vector graphics editors\uFF09\u3001\u5149\u6805\u56FE\u5F62\u7F16\u8F91\u5668\uFF08Raster graphics editor\uFF09\u548C\u4E09\u7EF4\u8BA1\u7B97\u673A\u56FE\u5F62\u8F6F\u4EF6\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . . . . . "L'elaborazione digitale di immagini si occupa dello sviluppo di immagini digitali (nella maggior parte dei casi foto o documenti scannerizzati) attraverso l'uso del computer, nello specifico di un editore di grafica. Queste immagini vengono modificate con lo scopo di migliorarle, modificarle, ritoccarle, o mediante l'aggiunta di un elemento che non era presente al momento dello scatto o della sua scannerizzazione, al fine di ottenere il risultato desiderato.Uno dei motivi per cui l'immagine possa aver bisogno dell'elaborazione digitale pu\u00F2 essere la presenza di un errore che si \u00E8 presentato in fase di scannerizzazione o di scatto, come per esempio di sovraesposizione, sottoesposizione, mancanza di contrasto, rumore nell'immagine, effetto occhi rossi, illusione ottica, ecc. Questi errori po"@it . . . . "\u062A\u0639\u062F\u064A\u0644 \u0623\u0648 \u062A\u062D\u0631\u064A\u0631 \u0627\u0644\u0635\u0648\u0631 \u064A\u0634\u0645\u0644 \u0639\u0645\u0644\u064A\u0627\u062A \u0627\u0644\u062A\u063A\u064A\u064A\u0631 \u0641\u064A \u0627\u0644\u0635\u0648\u0631\u060C \u0633\u0648\u0627\u0621 \u0643\u0627\u0646\u062A \u0627\u0644\u0635\u0648\u0631 \u0631\u0642\u0645\u064A\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: digital photographs)\u200F \u0623\u0648 \u0635\u0648\u0631 \u062A\u0646\u0627\u0638\u0631\u064A\u0629 \u062A\u0642\u0644\u064A\u062F\u064A\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: analog photographs)\u200F \u0623\u0648 \u0631\u0633\u0648\u0645\u0627\u062A (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: illustrations)\u200F. \u0627\u0644\u062A\u062D\u0631\u064A\u0631 \u0627\u0644\u062A\u0642\u0644\u064A\u062F\u064A \u0644\u0644\u0635\u0648\u0631 \u0627\u0644\u0641\u0648\u062A\u0648\u063A\u0631\u0627\u0641\u064A\u0629 \u0627\u0644\u062A\u0646\u0627\u0638\u0631\u064A\u0629 \u064A\u0633\u0645\u0649 \u0628\u0625\u0636\u0627\u0641\u0629 \u0627\u0644\u0644\u0645\u0633\u0627\u062A \u0627\u0644\u0623\u062E\u064A\u0631\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: photo retouching)\u200F\u060C \u0648\u064A\u062A\u0645 \u0630\u0644\u0643 \u0628\u0627\u0633\u062A\u062E\u062F\u0627\u0645 \u0628\u0639\u0636 \u0627\u0644\u0623\u062F\u0648\u0627\u062A \u0645\u062B\u0644 \u0645\u0631\u0630\u0627\u0630 \u0627\u0644\u0635\u0628\u0627\u063A\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: airbrush)\u200F\u060C \u0643\u0630\u0644\u0643 \u064A\u0645\u0643\u0646 \u062A\u062D\u0631\u064A\u0631 \u0627\u0644\u0631\u0633\u0648\u0645 \u0627\u0644\u062A\u0648\u0636\u064A\u062D\u064A\u0629 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: illustrations)\u200F \u0628\u0623\u064A \u0623\u062F\u0627\u0629 \u0641\u0646\u064A\u0629 \u062A\u0642\u0644\u064A\u062F\u064A\u0629 \u0623\u062E\u0631\u0649."@ar . . . "A Edi\u00E7\u00E3o \u00E9 a altera\u00E7\u00E3o/manuseamento de determinado conte\u00FAdo tendo por seu documento pessoal objectivo um uso determinado. Habitualmente o termo \u00E9 mais relacionado com a edi\u00E7\u00E3o de texto, ou a transforma\u00E7\u00E3o de um manuscrito em formato comercializ\u00E1vel e reprodut\u00EDvel, como um livro. O acto de editar determinado conte\u00FAdo chama-se editora\u00E7\u00E3o, e o sujeito \u00E9 o editor."@pt . . "\u56FE\u50CF\u7F16\u8F91\u662F\u6307\u6539\u53D8\u56FE\u50CF\u7684\u8FC7\u7A0B\uFF0C\u56FE\u50CF\u5305\u62EC\u6570\u7801\u7167\u7247\uFF0C\u4F20\u7EDF\u7684\u6A21\u62DF\u7167\u7247\u548C\u63D2\u56FE\u3002\u5BF9\u6A21\u62DF\u56FE\u50CF\u7684\u7F16\u8F91\u901A\u5E38\u4E5F\u79F0\u4E3A\u7167\u7247\u4FEE\u9970\uFF0C\u4F7F\u7528\u5DE5\u5177\u4E3A\u55B7\u67AA\u7B49\u3002\u6570\u7801\u7167\u7247\u7684\u7F16\u8F91\u91C7\u7528\u56FE\u5F62\u5904\u7406\u8F6F\u4EF6\uFF0C\u53EF\u5927\u81F4\u5206\u4E3A\u77E2\u91CF\u56FE\u5F62\u7F16\u8F91\u5668\uFF08vector graphics editors\uFF09\u3001\u5149\u6805\u56FE\u5F62\u7F16\u8F91\u5668\uFF08Raster graphics editor\uFF09\u548C\u4E09\u7EF4\u8BA1\u7B97\u673A\u56FE\u5F62\u8F6F\u4EF6\u3002"@zh . . . . . . . . . . . . . "Die Bildbearbeitung ist die Ver\u00E4nderung von Fotos, Negativen, Dias oder digitalen Bildern. Sie ist zu unterscheiden von der Bildverarbeitung, mit deren Hilfe die Inhalte von Bildern verarbeitet werden. Oft wird die Bildbearbeitung dazu angewandt, um Fehler zu beseitigen, die beim Fotografieren oder anderen Bilderfassungen entstehen k\u00F6nnen. Dazu geh\u00F6ren beispielsweise \u00DCber- und Unterbelichtung, Unsch\u00E4rfe, Kontrastschw\u00E4che, Bildrauschen, Rote-Augen-Effekt und st\u00FCrzende Linien. Durch diese Fehler wirken Bilder oft zu dunkel, zu hell, zu unscharf oder anderweitig mangelhaft. Die Ursachen k\u00F6nnen technische Probleme oder mindere Qualit\u00E4t der Aufnahmeger\u00E4te (Digitalkamera, Objektiv, Scanner), deren Fehlbedienung sowie ung\u00FCnstige Arbeitsbedingungen oder mangelhafte Vorlagen sein. Die beiden Bilder"@de . . . . . . . . "\u00DAprava obrazu, editace obrazu (fotografie) zahrnuje procesy zm\u011Bny obrazu, a\u0165 u\u017E jde o digit\u00E1ln\u00ED fotografii, tradi\u010Dn\u00ED klasickou fotografii, nebo ilustraci. Tradi\u010Dn\u00ED klasick\u00E9 \u00FApravy obrazu jsou zn\u00E1m\u00E9 jako retu\u0161ov\u00E1n\u00ED fotografi\u00ED pomoc\u00ED n\u00E1stroj\u016F. jako je nap\u0159\u00EDklad fix\u00EDrka, nebo \u00FAprava ilustrac\u00ED, s tradi\u010Dn\u00EDmi um\u011Bleck\u00FDmi (v\u00FDtvarn\u00FDmi) prost\u0159edky. lze obecn\u011B rozd\u011Blit na editory vektorov\u00E9 grafiky, rastrov\u00E9 grafiky a . Jsou to z\u00E1kladn\u00ED n\u00E1stroje, s jejich\u017E pomoc\u00ED u\u017Eivatel m\u016F\u017Ee upravovat, m\u011Bnit a zlep\u0161ovat obr\u00E1zky. Mnoho program\u016F pro \u00FApravu obr\u00E1zk\u016F se pou\u017E\u00EDv\u00E1 tak\u00E9 na nebo vytv\u00E1\u0159en\u00ED ."@cs . . . . . . . . . . . . . "\u753B\u50CF\u7DE8\u96C6"@ja . . . "Editor gr\u00E0fic digital"@ca . . . . . . . . . . . . . "Image editing encompasses the processes of altering images, whether they are digital photographs, traditional photo-chemical photographs, or illustrations. Traditional analog image editing is known as photo retouching, using tools such as an airbrush to modify photographs or editing illustrations with any traditional art medium. Graphic software programs, which can be broadly grouped into vector graphics editors, raster graphics editors, and 3D modelers, are the primary tools with which a user may manipulate, enhance, and transform images. Many image editing programs are also used to render or create computer art from scratch. The term \u201Cimage editing\u201D usually refers only to the editing of 2D images, not 3D ones."@en . . . . . "Un editor d'imatges o editor gr\u00E0fic digital \u00E9s un programari que s'usa per modificar una imatge, tant si s\u00F3n fotografies digitals, fotografies anal\u00F2giques tradicionals o il\u00B7lustracions. Els m\u00E9s coneguts s\u00F3n el GIMP, el Photoshop i l'Inkscape. L'editor d'imatges \u00E9s l'eina mitjan\u00E7ant la qual es pot rotar i voltejar, aix\u00ED com canviar l'aparen\u00E7a: brillantor, contrast, intensitat, aplicar filtres de color, etc. Tots aquests canvis es realitzen sobre una c\u00F2pia que fa el programa de manera que la foto original mai ser\u00E0 modificada."@ca . . "Un editor d'imatges o editor gr\u00E0fic digital \u00E9s un programari que s'usa per modificar una imatge, tant si s\u00F3n fotografies digitals, fotografies anal\u00F2giques tradicionals o il\u00B7lustracions. Els m\u00E9s coneguts s\u00F3n el GIMP, el Photoshop i l'Inkscape. L'editor d'imatges \u00E9s l'eina mitjan\u00E7ant la qual es pot rotar i voltejar, aix\u00ED com canviar l'aparen\u00E7a: brillantor, contrast, intensitat, aplicar filtres de color, etc. Tots aquests canvis es realitzen sobre una c\u00F2pia que fa el programa de manera que la foto original mai ser\u00E0 modificada. Les principals eines amb les que un usuari pot manipular, millorar i transformar les imatges s\u00F3n programes de programari de gr\u00E0fics, que poden ser \u00E0mpliament agrupats en editors de gr\u00E0fics vectorials, editors de gr\u00E0fics de trama i modeladors 3D, s\u00F3n molts dels programes d'edici\u00F3 d'imatges tamb\u00E9 s'utilitzen per fer o crear art digital a partir de zero. Aquestes imatges s\u00F3n manipulades, retocades, etc. per tal d'aconseguir el resultat desitjat, que pot consistir en: eliminar les imperfeccions, la manca de contrast, el soroll en la imatge, l'efecte dels ulls vermells, la paradoxa de les l\u00EDnies paral\u00B7leles en perspectiva, etc., que poden haver-se produ\u00EFt en fotografiar."@ca . . . . . . . . . . . . . . . . . . . . . . . "Retouche num\u00E9rique"@fr . . . . "\u0420\u0435\u0434\u0430\u043A\u0442\u0438\u0440\u043E\u0432\u0430\u043D\u0438\u0435 \u0438\u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u0438\u0439"@ru . . . . . . . . "\u753B\u50CF\u7DE8\u96C6\uFF08\u304C\u305E\u3046\u3078\u3093\u3057\u3085\u3046\u3001\u82F1: Image editing\uFF09\u306F\u3001\u30C7\u30B8\u30BF\u30EB\u5199\u771F\u3084\u9280\u5869\u5199\u771F\u3001\u30A4\u30E9\u30B9\u30C8\u30EC\u30FC\u30B7\u30E7\u30F3\u306A\u3069\u306E\u753B\u50CF\u3092\u5909\u5316\u3055\u305B\u308B\u904E\u7A0B\u3092\u6307\u3059\u3002 \u753B\u50CF\u7DE8\u96C6\u306B\u7528\u3044\u308B\u30BD\u30D5\u30C8\u30A6\u30A7\u30A2\u306B\u3064\u3044\u3066\u306F\u3001\u30B0\u30E9\u30D5\u30A3\u30C3\u30AF\u30BD\u30D5\u30C8\u30A6\u30A7\u30A2#\u753B\u50CF\u7DE8\u96C6\u30BD\u30D5\u30C8\u30A6\u30A7\u30A2\u3092\u53C2\u7167\u3002"@ja . . . . . . . . . . . . . "Bildbearbeitung"@de . . . . . . . . . . . . . . . . . . . . . . . . . "\uC774\uBBF8\uC9C0 \uD3B8\uC9D1(\uC601\uC5B4: image editing, \uC77C\uBCF8\uC5B4: \u753B\u50CF\u7DE8\u96C6)\uC740 \uB514\uC9C0\uD138 \uC0AC\uC9C4\uC774\uB098 \uC774\uB098 \uC77C\uB7EC\uC2A4\uD2B8\uB808\uC774\uC158 \uB4F1\uC758 \uC774\uBBF8\uC9C0\uB97C \uBCC0\uD654\uC2DC\uD0A4\uB294 \uACFC\uC815\uC744 \uB9D0\uD55C\uB2E4. \uB514\uC9C0\uD138 \uC2A4\uCE90\uB108\uC640 \uB514\uC9C0\uD138 \uCE74\uBA54\uB77C\uAC00 \uC8FC\uB958\uAC00 \uB418\uAE30 \uC774\uC804\uC758 \uC0AC\uC9C4 \uC774\uBBF8\uC9C0 \uD3B8\uC9D1\uC740 \uC5D0\uC5B4\uBE0C\uB7EC\uC2DC \uB4F1\uC758 \uB3C4\uAD6C\uB85C \uC218\uC815\uD558\uAC70\uB098 \uD654\uD544 \uB4F1\uC73C\uB85C \uC77C\uB7EC\uC2A4\uD2B8\uB808\uC774\uC158\uC744 \uC218\uC815\uD558\uB294 \uAC83\uC774 \uC77C\uBC18\uC801\uC774\uC5C8\uB2E4. \uADF8\uB7EC\uB098 \uB514\uC9C0\uD138 \uC774\uBBF8\uC9C0\uAC00 \uB4F1\uC7A5\uD574 \uC544\uB0A0\uB85C\uADF8 \uC774\uBBF8\uC9C0 \uD3B8\uC9D1\uC740 \uAC70\uC758 \uC0AC\uC6A9\uD558\uC9C0 \uC54A\uAC8C \uB418\uC5C8\uB2E4. \uADF8\uB798\uD53D \uC18C\uD504\uD2B8\uC6E8\uC5B4\uC5D0\uB294 \uBCA1\uD130 \uC774\uBBF8\uC9C0\uB97C \uB2E4\uB8E8\uB294 \uB4DC\uB85C\uC789 \uC18C\uD504\uD2B8\uC6E8\uC5B4, \uBE44\uD2B8\uB9F5 \uC774\uBBF8\uC9C0\uB97C \uB2E4\uB8E8\uB294 \uD398\uC778\uD2B8 \uC18C\uD504\uD2B8\uC6E8\uC5B4, 3\uCC28\uC6D0 \uCEF4\uD4E8\uD130 \uADF8\uB798\uD53D\uC2A4\uC6A9\uC758 \uBAA8\uB378\uB7EC \uB4F1\uC774 \uC788\uC5B4 \uC774\uBBF8\uC9C0\uB97C \uC870\uC791, \uC218\uC815, \uBCC0\uD658\uD558\uB294 \uB370 \uC0AC\uC6A9\uB41C\uB2E4. \uC774\uBBF8\uC9C0 \uD3B8\uC9D1 \uC18C\uD504\uD2B8\uC6E8\uC5B4\uB294 \uCEF4\uD4E8\uD130 \uC544\uD2B8 \uB4F1\uC758 \uC608\uC220\uC5D0\uB3C4 \uC774\uC6A9\uB418\uACE0 \uC788\uB2E4."@ko . . . . . . . . . . . . . "\u0420\u0435\u0434\u0430\u0433\u0443\u0432\u0430\u0301\u043D\u043D\u044F \u0437\u043E\u0431\u0440\u0430\u0301\u0436\u0435\u043D\u044C (\u043B\u0430\u0442. redactus \u2014 \u043F\u0440\u0438\u0432\u0435\u0434\u0435\u043D\u0438\u0439 \u0443 \u043F\u043E\u0440\u044F\u0434\u043E\u043A) \u2014 \u0437\u043C\u0456\u043D\u0430 \u043E\u0440\u0438\u0433\u0456\u043D\u0430\u043B\u0443 \u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u043D\u044F \u043A\u043B\u0430\u0441\u0438\u0447\u043D\u0438\u043C\u0438 \u0430\u0431\u043E \u0446\u0438\u0444\u0440\u043E\u0432\u0438\u043C\u0438 \u043C\u0435\u0442\u043E\u0434\u0430\u043C\u0438. \u0422\u0430\u043A\u043E\u0436 \u043C\u043E\u0436\u0435 \u043F\u043E\u0437\u043D\u0430\u0447\u0430\u0442\u0438\u0441\u044F \u0442\u0435\u0440\u043C\u0456\u043D\u043E\u043C \u0440\u0435\u0442\u0443\u0448\u0443\u0432\u0430\u043D\u043D\u044F, \u0440\u0435\u0442\u0443\u0448 (\u0444\u0440. retoucher \u2014 \u043F\u0456\u0434\u043C\u0430\u043B\u044C\u043E\u0432\u0443\u0432\u0430\u0442\u0438, \u043F\u0456\u0434\u043F\u0440\u0430\u0432\u043B\u044F\u0442\u0438). \u041C\u0435\u0442\u043E\u044E \u0440\u0435\u0434\u0430\u0433\u0443\u0432\u0430\u043D\u043D\u044F \u0454 \u043A\u043E\u0440\u0435\u043A\u0446\u0456\u044F \u0434\u0435\u0444\u0435\u043A\u0442\u0456\u0432, \u043F\u0456\u0434\u0433\u043E\u0442\u043E\u0432\u043A\u0430 \u0434\u043E \u043F\u0443\u0431\u043B\u0456\u043A\u0430\u0446\u0456\u0457, \u0432\u0438\u0440\u0456\u0448\u0435\u043D\u043D\u044F \u0442\u0432\u043E\u0440\u0447\u0438\u0445 \u0437\u0430\u0432\u0434\u0430\u043D\u044C. \u041A\u0440\u0456\u043C \u0441\u0442\u0430\u0442\u0438\u0447\u043D\u0438\u0445 \u0434\u0432\u043E\u043C\u0456\u0440\u043D\u0438\u0445 \u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u044C, \u043E\u0431\u0440\u043E\u0431\u043B\u044F\u0442\u0438 \u043F\u043E\u0442\u0440\u0456\u0431\u043D\u043E \u0442\u0430\u043A\u043E\u0436 \u043F\u043E\u0441\u043B\u0456\u0434\u043E\u0432\u043D\u043E\u0441\u0442\u0456 \u0437\u043E\u0431\u0440\u0430\u0436\u0435\u043D\u044C."@uk . . . . . . "30860279"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . "La edici\u00F3n digital de im\u00E1genes se ocupa de la edici\u00F3n apoyada en computadoras de im\u00E1genes digitales , com\u00FAnmente un gr\u00E1fico rasterizado, en la mayor\u00EDa de los casos fotos o documentos escaneados. Estas im\u00E1genes son editadas para optimizarlas, manipularlas, retocarlas, o agregar alg\u00FAn objeto o cosa que est\u00E1 imagen previamente no pose\u00EDa con el fin de alcanzar la meta deseada.Una de las metas puede ser eliminar las fallas que pueden haberse producido durante el escan\u00E9o o al fotografiar, por ejemplo sobreexposici\u00F3n, bajaexposici\u00F3n, falta de contraste, ruido en la imagen, efecto de los ojos rojos, paradoja de las l\u00EDneas paralelas en perspectiva, etc. Estas fallas se producen por defectos t\u00E9cnicos en los aparatos fotogr\u00E1ficos, esc\u00E1ner, condiciones de trabajo precarias, fallas en la operaci\u00F3n u originales defectuosos. Las im\u00E1genes al lado derecho muestran algunas de las potencialidades de la edici\u00F3n de im\u00E1genes: la imagen superior se ve oscura, el texto difuso y el motivo fuera de centro. La imagen inferior est\u00E1 corregida y se ve m\u00E1s n\u00EDtida, mejor iluminada y el objeto, puesto m\u00E1s al centro, se ve m\u00E1s presente. El retoque tradicional es reemplazado cada vez m\u00E1s por la edici\u00F3n digital, a menudo la edici\u00F3n de im\u00E1genes digitales est\u00E1 incluida dentro del proceso de impresi\u00F3n digital. No se debe confundir la edici\u00F3n de im\u00E1genes con el procesamiento digital de se\u00F1ales ni con el dise\u00F1o gr\u00E1fico."@es . . . . . . . . . . "Penyuntingan citra digital adalah sebuah proses pengubahan gambar digital, baik citra yang berasal dari foto digital atau citra digital bentuk lainnya. Penyuntingan ini biasanya dilakukan dengan sebuah program komputer disebut untuk mengubah dan memperindah citra. Program lainnya yang dapat mengubah foto digital adalah editor grafik vektor atau . Editor di atas dapat mengubah citra dalam banyak cara. Citra digital berhubungan dekat dengan fotografi digital dan digunakan dalam bidang ilmiah, medis, dan forensik."@in . . . . . . . . . .