. . . . . . . . . "The Clash \u00E8 stato un gruppo musicale punk rock inglese. Attivi dal 1976 al 1986, furono uno dei gruppi pi\u00F9 acclamati dalla critica del periodo. Furono formati principalmente da Joe Strummer (voce, chitarra ritmica), Mick Jones (chitarra solista, voce), Paul Simonon (basso, voce) e Nick \"Topper\" Headon (batteria, percussioni). Headon lasci\u00F2 il gruppo nel 1982 e Jones nel 1983, il gruppo prosegu\u00EC con nuovi membri negli anni successivi, ma all'inizio del 1986 si sciolse definitivamente."@it . . . . . . . . . "Sony Music"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . "Clash es una revista y un sitio web de m\u00FAsica con sede en Reino Unido. Es publicada cuatro veces al a\u00F1o por Music Republic Ltd,\u200B su predecesor Clash Music Ltd ha entrado en liquidaci\u00F3n. En 2004 gan\u00F3 el premio a la \u00ABmejor revista nueva\u00BB en los PPA Magazine Awards y ha ganado m\u00E1s premios en Inglaterra y Escocia. Entre los que m\u00E1s destaca el premio a la \u00ABrevista del a\u00F1o\u00BB en los Record Of The Day Awards 2011.\u200B"@es . . . . . . . . . . . . . . . . . . "The 101ers"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Epic"@en . . . . "1976"^^ . . . . . . . . . . . . . . . . . . . . "The Clash"@uk . . . . . . . . . . . . . . . . . . . "The Clash foi uma banda inglesa de punk rock, formada em 1976 como parte da primeira onda do punk brit\u00E2nico (em 1977). Al\u00E9m do punk, experimentou outros g\u00EAneros musicais, como reggae, ska, dub, funk, rap, surf e rockabilly. Durante grande parte de sua carreira, o Clash consistiu em Joe Strummer (vocalista principal, guitarra r\u00EDtmica), Mick Jones (guitarra principal, vocal de apoio e vocal principal em algumas can\u00E7\u00F5es), Paul Simonon (baixo, vocal de apoio e ocasionalmente vocais principais) e Nicky \"Topper\" Headon (bateria, percuss\u00E3o). Headon deixou o grupo em 1982 e atritos internos resultaram na sa\u00EDda de Jones no ano seguinte. O grupo prosseguiu com novos membros, mas acabou no in\u00EDcio de 1986. The Clash foi grande sucesso no Reino Unido a partir do lan\u00E7amento de seu \u00E1lbum de estreia, The Clash, em 1977. O terceiro \u00E1lbum do grupo, London Calling, lan\u00E7ado no Reino Unido em dezembro de 1979, trouxe-lhe popularidade nos Estados Unidos, ao ser lan\u00E7ado neste pa\u00EDs no m\u00EAs seguinte. Aclamado pela cr\u00EDtica, foi declarado o melhor \u00E1lbum dos anos 1980 na d\u00E9cada seguinte pela revista Rolling Stone. As letras politizadas do Clash, sua experimenta\u00E7\u00E3o musical e atitude rebelde tiveram uma influ\u00EAncia profunda no rock, em especial no rock alternativo. Eles s\u00E3o amplamente referidos como \"a \u00FAnica banda que importa\", uma alcunha comercial originalmente introduzida pela gravadora do grupo, a CBS. Em janeiro de 2003, a banda, incluindo o baterista original, Terry Chimes, foi introduzida no Rock and Roll Hall of Fame. Em 2004, a Rolling Stone classificou o Clash como trig\u00E9simo maior artista de todos os tempos."@pt . . . . . . . . . . . . . . . . . . . . . . . . . "Clash \u2013 brytyjskie czasopismo elektroniczne po\u015Bwi\u0119cone muzyce i modzie, filmowi i rozrywce. Serwis by\u0142 notowany w rankingu Alexa na miejscu 103111."@pl . . . . . "right"@en . . . . . . . . . . . . . . . . . . . . . "\u885D\u64CA\u5408\u5531\u5718\uFF08\u82F1\u8A9E\uFF1AThe Clash\uFF09\u662F\u6210\u7ACB\u65BC1976\u5E74\u7684\u82F1\u570B\u9F90\u514B\u6A02\u5718\uFF0C\u662F\u82F1\u570B\u9F90\u514B\u6416\u6EFE\u6D6A\u6F6E\u7684\u6700\u521D\u6210\u54E1\u4E4B\u4E00\u3002\u9664\u4E86\u9F90\u514B\u6416\u6EFE\u4E4B\u5916\uFF0C\u885D\u64CA\u5408\u5531\u5718\u4E5F\u5617\u8A66\u4E86\u96F7\u9B3C\u3001\u65AF\u5361\u3001Dub\u3001\u653E\u514B\u3001\u9952\u820C\u8207\u5C71\u5730\u6416\u6EFE\u7B49\u591A\u7A2E\u66F2\u98A8\u3002\u4ED6\u5011\u7684\u4E3B\u8981\u9663\u5BB9\uFF0C\u662F\u4EE5\u55AC\u00B7\u53F2\u695A\u9ED8\uFF08\u4E3B\u5531\u3001\u7BC0\u594F\u5409\u4ED6\uFF09\u3001\u7C73\u514B\u00B7\u74CA\u65AF\uFF08\u4E3B\u594F\u5409\u4ED6\u3001\u526F\u5531\uFF09\u3001\u4FDD\u7F85\u00B7\u897F\u8499\u5102\uFF08\u8C9D\u65AF\u3001\u5408\u97F3\u3001\u5076\u723E\u7684\u4E3B\u5531\uFF09\u8207\u300C\u4E0A\u7B49\u8CA8\u300D\u5C3C\u57FA\u00B7\u9ED1\u767B\uFF08\u9F13\u3001\u6253\u64CA\u6A02\u5668\uFF09\u7D44\u6210\u3002 \u8FD9\u4E00\u4E50\u961F\u57281977\u5E74\u767C\u884C\u7684\u540C\u540D\u5C08\u8F2F\u5F00\u542F\u4E86\u4ED6\u4EEC\u5728\u82F1\u570B\u6210\u529F\u7684\u5927\u9580\u30021979\u5E7412\u6708\uFF0C\u7B2C\u4E09\u5F35\u5C08\u8F2F\u300ALondon Calling\u300B\u5728\u82F1\u570B\u53D1\u884C\uFF0C1980\u5E741\u6708\u5728\u7F8E\u570B\u53D1\u884C\u5F8C\uFF0C\u885D\u64CA\u5408\u5531\u5718\u5728\u7F8E\u570B\u7684\u4EBA\u6C23\u66B4\u6F32\u3002\u300ALondon Calling\u300B\u5F97\u5230\u4E86\u8A55\u8AD6\u7684\u4E00\u81F4\u559D\u91C7\uFF0C1989\u5E74\u7684\u300A\u6EFE\u77F3\u96DC\u8A8C\u300B\u79F0\u300ALondon Calling\u300B\u4E3A1980\u5E74\u4EE3\u7684\u6700\u4F73\u5C08\u8F2F\u3002 \u8FD9\u4E00\u4E50\u961F\u653F\u6CBB\u5316\u7684\u6B4C\u8A5E\u3001\u97F3\u6A02\u4E0A\u7684\u5BE6\u9A57\u8207\u53DB\u9006\u7684\u614B\u5EA6\uFF0C\u70BA\u6416\u6EFE\u97F3\u4E50\u5E36\u4F86\u4E86\u6DF1\u9060\u7684\u5F71\u97FF\uFF0C\u5C24\u5176\u662F\u53E6\u985E\u6416\u6EFE\u3002\u6709\u7740\u300C\u552F\u4E00\u91CD\u8981\u7684\u6A02\u5718\u300D\u7684\u7F8E\u540D\uFF0C\u800C\u8FD9\u4E00\u7F8E\u540D\u4E5F\u662F\u54E5\u502B\u6BD4\u4E9E\u5531\u7247\u7684\u5BA3\u50B3\u53E3\u865F\u3002 2003\u5E741\u6708\uFF0C\u885D\u64CA\u5408\u5531\u5718\u8FDB\u9A7B\u6416\u6EFE\u540D\u4EBA\u5802\u30022004\u5E74\u7684\u300A\u6EFE\u77F3\u96DC\u8A8C\u300B\u5C07\u885D\u64CA\u5408\u5531\u5718\u5217\u70BA\u53F2\u4E0A\u767E\u5927\u6B4C\u624B\u7B2C\u4E8C\u5341\u516B\u540D\u3002 \u4E50\u961F\u6210\u5458\u5C3C\u57FA\u00B7\u9ED1\u767B\u548C\u7C73\u514B\u00B7\u743C\u65AF\u5148\u540E\u4E8E1982\u5E74\u30011983\u5E74\u79BB\u56E2\u3002\u540E\u671F\u867D\u6709\u65B0\u6210\u5458\u52A0\u5165\uFF0C\u60DF\u6700\u7EC8\u4ECD\u4E8E1986\u5E74\u5BA3\u544A\u89E3\u6563\uFF0C\u4E3B\u5531\u4E54\u00B7\u65AF\u7279\u62C9\u9ED8\u57282002\u5E7412\u670822\u65E5\u56E0\u5148\u5929\u6027\u5FC3\u810F\u75C5\u4E0D\u5E78\u8F9E\u4E16\uFF0C\u5E74\u4EC550\u5C81\u3002"@zh . . . . . . . ""@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "CBS"@en . . . . . . . . . . . . . . "The Clash was een Britse punkgroep, die bestond van 1976 tot 1985. De groep wordt beschouwd als een van de belangrijkste punkgroepen, die opvielen door hun sterke linkse kritiek en de verschillende stijlen die ze gebruikten in hun muziek. The Clash bestond uit Joe Strummer (zang, gitaar), Mick Jones (gitaar, zang), Paul Simonon (basgitaar) en Topper Headon (drums)."@nl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "the-clash-mn0000075747"@en . . . . . . . . . . . . "The Clash"@ru . . . . . . . . . . . . . . . . . . "Clash es una revista y un sitio web de m\u00FAsica con sede en Reino Unido. Es publicada cuatro veces al a\u00F1o por Music Republic Ltd,\u200B su predecesor Clash Music Ltd ha entrado en liquidaci\u00F3n. En 2004 gan\u00F3 el premio a la \u00ABmejor revista nueva\u00BB en los PPA Magazine Awards y ha ganado m\u00E1s premios en Inglaterra y Escocia. Entre los que m\u00E1s destaca el premio a la \u00ABrevista del a\u00F1o\u00BB en los Record Of The Day Awards 2011.\u200B"@es . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uD074\uB798\uC2DC \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.)( \uC74C\uBC18\uC5D0 \uB300\uD574\uC11C\uB294 The Clash (\uC74C\uBC18) \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.)\n\uB354 \uD074\uB798\uC2DC(The Clash)\uB294 1976\uB144 \uB7F0\uB358\uC5D0\uC11C \uACB0\uC131\uB41C \uC601\uAD6D\uC758 \uB85D \uBC34\uB4DC\uC774\uB2E4. \uBE0C\uB9AC\uD2F0\uC2DC \uD391\uD06C \uB85D\uC758 \uC81C1\uD30C\uC5D0 \uC788\uC5B4 \uC911\uC694\uD55C \uC5ED\uD560\uC744 \uD558\uC600\uC73C\uBA70, \uD391\uD06C\uC5D0 \uC787\uB530\uB77C \uBC1C\uC0DD\uD55C \uD3EC\uC2A4\uD2B8\uD391\uD06C \uBC0F \uB274 \uC6E8\uC774\uBE0C \uC6B4\uB3D9\uC5D0 \uD070 \uC601\uD5A5\uC744 \uBBF8\uCCE4\uB2E4. \uB610\uD55C \uADF8 \uC74C\uC545\uC5D0 \uB808\uAC8C, , \uD391\uD06C, \uC2A4\uCE74, \uB85C\uCEE4\uBE4C\uB9AC \uB4F1 \uB2E4\uC591\uD55C \uC7A5\uB974\uB97C \uC218\uC6A9\uD558\uAE30\uB3C4 \uD558\uC600\uB2E4. \uB354 \uD074\uB798\uC2DC\uC758 \uAD6C\uC131\uC6D0\uC740 \uB300\uAC1C \uB9AC\uB4DC \uBCF4\uCEEC\uB9AC\uC2A4\uD2B8 \uACB8 \uB9AC\uB4EC \uAE30\uD0C0\uB9AC\uC2A4\uD2B8 \uC870 \uC2A4\uD2B8\uB7EC\uBA38, \uB9AC\uB4DC \uAE30\uD0C0\uB9AC\uC2A4\uD2B8 \uACB8 \uBCF4\uCEEC\uB9AC\uC2A4\uD2B8 \uBBF9 \uC874\uC2A4, \uBCA0\uC774\uC2DC\uC2A4\uD2B8 \uD3F4 \uC0AC\uC774\uBAA8\uB10C, \uB4DC\uB7EC\uBA38 \uC73C\uB85C \uC774\uB8E8\uC5B4\uC84C\uB2E4. 82\uB144 \uD788\uB4E0\uC774 \uBC34\uB4DC\uB97C \uB098\uAC00\uACE0 \uC774\uC5B4\uC11C \uC774\uB4EC\uD574 \uBC34\uB4DC \uB0B4 \uB9C8\uCC30\uB85C \uC778\uD558\uC5EC \uC874\uC2A4\uAC00 \uD0C8\uD1F4\uD55C\uB2E4. \uC774\uD6C4\uB85C \uC0C8\uB85C\uC6B4 \uBA64\uBC84\uB97C \uC601\uC785\uD558\uAE30\uB294 \uD558\uC600\uC73C\uB098 \uACB0\uAD6D 86\uB144 \uCD08 \uD574\uC0B0\uB418\uACE0 \uB9CC\uB2E4. 1977\uB144 \uC140\uD504\uD0C0\uC774\uD2C0 \uB370\uBDD4 \uC568\uBC94 \u300AThe Clash\u300B\uC744 \uD1B5\uD574 \uBE44\uD3C9\uC801\u00B7\uC0C1\uC5C5\uC801 \uC131\uACF5\uC744 \uB3D9\uC2DC\uC5D0 \uAC70\uB450\uC5C8\uC73C\uBA70 \uC774\uB4EC\uD574 \uB098\uC628 \uB450 \uBC88\uC9F8 \uC568\uBC94 \u300AGive 'Em Enough Rope\u300B\uC5D0\uC11C\uB3C4 \uC131\uACFC\uB294 \uADF8\uB300\uB85C\uC600\uB2E4. 1979\uB144 12\uC6D4 \uC601\uAD6D\uC5D0\uC11C \uC2E4\uD5D8\uC801\uC778 \uC138 \uBC88\uC9F8 \uC568\uBC94 \u300ALondon Calling\u300B\uC73C\uB85C \uBBF8\uAD6D\uC5D0\uC11C \uD070 \uC8FC\uBAA9\uC744 \uBAA8\uC73C\uAC8C \uB418\uC5C8\uB2E4. \uD6C4\uC77C \u300A\uB864\uB9C1 \uC2A4\uD1A4\u300B\uC5D0\uC11C\uB294 \uC774 \uC568\uBC94\uC744 1980\uB144\uB300 \uCD5C\uACE0\uC758 \uC568\uBC94\uC73C\uB85C \uCD94\uC5B4\uC8FC\uC5C8\uB2E4. 1980\uB144 \uB611\uAC19\uC774 \uC74C\uC545\uC801 \uC2E4\uD5D8\uC744 \uC2DC\uB3C4\uD55C \uB124 \uBC88\uC9F8 \uC568\uBC94 \u300ASandinista!\u300B\uC744 \uBC1C\uD45C, 1982\uB144 \u300ACombat Rock\u300B\uC73C\uB85C\uC368 \uB2E4\uC2DC\uAE08 \uD070 \uC131\uACF5\uC744 \uB9DB\uBCF8\uB2E4. \uBBF8\uAD6D \uD1B1 10\uC744 \uAE30\uB85D\uD55C \uBCF8 \uC568\uBC94\uC758 \uC218\uB85D\uACE1 \u3008\u3009\uC5D0 \uD798\uC785\uC5B4 2\uC911 \uD50C\uB798\uD2F0\uB118\uC744 \uB2EC\uC131\uD558\uB294 \uB300\uAE30\uB85D\uC744 \uC138\uC6E0\uB2E4. 1985\uB144 \uCD5C\uD6C4\uC791 \u300A\u300B\uC744 \uBC1C\uD45C\uD558\uACE0\uC11C \uBA87 \uC8FC\uAC00 \uC548 \uB418\uC5B4 \uB354 \uD074\uB798\uC2DC\uB294 \uD574\uC0B0\uB418\uC5C8\uB2E4. 2003\uB144 \uC870 \uC2A4\uD2B8\uB7EC\uBA38\uAC00 \uC8FD\uC740 \uC9C0 \uC870\uAE08 \uC548 \uB418\uC5B4 \uCC3D\uB9BD\uB2E8\uC6D0\uC778 \uD14C\uB9AC \uCC28\uC784\uC2A4\uB97C \uD3EC\uD568\uD558\uC5EC \uB85C\uD070\uB864 \uBA85\uC608\uC758 \uC804\uB2F9\uC5D0 \uD5CC\uC561\uB418\uC5C8\uB2E4. 2004\uB144 \u300A\uB864\uB9C1 \uC2A4\uD1A4\u300B\uC5D0\uC11C\uB294 \uB354 \uD074\uB798\uC2DC\uB97C ''\uC5D0\uC11C 28\uC704\uC5D0 \uB7AD\uD06C\uC2DC\uCF30\uB2E4."@ko . . . . . . . "\u30B6\u30FB\u30AF\u30E9\u30C3\u30B7\u30E5\uFF08The Clash\uFF09\u306F\u30011976\u5E74\u304B\u30891986\u5E74\u306B\u304B\u3051\u3066\u6D3B\u52D5\u3057\u305F\u3001\u30A4\u30F3\u30B0\u30E9\u30F3\u30C9\u51FA\u8EAB\u306E\u30D1\u30F3\u30AF\u30FB\u30ED\u30C3\u30AF\u30D0\u30F3\u30C9\u3067\u3042\u308B\u3002"@ja . . . . . . . . . . . . . "\u30B6\u30FB\u30AF\u30E9\u30C3\u30B7\u30E5"@ja . . . . . "The Clash adalah sebuah grup musik rock asal Inggris yang dibentuk pada tahun 1976 sebagai awal gelombang punk rock. Bersamaan dengan aliran punk rock, mereka bereksperimen reggae, ska, dub, funk, rap dan rockabilly. Sebagian dari mereka merekam karier di band ini, The Clash terdiri dari (penyanyi utama, gitar ritmik), (gitar, vokal), (bass, penyanyi latar, kadang jadi penyanyi utama) dan (drum, perkusi). Headon meninggalkan grup pada tahun 1982, dan masalah internal membuat Jones meninggalkan pada tahun berikutnya. Band ini lanjut dengan anggota baru, tetapi akhirnya bubar pada awal 1986."@in . . . . . . "experimental rock"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Clash (revista)"@pt . . . . "what is the reason or significance for him crying"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Clash (magazine)"@fr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Good, the Bad & the Queen"@en . . "Clash \u00E9 uma revista e site de m\u00FAsica e moda do Reino Unido. \u00C9 publicada quatro vezes por ano pela Music Republic Ltd, cujo antecessor Clash Music Ltd entrou em liquida\u00E7\u00E3o. A revista ganhou o pr\u00EAmio Revista Revela\u00E7\u00E3o no PPA Magazine Awards de 2004 e ganhou outros pr\u00EAmios na Inglaterra e na Esc\u00F3cia. Mais notavelmente, ganhou Revista do Ano no Record of the Day Awards de 2011."@pt . . . . . . . . . . . . . . . . . . . "Clash \u2014 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u0438\u0439 \u0436\u0443\u0440\u043D\u0430\u043B \u043E \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0435 \u0438 \u043C\u043E\u0434\u0435. \u041F\u043E\u0441\u043B\u0435 \u043B\u0438\u043A\u0432\u0438\u0434\u0430\u0446\u0438\u0438 Clash Music Ltd \u043E\u043D \u043F\u0443\u0431\u043B\u0438\u043A\u0443\u0435\u0442\u0441\u044F 10 \u0440\u0430\u0437 \u0432 \u0433\u043E\u0434 \u0438\u0437\u0434\u0430\u0442\u0435\u043B\u0435\u043C Music Republic Ltd. Clash \u043E\u0442\u0434\u0435\u043B\u0438\u043B\u0441\u044F \u043E\u0442 \u0448\u043E\u0442\u043B\u0430\u043D\u0434\u0441\u043A\u043E\u0433\u043E \u0436\u0443\u0440\u043D\u0430\u043B\u0430 \u0431\u0435\u0441\u043F\u043B\u0430\u0442\u043D\u044B\u0445 \u043E\u0431\u044A\u044F\u0432\u043B\u0435\u043D\u0438\u0439 Vibe \u0432 2004 \u0433\u043E\u0434\u0443, \u0438 \u0432 \u0442\u043E\u043C \u0436\u0435 \u0433\u043E\u0434\u0443 \u043F\u043E\u0431\u0435\u0434\u0438\u043B \u0432 \u043D\u043E\u043C\u0438\u043D\u0430\u0446\u0438\u0438 \u00AB\u043B\u0443\u0447\u0448\u0438\u0439 \u043D\u043E\u0432\u044B\u0439 \u0436\u0443\u0440\u043D\u0430\u043B\u00BB \u043D\u0430\u0433\u0440\u0430\u0434\u044B \u00ABPPA Magazine Awards\u00BB. \u0412 \u0436\u0443\u0440\u043D\u0430\u043B\u0435 \u043E\u0441\u0432\u0435\u0449\u0430\u044E\u0442\u0441\u044F \u0442\u0430\u043A\u0438\u0435 \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u044B\u0435 \u0433\u0440\u0443\u043F\u043F\u044B, \u043A\u0430\u043A, \u043D\u0430\u043F\u0440\u0438\u043C\u0435\u0440, The Horrors, Florence & The Machine \u0438 Jamie xx, \u0430 \u0442\u0430\u043A\u0436\u0435 \u0445\u0438\u043F-\u0445\u043E\u043F \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u0435\u043B\u0438 \u2014 DJ Shadow, Kanye West \u0438 Beastie Boys, \u0432\u0441\u0435 \u043E\u043D\u0438 \u0431\u044B\u043B\u0438 \u0432\u043A\u043B\u044E\u0447\u0435\u043D\u044B \u0432 \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u0435 \u0432\u044B\u043F\u0443\u0441\u043A\u0438."@ru . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Big Audio Dynamite"@en . . "Punk rock"@en . . . . . . . . "The Clash"@fr . . . . "Clash (magazyn)"@pl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash byla britsk\u00E1 punk rockov\u00E1 kapela, kter\u00E1 existovala mezi lety 1976 a 1986. Jde o jednu z nejzn\u00E1m\u011Bj\u0161\u00EDch kapel prvn\u00ED vlny punku v 70. letech. The Clash ve sv\u00E9 hudb\u011B spojovali punk, reggae a mnoho dal\u0161\u00EDch hudebn\u00EDch styl\u016F. Kapela se proslavila tak\u00E9 sv\u00FDmi neobvykle \u017Eiveln\u00FDmi koncerty. Styl a hudba The Clash ovlivnila obrovsk\u00E9 mno\u017Estv\u00ED dal\u0161\u00EDch kapel, a\u0165 u\u017E hraj\u00EDc\u00ED punk, nebo ne. V roce 2003 byli The Clash uvedeni do Rock and Roll Hall of Fame."@cs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash (engl. f\u00FCr \u201EKollision\u201C) war eine britische Rockband, die 1976 in London gegr\u00FCndet wurde. The Clash gilt als eine der einflussreichsten fr\u00FChen Punkbands neben anderen Gruppen wie den Ramones und den Sex Pistols. Sie verarbeiteten Einfl\u00FCsse aus Reggae, Folk und verschiedener Popmusik."@de . . . . . . . . . . . . . "Clash est un magazine de musique et de mode et un site Web bas\u00E9 au Royaume-Uni. Il est publi\u00E9 quatre fois par an par Music Republic Ltd, son pr\u00E9d\u00E9cesseur, Clash Music Ltd, est en liquidation."@fr . "\uD074\uB798\uC2DC(Clash)\uB294 \uC601\uAD6D\uC758 \uC74C\uC545 \uBC0F \uD328\uC158 \uC7A1\uC9C0\uC774\uC790 \uC6F9\uC0AC\uC774\uD2B8\uC774\uB2E4. \uD604\uC7AC\uB294 \uBBA4\uC9C1 \uB9AC\uD37C\uBE14\uB9AD Ltd\uC5D0\uC11C \uB9E4\uB144 4\uD638\uB97C \uBC1C\uAC04\uD558\uACE0 \uC788\uC73C\uBA70, \uC774\uC804\uC758 \uD074\uB798\uC2DC \uBBA4\uC9C1\uC740 \uCCAD\uC0B0\uC5D0 \uB4E4\uC5B4\uAC14\uB2E4. 2004\uB144, \uD074\uB798\uC2DC\uB294 PPA \uB9E4\uAC70\uC9C4 \uC5B4\uC6CC\uB4DC\uC5D0\uC11C \uBCA0\uC2A4\uD2B8 \uB274 \uB9E4\uAC70\uC9C4 \uC0C1\uC744 \uBC1B\uC558\uC73C\uBA70, \uC601\uAD6D\uACFC \uC2A4\uCF54\uD2C0\uB79C\uB4DC\uC5D0\uC11C 2011\uB144 \uB808\uCF54\uB4DC \uC624\uBE0C \uB354 \uB370\uC774 \uC5B4\uC6CC\uB4DC\uC5D0\uC11C\uC758 \uC62C\uD574\uC758 \uC7A1\uC9C0\uC0C1\uACFC \uAC19\uC740 \uC0C1\uC744 \uC218\uC0C1\uD558\uC600\uB2E4."@ko . . . . . . . . . "The moment that best exemplifies the Clash ... took place in August 1977, at a music festival in Liege, Belgium. The band was playing before 20,000 people and had been under fire from a crowd that was throwing bottles at the stage. But that wasn't what bothered lead singer Joe Strummer. What enraged him was a 10-foot-high barbed-wire fence strung between concrete posts and forming a barrier between the group and the audience ... [He] jumped from the stage and attacked the fence, trying to pull it down ... The Clash were the only performers at the show who tried to do anything about the obstacle. They were more willing to run the risk of the crowd than to tolerate barbed wire that was meant to fend off that crowd. This is more or less what the Clash were about: fighting the good fight that few others would fight."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\uD074\uB798\uC2DC (\uC7A1\uC9C0)"@ko . . . . . . . . . . . . . . "The Clash va ser una banda de rock activa des de l'any 1976 al 1986. Va ser una de les bandes m\u00E9s reeixides de l'ona punk a finals dels 70, i van anar incorporant al seu repertori influ\u00E8ncies de la m\u00FAsica reggae, rockabilly, dance, jazz, ska, hip hop, i ocasionalment altres estils musicals. Eren llegendaris pels seus directes intensos i plens d'energia. En diversos dels seus temes (per exemple: \u00ABShould I Stay or Should I Go\u00BB, o en la can\u00E7o sobre la Guerra Civil espanyola \u00ABSpanish Bombs\u00BB) incorporen trossos cantats en castell\u00E0."@ca . . . . . . . . . . "Havana 3am"@en . . . . . . . . . . . . . "The Clash byla britsk\u00E1 punk rockov\u00E1 kapela, kter\u00E1 existovala mezi lety 1976 a 1986. Jde o jednu z nejzn\u00E1m\u011Bj\u0161\u00EDch kapel prvn\u00ED vlny punku v 70. letech. The Clash ve sv\u00E9 hudb\u011B spojovali punk, reggae a mnoho dal\u0161\u00EDch hudebn\u00EDch styl\u016F. Kapela se proslavila tak\u00E9 sv\u00FDmi neobvykle \u017Eiveln\u00FDmi koncerty. Od sv\u00FDch po\u010D\u00E1tk\u016F byla kapela trochu vzd\u00E1len\u00E1 ostatn\u00EDm podobn\u00FDm kapel\u00E1m, a\u0165 u\u017E hudebn\u00EDm nad\u00E1n\u00EDm sv\u00FDch \u010Dlen\u016F nebo jejich texty. V\u00E1\u0161niv\u00FD politick\u00FD idealismus v textech Joe Strummera a Micka Jonese kontrastoval s nihilismem Sex Pistols a jednoduchost\u00ED The Ramones. Album London Calling z roku 1979 je pova\u017Eov\u00E1no za jedno z nejlep\u0161\u00EDch alb historie a \u010Dasopis Rolling Stone jej vyhl\u00E1sil albem 80. let, a\u010Dkoliv vy\u0161lo na konci roku 1979. Styl a hudba The Clash ovlivnila obrovsk\u00E9 mno\u017Estv\u00ED dal\u0161\u00EDch kapel, a\u0165 u\u017E hraj\u00EDc\u00ED punk, nebo ne. V roce 2003 byli The Clash uvedeni do Rock and Roll Hall of Fame."@cs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Signing that contract did bother me a lot. I've been turning it over in my mind, but now I've come to terms with it. I've realised that all it boils down to is perhaps two-year's security ... Before, all I could think about was my stomach ... Now I feel free to think\u2014and free to write down what I'm thinking about ... And look\u2014I've been fucked about for so long I'm not going to suddenly turn into Rod Stewart just because I get \u00A325.00 a week. I'm much too far gone for that, I tell you."@en . . . . . . . . . . . . . . . . . . . . . . "Clash \u00E8 un periodico di musica e moda e sito web con sede nel Regno Unito. Viene pubblicato quattro volte all'anno da Music Republic Ltd. La rivista ha vinto il premio Best New Magazine nel 2004 al PPA Magazine Awards e ha vinto altri premi in Inghilterra e Scozia. In particolare, ha vinto Magazine of the Year ai Record of the Day Awards 2011."@it . . . . . . "The Clash foi uma banda inglesa de punk rock, formada em 1976 como parte da primeira onda do punk brit\u00E2nico (em 1977). Al\u00E9m do punk, experimentou outros g\u00EAneros musicais, como reggae, ska, dub, funk, rap, surf e rockabilly. Durante grande parte de sua carreira, o Clash consistiu em Joe Strummer (vocalista principal, guitarra r\u00EDtmica), Mick Jones (guitarra principal, vocal de apoio e vocal principal em algumas can\u00E7\u00F5es), Paul Simonon (baixo, vocal de apoio e ocasionalmente vocais principais) e Nicky \"Topper\" Headon (bateria, percuss\u00E3o). Headon deixou o grupo em 1982 e atritos internos resultaram na sa\u00EDda de Jones no ano seguinte. O grupo prosseguiu com novos membros, mas acabou no in\u00EDcio de 1986."@pt . "The Clash"@en . . . . . "\uD074\uB798\uC2DC(Clash)\uB294 \uC601\uAD6D\uC758 \uC74C\uC545 \uBC0F \uD328\uC158 \uC7A1\uC9C0\uC774\uC790 \uC6F9\uC0AC\uC774\uD2B8\uC774\uB2E4. \uD604\uC7AC\uB294 \uBBA4\uC9C1 \uB9AC\uD37C\uBE14\uB9AD Ltd\uC5D0\uC11C \uB9E4\uB144 4\uD638\uB97C \uBC1C\uAC04\uD558\uACE0 \uC788\uC73C\uBA70, \uC774\uC804\uC758 \uD074\uB798\uC2DC \uBBA4\uC9C1\uC740 \uCCAD\uC0B0\uC5D0 \uB4E4\uC5B4\uAC14\uB2E4. 2004\uB144, \uD074\uB798\uC2DC\uB294 PPA \uB9E4\uAC70\uC9C4 \uC5B4\uC6CC\uB4DC\uC5D0\uC11C \uBCA0\uC2A4\uD2B8 \uB274 \uB9E4\uAC70\uC9C4 \uC0C1\uC744 \uBC1B\uC558\uC73C\uBA70, \uC601\uAD6D\uACFC \uC2A4\uCF54\uD2C0\uB79C\uB4DC\uC5D0\uC11C 2011\uB144 \uB808\uCF54\uB4DC \uC624\uBE0C \uB354 \uB370\uC774 \uC5B4\uC6CC\uB4DC\uC5D0\uC11C\uC758 \uC62C\uD574\uC758 \uC7A1\uC9C0\uC0C1\uACFC \uAC19\uC740 \uC0C1\uC744 \uC218\uC0C1\uD558\uC600\uB2E4."@ko . . . . . . . . . . . . . . . . . "Clash \u00E8 un periodico di musica e moda e sito web con sede nel Regno Unito. Viene pubblicato quattro volte all'anno da Music Republic Ltd. La rivista ha vinto il premio Best New Magazine nel 2004 al PPA Magazine Awards e ha vinto altri premi in Inghilterra e Scozia. In particolare, ha vinto Magazine of the Year ai Record of the Day Awards 2011."@it . . . . . . . . . . . . . . . . . . . . . . . . . . "The Mescaleros"@en . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash"@ca . . . . . . . . . . . . . "The Clash \u2014 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u043F\u0430\u043D\u043A-\u0440\u043E\u043A \u0433\u0443\u0440\u0442, \u0437\u0430\u0441\u043D\u043E\u0432\u0430\u043D\u0438\u0439 1976 \u0440\u043E\u043A\u0443. \u0419\u043E\u0433\u043E \u0434\u0456\u044F\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u0442\u0440\u0438\u0432\u0430\u043B\u0430 \u0432\u043F\u0440\u043E\u0434\u043E\u0432\u0436 10 \u0440\u043E\u043A\u0456\u0432. \u0422\u0432\u043E\u0440\u0447\u0456\u0441\u0442\u044C \u0433\u0443\u0440\u0442\u0443 \u0432\u0432\u0430\u0436\u0430\u0454\u0442\u044C\u0441\u044F \u043F\u0435\u0440\u0435\u043B\u043E\u043C\u043D\u043E\u044E \u0432 \u0456\u0441\u0442\u043E\u0440\u0456\u0457 \u043F\u0430\u043D\u043A-\u0440\u043E\u043A\u0443."@uk . . . . . . . . . . . "What is the enduring encylopedic significance of this opinion?"@en . . . . . . "new wave"@en . "Carbon/Silicon"@en . . . . . "The Clash 1976an Ingalaterran sortutako punk rock musika taldea da. Reggaea, rockabillya eta beste estilo batzuk ere bereganatu zituzten. Haien zuzeneko emanaldi biziak ere ospetsuak izaten ziren. Kanten letrek taldearen idealismo politikoa erakusten zuten. Taldearen joerak, estiloak eta musikak eragin handia izan du munduko beste talde askorengan. 1986. urtera arte aktiboki mantendu zen. Nahiz eta Britainia Handian izandako arrakasta berehalakoa izan, 80ko hamarkada arte ez zuen nazioarteko oihartzuna lortu."@eu . . . . . . . . . . . . . . . . . . . . . . . . . . "\uB354 \uD074\uB798\uC2DC"@ko . . . . . . . . "\u039F\u03B9 The Clash \u03AE\u03C4\u03B1\u03BD \u03B2\u03C1\u03B5\u03C4\u03B1\u03BD\u03B9\u03BA\u03CC \u03C0\u03B1\u03BD\u03BA \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03CC \u03C3\u03C5\u03B3\u03BA\u03C1\u03CC\u03C4\u03B7\u03BC\u03B1, \u03C0\u03BF\u03C5 \u03B9\u03B4\u03C1\u03CD\u03B8\u03B7\u03BA\u03B5 \u03C4\u03BF 1977 \u03B1\u03C0\u03BF\u03C4\u03B5\u03BB\u03CE\u03BD\u03C4\u03B1\u03C2 \u03BC\u03AD\u03C1\u03BF\u03C2 \u03C4\u03BF\u03C5 \u03C0\u03C1\u03CE\u03C4\u03BF\u03C5 \u03BA\u03CD\u03BC\u03B1\u03C4\u03BF\u03C2 \u03C4\u03B7\u03C2 \u03B1\u03B3\u03B3\u03BB\u03B9\u03BA\u03AE\u03C2 \u03C0\u03B1\u03BD\u03BA \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2. \u0395\u03BA\u03C4\u03CC\u03C2 \u03B1\u03C0\u03CC \u03C4\u03B7\u03BD \u03C0\u03B1\u03BD\u03BA \u03C1\u03BF\u03BA, \u03C4\u03B1 \u03BC\u03AD\u03BB\u03B7 \u03C4\u03BF\u03C5 \u03C3\u03C5\u03B3\u03BA\u03C1\u03BF\u03C4\u03AE\u03BC\u03B1\u03C4\u03BF\u03C2 \u03C0\u03B5\u03B9\u03C1\u03B1\u03BC\u03B1\u03C4\u03AF\u03C3\u03C4\u03B7\u03BA\u03B1\u03BD \u03BC\u03B5 \u03C4\u03B7 \u03C1\u03AD\u03B3\u03BA\u03B5, \u03C4\u03BF \u03C3\u03BA\u03B1, \u03C4\u03BF dub, \u03C4\u03B7 \u03C6\u03B1\u03BD\u03BA \u03C4\u03B7 \u03C1\u03B1\u03C0 \u03BA\u03B1\u03B9 \u03C4\u03BF \u03C1\u03BF\u03BA\u03B1\u03BC\u03C0\u03AF\u03BB\u03B9."@el . . . . . . . . . . . . . "The Clash \u2013 brytyjski zesp\u00F3\u0142 punkrockowy z Londynu, utworzony w 1976 roku. W pocz\u0105tkowym okresie dzia\u0142alno\u015Bci muzycy przedstawiali repertuar wy\u0142\u0105cznie punkrockowy, kt\u00F3ry w nast\u0119pnych latach stopniowo rozwijali, wzbogacaj\u0105c go innymi stylami muzycznymi, tj. reggae, ska, dub, funk, rap czy rockabilly. W czasach najwi\u0119kszej popularno\u015Bci The Clash tworzyli: Joe Strummer (wokalista, gitarzysta), Mick Jones (gitarzysta, wokalista), Paul Simonon (basista) i Nicky \u201ETopper\u201D Headon (perkusista). Zesp\u00F3\u0142 odni\u00F3s\u0142 spory sukces w Wielkiej Brytanii ju\u017C w momencie wydania debiutanckiej p\u0142yty The Clash. Trzecia p\u0142yta London Calling wydana w grudniu 1979 roku przynios\u0142a mu popularno\u015B\u0107 w Stanach Zjednoczonych. Dzi\u0119ki niej zesp\u00F3\u0142 zyska\u0142 uznanie w\u015Br\u00F3d wielu krytyk\u00F3w. Dekad\u0119 p\u00F3\u017Aniej magazyn Rolling Stone uzna\u0142 j\u0105 za najlepszy album lat 80. Tematyka polityczna w tekstach The Clash, muzyczne eksperymenty i buntownicza postawa wywar\u0142y du\u017Cy wp\u0142yw na muzyk\u0119 rockow\u0105, a w szczeg\u00F3lno\u015Bci na wykonawc\u00F3w z kr\u0119gu rocka alternatywnego. W styczniu 2003 zesp\u00F3\u0142 zosta\u0142 wprowadzony do Rock and Roll Hall of Fame. W 2004 roku magazyn Rolling Stone umie\u015Bci\u0142 zesp\u00F3\u0142 na 30. pozycji po\u015Br\u00F3d 100 najwa\u017Cniejszych artyst\u00F3w wszech czas\u00F3w (100 Greatest Artists of All Time)."@pl . "\u0630\u0627 \u0643\u0644\u0627\u0634 \u0643\u0627\u0646\u062A \u0641\u0631\u0642\u0629 \u0631\u0648\u0643 \u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629 \u0646\u0634\u0637\u062A \u0641\u064A \u0627\u0644\u0641\u062A\u0631\u0629 \u0645\u0646 \u0639\u0627\u0645 1976 \u0625\u0644\u0649 1986. \u062A\u0639\u062F \u0645\u0646 \u0623\u0634\u0647\u0631 \u0648\u0623\u0646\u062C\u062D \u0627\u0644\u0641\u0631\u0642 \u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0628\u0646\u0643 \u0641\u064A \u0623\u0648\u0627\u062E\u0631 \u0627\u0644\u0633\u0628\u0639\u064A\u0646\u0627\u062A. \u0648\u0642\u062F \u0642\u0627\u0645\u0648\u0627 \u0623\u064A\u0636\u0627\u064B \u0628\u062F\u0645\u062C \u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0628\u0646\u0643 \u0628\u0627\u0644\u0631\u064A\u063A\u064A\u0647\u060C \u0648\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0631\u0642\u0635\u060C \u0648\u0627\u0644\u062C\u0627\u0632\u060C \u0648\u0627\u0644\u0633\u0643\u0627\u060C \u0628\u0627\u0644\u0625\u0636\u0627\u0641\u0629 \u0625\u0644\u0649 \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0627\u0644\u0623\u0646\u0648\u0627\u0639 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0627\u0644\u0623\u062E\u0631\u0649."@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash"@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Latino Rockabilly War"@en . . . . . . . . . . . "The Clash"@en . "The Pogues"@en . . . . . . "\u039F\u03B9 The Clash \u03AE\u03C4\u03B1\u03BD \u03B2\u03C1\u03B5\u03C4\u03B1\u03BD\u03B9\u03BA\u03CC \u03C0\u03B1\u03BD\u03BA \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03CC \u03C3\u03C5\u03B3\u03BA\u03C1\u03CC\u03C4\u03B7\u03BC\u03B1, \u03C0\u03BF\u03C5 \u03B9\u03B4\u03C1\u03CD\u03B8\u03B7\u03BA\u03B5 \u03C4\u03BF 1977 \u03B1\u03C0\u03BF\u03C4\u03B5\u03BB\u03CE\u03BD\u03C4\u03B1\u03C2 \u03BC\u03AD\u03C1\u03BF\u03C2 \u03C4\u03BF\u03C5 \u03C0\u03C1\u03CE\u03C4\u03BF\u03C5 \u03BA\u03CD\u03BC\u03B1\u03C4\u03BF\u03C2 \u03C4\u03B7\u03C2 \u03B1\u03B3\u03B3\u03BB\u03B9\u03BA\u03AE\u03C2 \u03C0\u03B1\u03BD\u03BA \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2. \u0395\u03BA\u03C4\u03CC\u03C2 \u03B1\u03C0\u03CC \u03C4\u03B7\u03BD \u03C0\u03B1\u03BD\u03BA \u03C1\u03BF\u03BA, \u03C4\u03B1 \u03BC\u03AD\u03BB\u03B7 \u03C4\u03BF\u03C5 \u03C3\u03C5\u03B3\u03BA\u03C1\u03BF\u03C4\u03AE\u03BC\u03B1\u03C4\u03BF\u03C2 \u03C0\u03B5\u03B9\u03C1\u03B1\u03BC\u03B1\u03C4\u03AF\u03C3\u03C4\u03B7\u03BA\u03B1\u03BD \u03BC\u03B5 \u03C4\u03B7 \u03C1\u03AD\u03B3\u03BA\u03B5, \u03C4\u03BF \u03C3\u03BA\u03B1, \u03C4\u03BF dub, \u03C4\u03B7 \u03C6\u03B1\u03BD\u03BA \u03C4\u03B7 \u03C1\u03B1\u03C0 \u03BA\u03B1\u03B9 \u03C4\u03BF \u03C1\u03BF\u03BA\u03B1\u03BC\u03C0\u03AF\u03BB\u03B9. \u039A\u03B1\u03C4\u03AC \u03C4\u03B7 \u03BC\u03B5\u03B3\u03B1\u03BB\u03CD\u03C4\u03B5\u03C1\u03B7 \u03B4\u03B9\u03AC\u03C1\u03BA\u03B5\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03BA\u03B1\u03C1\u03B9\u03AD\u03C1\u03B1\u03C2 \u03C4\u03BF\u03C5\u03C2, \u03BF\u03B9 Clash \u03B1\u03C0\u03BF\u03C4\u03B5\u03BB\u03BF\u03CD\u03BD\u03C4\u03B1\u03BD \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03A4\u03B6\u03BF \u03A3\u03C4\u03C1\u03AC\u03BC\u03B5\u03C1 (\u03C0\u03C1\u03CE\u03C4\u03B1 \u03C6\u03C9\u03BD\u03B7\u03C4\u03B9\u03BA\u03AC \u03BA\u03B1\u03B9 \u03C1\u03C5\u03B8\u03BC\u03B9\u03BA\u03AE \u03BA\u03B9\u03B8\u03AC\u03C1\u03B1), (\u03C0\u03C1\u03CE\u03C4\u03B7 \u03BA\u03B9\u03B8\u03AC\u03C1\u03B1 \u03BA\u03B1\u03B9 \u03C6\u03C9\u03BD\u03B7\u03C4\u03B9\u03BA\u03AC), (\u03BC\u03C0\u03AC\u03C3\u03C3\u03BF, \u03C6\u03C9\u03BD\u03B7\u03C4\u03B9\u03BA\u03AC) \u03BA\u03B1\u03B9 (\u03BD\u03C4\u03C1\u03B1\u03BC\u03C2 \u03BA\u03B1\u03B9 \u03BA\u03C1\u03BF\u03C5\u03C3\u03C4\u03AC). \u039F \u03C4\u03B5\u03BB\u03B5\u03C5\u03C4\u03B1\u03AF\u03BF\u03C2 \u03B5\u03B3\u03BA\u03B1\u03C4\u03AD\u03BB\u03B5\u03B9\u03C8\u03B5 \u03C4\u03BF \u03C3\u03C5\u03B3\u03BA\u03C1\u03CC\u03C4\u03B7\u03BC\u03B1 \u03C4\u03BF 1982, \u03B5\u03BD\u03CE \u03B5\u03C3\u03C9\u03C4\u03B5\u03C1\u03B9\u03BA\u03AD\u03C2 \u03C3\u03C5\u03B3\u03BA\u03C1\u03BF\u03CD\u03C3\u03B5\u03B9\u03C2 \u03BF\u03B4\u03AE\u03B3\u03B7\u03C3\u03B1\u03BD \u03C3\u03C4\u03B7\u03BD \u03B1\u03C0\u03BF\u03C7\u03CE\u03C1\u03B7\u03C3\u03B7 \u03C4\u03BF\u03C5 \u03A4\u03B6\u03CC\u03BF\u03C5\u03BD\u03C2 \u03C4\u03BF\u03BD \u03B5\u03C0\u03CC\u03BC\u03B5\u03BD\u03BF \u03C7\u03C1\u03CC\u03BD\u03BF. \u03A4\u03BF \u03C3\u03C5\u03B3\u03BA\u03C1\u03CC\u03C4\u03B7\u03BC\u03B1 \u03C3\u03C5\u03BD\u03AD\u03C7\u03B9\u03C3\u03B5 \u03BC\u03B5 \u03BD\u03AD\u03B1 \u03BC\u03AD\u03BB\u03B7, \u03C9\u03C3\u03C4\u03CC\u03C3\u03BF \u03B4\u03B9\u03B1\u03BB\u03CD\u03B8\u03B7\u03BA\u03B5 \u03C4\u03BF 1986. \u039F\u03B9 Clash \u03B3\u03BD\u03CE\u03C1\u03B9\u03C3\u03B1\u03BD \u03BC\u03B5\u03B3\u03AC\u03BB\u03B7 \u03B5\u03C0\u03B9\u03C4\u03C5\u03C7\u03AF\u03B1 \u03C3\u03C4\u03B7 \u0392\u03C1\u03B5\u03C4\u03B1\u03BD\u03AF\u03B1 \u03BC\u03B5 \u03C4\u03B7\u03BD \u03BA\u03C5\u03BA\u03BB\u03BF\u03C6\u03BF\u03C1\u03AF\u03B1 \u03C4\u03BF\u03C5 \u03BF\u03BC\u03CE\u03BD\u03C5\u03BC\u03BF\u03C5 \u03C0\u03C1\u03CE\u03C4\u03BF\u03C5 \u03B4\u03AF\u03C3\u03BA\u03BF\u03C5 \u03C4\u03BF\u03C5\u03C2. \u03A4\u03BF \u03C4\u03C1\u03AF\u03C4\u03BF \u03AC\u03BB\u03BC\u03C0\u03BF\u03C5\u03BC \u03C4\u03BF\u03C5 \u03C3\u03C5\u03B3\u03BA\u03C1\u03BF\u03C4\u03AE\u03BC\u03B1\u03C4\u03BF\u03C2, \u03BC\u03B5 \u03C4\u03AF\u03C4\u03BB\u03BF London Calling, \u03C4\u03BF \u03BF\u03C0\u03BF\u03AF\u03BF \u03BA\u03C5\u03BA\u03BB\u03BF\u03C6\u03CC\u03C1\u03B7\u03C3\u03B5 \u03C4\u03BF \u0394\u03B5\u03BA\u03AD\u03BC\u03B2\u03C1\u03B9\u03BF \u03C4\u03BF\u03C5 1979, \u03B1\u03CD\u03BE\u03B7\u03C3\u03B5 \u03C4\u03B7 \u03B4\u03B7\u03BC\u03BF\u03C4\u03B9\u03BA\u03CC\u03C4\u03B7\u03C4\u03AC \u03C4\u03BF\u03C5\u03C2 \u03C3\u03C4\u03B9\u03C2 \u0397.\u03A0.\u0391. \u03CC\u03C0\u03BF\u03C5 \u03BA\u03C5\u03BA\u03BB\u03BF\u03C6\u03CC\u03C1\u03B7\u03C3\u03B5 \u03C4\u03BF\u03BD \u03B5\u03C0\u03CC\u03BC\u03B5\u03BD\u03BF \u03BC\u03AE\u03BD\u03B1. \u039A\u03C1\u03B9\u03C4\u03B9\u03BA\u03AC \u03B5\u03C0\u03B9\u03B4\u03BF\u03BA\u03B9\u03BC\u03B1\u03C3\u03BC\u03AD\u03BD\u03BF, \u03BC\u03B9\u03B1 \u03B4\u03B5\u03BA\u03B1\u03B5\u03C4\u03AF\u03B1 \u03B1\u03C1\u03B3\u03CC\u03C4\u03B5\u03C1\u03B1 \u03B1\u03BD\u03B1\u03BA\u03B7\u03C1\u03CD\u03C7\u03B8\u03B7\u03BA\u03B5 \u03B1\u03C0\u03CC \u03C4\u03BF \u03C0\u03B5\u03C1\u03B9\u03BF\u03B4\u03B9\u03BA\u03CC Rolling Stone \u03C9\u03C2 \u03BF \u03BA\u03B1\u03BB\u03CD\u03C4\u03B5\u03C1\u03BF\u03C2 \u03B4\u03AF\u03C3\u03BA\u03BF\u03C2 \u03C4\u03B7\u03C2 \u03B4\u03B5\u03BA\u03B1\u03B5\u03C4\u03AF\u03B1\u03C2 \u03C4\u03BF\u03C5 1980. \u039F\u03B9 \u03C0\u03BF\u03BB\u03B9\u03C4\u03B9\u03BA\u03BF\u03C0\u03BF\u03B9\u03B7\u03BC\u03AD\u03BD\u03BF\u03B9 \u03C3\u03C4\u03AF\u03C7\u03BF\u03B9 \u03C4\u03C9\u03BD Clash, \u03BF\u03B9 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03BF\u03AF \u03C0\u03B5\u03B9\u03C1\u03B1\u03BC\u03B1\u03C4\u03B9\u03C3\u03BC\u03BF\u03AF \u03BA\u03B1\u03B9 \u03BF \u03B5\u03C0\u03B1\u03BD\u03B1\u03C3\u03C4\u03B1\u03C4\u03B9\u03BA\u03CC\u03C2 \u03C7\u03B1\u03C1\u03B1\u03BA\u03C4\u03AE\u03C1\u03B1\u03C2 \u03C4\u03BF\u03C5\u03C2 \u03AC\u03C3\u03BA\u03B7\u03C3\u03B1\u03BD \u03BC\u03B5\u03B3\u03AC\u03BB\u03B7 \u03B5\u03C0\u03AF\u03B4\u03C1\u03B1\u03C3\u03B7 \u03C3\u03C4\u03B7 \u03C1\u03BF\u03BA \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE \u03C3\u03BA\u03B7\u03BD\u03AE \u03BA\u03B1\u03B9 \u03C3\u03C4\u03BF \u03B5\u03BD\u03B1\u03BB\u03BB\u03B1\u03BA\u03C4\u03B9\u03BA\u03CC \u03C1\u03BF\u03BA. \u0388\u03B3\u03B9\u03BD\u03B1\u03BD \u03B3\u03BD\u03C9\u03C3\u03C4\u03BF\u03AF \u03C9\u03C2 \"The Only Band That Matters\", \u03B1\u03C0\u03CC \u03C4\u03BF \u03C0\u03C1\u03BF\u03C9\u03B8\u03B7\u03C4\u03B9\u03BA\u03CC \u03C3\u03BB\u03CC\u03B3\u03BA\u03B1\u03BD \u03C0\u03BF\u03C5 \u03C0\u03B1\u03C1\u03BF\u03C5\u03C3\u03B9\u03AC\u03C3\u03C4\u03B7\u03BA\u03B5 \u03B1\u03C0\u03CC \u03C4\u03B7 CBS, \u03C4\u03B7 \u03B4\u03B9\u03C3\u03BA\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AE \u03B5\u03C4\u03B1\u03B9\u03C1\u03AF\u03B1 \u03C4\u03BF\u03C5 \u03B3\u03BA\u03C1\u03BF\u03C5\u03C0. \u03A4\u03BF\u03BD \u0399\u03B1\u03BD\u03BF\u03C5\u03AC\u03C1\u03B9\u03BF \u03C4\u03BF\u03C5 2003 \u03BF\u03B9 Clash \u2013 \u03C3\u03C5\u03BC\u03C0\u03B5\u03C1\u03B9\u03BB\u03B1\u03BC\u03B2\u03B1\u03BD\u03BF\u03BC\u03AD\u03BD\u03BF\u03C5 \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 \u03B1\u03C1\u03C7\u03B9\u03BA\u03BF\u03CD \u03BD\u03C4\u03C1\u03AC\u03BC\u03B5\u03C1 \u03A4\u03AD\u03C1\u03B9 \u03A4\u03C3\u03AC\u03B9\u03BC\u03C2 \u2013 \u03B5\u03B9\u03C3\u03AE\u03C7\u03B8\u03B7\u03C3\u03B1\u03BD \u03C3\u03C4\u03BF Rock and Roll Hall of Fame. \u03A4\u03BF 2004, \u03C4\u03BF \u03C0\u03B5\u03C1\u03B9\u03BF\u03B4\u03B9\u03BA\u03CC Rolling Stone \u03C4\u03BF\u03C0\u03BF\u03B8\u03AD\u03C4\u03B7\u03C3\u03B5 \u03C4\u03B7\u03BD \u03BC\u03C0\u03AC\u03BD\u03C4\u03B1 28\u03B7 \u03C3\u03C4\u03BF\u03BD \u03BA\u03B1\u03C4\u03AC\u03BB\u03BF\u03B3\u03BF \u03BC\u03B5 \u03C4\u03BF\u03C5\u03C2 100 \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03CC\u03C4\u03B5\u03C1\u03BF\u03C5\u03C2 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03AD\u03C7\u03BD\u03B5\u03C2 \u03CC\u03BB\u03C9\u03BD \u03C4\u03C9\u03BD \u03B5\u03C0\u03BF\u03C7\u03CE\u03BD."@el . . . "The Clash was een Britse punkgroep, die bestond van 1976 tot 1985. De groep wordt beschouwd als een van de belangrijkste punkgroepen, die opvielen door hun sterke linkse kritiek en de verschillende stijlen die ze gebruikten in hun muziek. The Clash bestond uit Joe Strummer (zang, gitaar), Mick Jones (gitaar, zang), Paul Simonon (basgitaar) en Topper Headon (drums)."@nl . . "\u0630\u0627 \u0643\u0644\u0627\u0634"@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash"@nl . . . . . . . . . . . . . "1976"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u0630\u0627 \u0643\u0644\u0627\u0634 \u0643\u0627\u0646\u062A \u0641\u0631\u0642\u0629 \u0631\u0648\u0643 \u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629 \u0646\u0634\u0637\u062A \u0641\u064A \u0627\u0644\u0641\u062A\u0631\u0629 \u0645\u0646 \u0639\u0627\u0645 1976 \u0625\u0644\u0649 1986. \u062A\u0639\u062F \u0645\u0646 \u0623\u0634\u0647\u0631 \u0648\u0623\u0646\u062C\u062D \u0627\u0644\u0641\u0631\u0642 \u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0628\u0646\u0643 \u0641\u064A \u0623\u0648\u0627\u062E\u0631 \u0627\u0644\u0633\u0628\u0639\u064A\u0646\u0627\u062A. \u0648\u0642\u062F \u0642\u0627\u0645\u0648\u0627 \u0623\u064A\u0636\u0627\u064B \u0628\u062F\u0645\u062C \u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0628\u0646\u0643 \u0628\u0627\u0644\u0631\u064A\u063A\u064A\u0647\u060C \u0648\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0631\u0642\u0635\u060C \u0648\u0627\u0644\u062C\u0627\u0632\u060C \u0648\u0627\u0644\u0633\u0643\u0627\u060C \u0628\u0627\u0644\u0625\u0636\u0627\u0641\u0629 \u0625\u0644\u0649 \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0627\u0644\u0623\u0646\u0648\u0627\u0639 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0627\u0644\u0623\u062E\u0631\u0649."@ar . "right"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash"@de . . . . . . . . . "Joe Strummer, Mick Jones, and Paul Simonon in concert with the Clash in 1980"@en . . . . . . . "The Clash"@it . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "group_or_band"@en . . "The Clash (\u0440\u0443\u0441. \u041A\u043B\u044D\u0448; \u041C\u0424\u0410: [\u00F0\u0259 kl\u00E6\u0283]) \u2014 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u0430\u044F \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u0430\u044F \u0433\u0440\u0443\u043F\u043F\u0430, \u043E\u0431\u0440\u0430\u0437\u043E\u0432\u0430\u043D\u043D\u0430\u044F \u0432 1976 \u0433\u043E\u0434\u0443 \u0432 \u041B\u043E\u043D\u0434\u043E\u043D\u0435 \u043F\u043E\u0434 \u0432\u043B\u0438\u044F\u043D\u0438\u0435\u043C \u043C\u0443\u0437\u044B\u043A\u0438 \u0438 \u0438\u043C\u0438\u0434\u0436\u0430 \u043F\u0430\u043D\u043A-\u0440\u043E\u043A-\u0433\u0440\u0443\u043F\u043F\u044B Sex Pistols. The Clash \u044F\u0432\u043B\u044F\u044E\u0442\u0441\u044F \u043E\u0434\u043D\u043E\u0439 \u0438\u0437 \u043F\u0435\u0440\u0432\u044B\u0445 \u0438 \u043D\u0430\u0438\u0431\u043E\u043B\u0435\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0445 \u0433\u0440\u0443\u043F\u043F \u2014 \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u0435\u043B\u0435\u0439 \u043F\u0430\u043D\u043A-\u0440\u043E\u043A\u0430. \u041D\u0435\u0441\u043C\u043E\u0442\u0440\u044F \u043D\u0430 \u0431\u043E\u043B\u044C\u0448\u0443\u044E \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u043E\u0441\u0442\u044C, \u043A\u043E\u0442\u043E\u0440\u0443\u044E \u043A\u043E\u043B\u043B\u0435\u043A\u0442\u0438\u0432 \u043E\u0431\u0440\u0451\u043B \u043D\u0430 \u043F\u0430\u043D\u043A-\u0441\u0446\u0435\u043D\u0435, \u043E\u043D \u0442\u0430\u043A\u0436\u0435 \u044D\u043A\u0441\u043F\u0435\u0440\u0438\u043C\u0435\u043D\u0442\u0438\u0440\u043E\u0432\u0430\u043B \u0441 \u0440\u0430\u0437\u043B\u0438\u0447\u043D\u044B\u043C\u0438 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u043C\u0438 \u0441\u0442\u0438\u043B\u044F\u043C\u0438 \u043E\u0442 \u0440\u0435\u0433\u0433\u0438 \u0434\u043E \u0445\u0438\u043F-\u0445\u043E\u043F\u0430. \u0422\u0430\u043A\u0430\u044F \u0448\u0438\u0440\u043E\u0442\u0430 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0434\u0438\u0430\u043F\u0430\u0437\u043E\u043D\u0430, \u043F\u043E\u043B\u0438\u0442\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0431\u0435\u0441\u043A\u043E\u043C\u043F\u0440\u043E\u043C\u0438\u0441\u0441\u043D\u043E\u0441\u0442\u044C, \u043F\u043E\u043B\u043D\u044B\u0435 \u044D\u043D\u0435\u0440\u0433\u0438\u0438 \u0438 \u043F\u0440\u043E\u0432\u043E\u043A\u0430\u0446\u0438\u0439 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u044B \u043F\u0440\u0438\u043D\u0435\u0441\u043B\u0438 The Clash \u043D\u0435\u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u043D\u044B\u0439 \u0434\u043B\u044F \u043F\u0430\u043D\u043A\u0430 \u043A\u0440\u0443\u043F\u043D\u044B\u0439 \u0443\u0441\u043F\u0435\u0445 \u0443 \u0441\u0435\u0431\u044F \u043D\u0430 \u0440\u043E\u0434\u0438\u043D\u0435 (\u0432\u0441\u0435 \u0430\u043B\u044C\u0431\u043E\u043C\u044B \u0433\u0440\u0443\u043F\u043F\u044B \u043F\u043E\u043F\u0430\u0434\u0430\u043B\u0438 \u0432 \u0432\u0435\u0440\u0445\u043D\u044E\u044E \u00AB\u0434\u0432\u0430\u0434\u0446\u0430\u0442\u043A\u0443\u00BB \u0445\u0438\u0442-\u043F\u0430\u0440\u0430\u0434\u0430) \u0438 \u0437\u0430 \u0440\u0443\u0431\u0435\u0436\u043E\u043C. \u041D\u0430\u0447\u0430\u0432 \u0441\u0432\u043E\u044E \u043A\u0430\u0440\u044C\u0435\u0440\u0443 \u0441 \u0432\u044B\u0441\u0442\u0443\u043F\u043B\u0435\u043D\u0438\u0439 \u0432 \u0430\u043D\u0434\u0435\u0433\u0440\u0430\u0443\u043D\u0434\u043D\u044B\u0445 \u043B\u043E\u043D\u0434\u043E\u043D\u0441\u043A\u0438\u0445 \u043A\u043B\u0443\u0431\u0430\u0445, \u0433\u0440\u0443\u043F\u043F\u0430 \u0434\u043E\u0431\u0438\u043B\u0430\u0441\u044C \u0431\u043E\u043B\u044C\u0448\u043E\u0433\u043E \u0443\u0441\u043F\u0435\u0445\u0430 \u043D\u0430 \u043C\u0438\u0440\u043E\u0432\u043E\u0439 \u0440\u043E\u043A-\u0441\u0446\u0435\u043D\u0435, \u0441\u043E\u0431\u0438\u0440\u0430\u044F \u043D\u0430 \u0441\u0432\u043E\u0438\u0445 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u0430\u0445 \u0446\u0435\u043B\u044B\u0435 \u0441\u0442\u0430\u0434\u0438\u043E\u043D\u044B \u0437\u0440\u0438\u0442\u0435\u043B\u0435\u0439 \u0438 \u0443\u0447\u0430\u0441\u0442\u0432\u0443\u044F \u0432 \u043A\u0440\u0443\u043F\u043D\u0435\u0439\u0448\u0438\u0445 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0445 \u0444\u0435\u0441\u0442\u0438\u0432\u0430\u043B\u044F\u0445 \u0432\u0441\u0435\u0433\u043E \u043C\u0438\u0440\u0430. \u041D\u0435\u0441\u043C\u043E\u0442\u0440\u044F \u043D\u0430 \u0442\u0430\u043A\u0443\u044E \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u043E\u0441\u0442\u044C, The Clash \u0434\u043E \u0441\u0430\u043C\u043E\u0433\u043E \u0440\u0430\u0441\u043F\u0430\u0434\u0430 \u043E\u0441\u0442\u0430\u0432\u0430\u043B\u0438\u0441\u044C \u0432\u0435\u0440\u043D\u044B \u043F\u0430\u043D\u043A-\u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044F\u043C \u0438 \u0441\u0432\u043E\u0438\u043C \u043B\u0435\u0432\u044B\u043C \u0432\u0437\u0433\u043B\u044F\u0434\u0430\u043C; \u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442\u044B \u0442\u0440\u0435\u0431\u043E\u0432\u0430\u043B\u0438 \u043E\u0442 \u043F\u0440\u043E\u043C\u043E\u0443\u0442\u0435\u0440\u043E\u0432 \u0434\u0435\u0448\u0451\u0432\u044B\u0435 \u0431\u0438\u043B\u0435\u0442\u044B \u043D\u0430 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u044B \u0434\u043B\u044F \u043F\u043E\u043A\u043B\u043E\u043D\u043D\u0438\u043A\u043E\u0432, \u043F\u043E\u0434\u043E\u043B\u0433\u0443 \u043E\u0431\u0449\u0430\u044F\u0441\u044C \u0441 \u043D\u0438\u043C\u0438 \u043F\u043E\u0441\u043B\u0435 \u0432\u044B\u0441\u0442\u0443\u043F\u043B\u0435\u043D\u0438\u0439, \u0438 \u043F\u0440\u043E\u0434\u0430\u0432\u0430\u043B\u0438 \u0434\u0432\u043E\u0439\u043D\u043E\u0439 \u0438 \u0442\u0440\u043E\u0439\u043D\u043E\u0439 \u0430\u043B\u044C\u0431\u043E\u043C\u044B \u043F\u043E \u0446\u0435\u043D\u0435 \u043E\u0434\u043D\u043E\u0433\u043E, \u043A\u043E\u043C\u043F\u0435\u043D\u0441\u0438\u0440\u0443\u044F \u0443\u0431\u044B\u0442\u043E\u043A \u043B\u0435\u0439\u0431\u043B\u0443 \u0437\u0430 \u0441\u043E\u0431\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0439 \u0441\u0447\u0451\u0442. \u0412 2003 \u0433\u043E\u0434\u0443 The Clash \u0431\u044B\u043B\u0438 \u0432\u043A\u043B\u044E\u0447\u0435\u043D\u044B \u0432 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u0417\u0430\u043B \u0441\u043B\u0430\u0432\u044B \u0440\u043E\u043A-\u043D-\u0440\u043E\u043B\u043B\u0430."@ru . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash est un groupe britannique de punk rock, originaire de Londres, en Angleterre. Il s'agit d'un des quatuors majeurs de l'histoire du rock et du punk rock britannique. Le groupe commence sa carri\u00E8re en 1976 et se dissout en 1986. En 2003, la formation entre au Rock and Roll Hall of Fame. Ses personnalit\u00E9s les plus importantes sont Joe Strummer et Mick Jones, tous deux \u00E0 la guitare et au chant, ainsi que le bassiste Paul Simonon et le batteur Topper Headon. Le style du groupe, rattach\u00E9 au mouvement punk, se caract\u00E9rise par un rock contestataire o\u00F9 les textes, \u00AB habit\u00E9s d'un \u00E9lan anarchiste \u00BB, jouent un r\u00F4le primordial. Ce groupe se caract\u00E9rise \u00E9galement par sa capacit\u00E9 \u00E0 int\u00E9grer \u00E0 sa musique des sonorit\u00E9s vari\u00E9es en puisant \u00E0 la source des racines musicales de ses membres, parmi lesquelles le punk rock, le rock, le rockabilly, le reggae, le ska ou encore le dub."@fr . . . . . . . . . . . . . . . . "The Clash 1976an Ingalaterran sortutako punk rock musika taldea da. Reggaea, rockabillya eta beste estilo batzuk ere bereganatu zituzten. Haien zuzeneko emanaldi biziak ere ospetsuak izaten ziren. Kanten letrek taldearen idealismo politikoa erakusten zuten. Taldearen joerak, estiloak eta musikak eragin handia izan du munduko beste talde askorengan. 1986. urtera arte aktiboki mantendu zen. Nahiz eta Britainia Handian izandako arrakasta berehalakoa izan, 80ko hamarkada arte ez zuen nazioarteko oihartzuna lortu."@eu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash"@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u2014Joe Strummer, March 1977"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash"@eu . . . . . . . . . . . . . "The Clash \u00E8 stato un gruppo musicale punk rock inglese. Attivi dal 1976 al 1986, furono uno dei gruppi pi\u00F9 acclamati dalla critica del periodo. Furono formati principalmente da Joe Strummer (voce, chitarra ritmica), Mick Jones (chitarra solista, voce), Paul Simonon (basso, voce) e Nick \"Topper\" Headon (batteria, percussioni). Headon lasci\u00F2 il gruppo nel 1982 e Jones nel 1983, il gruppo prosegu\u00EC con nuovi membri negli anni successivi, ma all'inizio del 1986 si sciolse definitivamente. I Clash erano famosi per la variet\u00E0 della loro musica (nel loro repertorio trovano posto reggae, dub, rap, rockabilly e altri generi), per le loro esibizioni dal vivo particolarmente intense, per la sofisticatezza lirica e politica dei loro testi, che li distingueva dalla maggior parte dei loro colleghi appartenenti al movimento punk.Inseriti al ventottesimo posto nella classifica degli artisti immortali stilata dalla rivista Rolling Stone, i Clash sono noti anche con l'appellativo di The Only Band That Matters (\"l'unico gruppo che conti\")."@it . "The Clash (engl. f\u00FCr \u201EKollision\u201C) war eine britische Rockband, die 1976 in London gegr\u00FCndet wurde. The Clash gilt als eine der einflussreichsten fr\u00FChen Punkbands neben anderen Gruppen wie den Ramones und den Sex Pistols. Sie verarbeiteten Einfl\u00FCsse aus Reggae, Folk und verschiedener Popmusik."@de . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash"@en . . . . . . . . . . . . . . . "The Clash"@in . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u885D\u64CA\u5408\u5531\u5718"@zh . . . . . . . . . . . . . . "group_or_band" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash"@el . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1986"^^ . . . . . . . . . . . . . . . . . . . . . "Clash \u00E9 uma revista e site de m\u00FAsica e moda do Reino Unido. \u00C9 publicada quatro vezes por ano pela Music Republic Ltd, cujo antecessor Clash Music Ltd entrou em liquida\u00E7\u00E3o. A revista ganhou o pr\u00EAmio Revista Revela\u00E7\u00E3o no PPA Magazine Awards de 2004 e ganhou outros pr\u00EAmios na Inglaterra e na Esc\u00F3cia. Mais notavelmente, ganhou Revista do Ano no Record of the Day Awards de 2011."@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u2014Rock historian Mikal Gilmore."@en . . . . . . . . . . . . "The Clash"@pl . . . . . . . . . . . . . . . ""@en . . . . . . "The Clash fue una banda brit\u00E1nica de punk que estuvo activa entre 1976 y 1986. El grupo fue uno de los m\u00E1s importantes e ic\u00F3nicos de la primera ola del punk originada a fines de los a\u00F1os 1970 y, a diferencia de la mayor\u00EDa de las bandas punk que se caracterizaban por su simplicidad musical,[cita requerida] incorpor\u00F3 reggae, rock, rockabilly, ska, rhythm and blues, jazz, funk y dub entre otros variados estilos en su repertorio.The Clash lleg\u00F3 a ser una banda muy influyente en la m\u00FAsica mundial."@es . . . . . "The Clash adalah sebuah grup musik rock asal Inggris yang dibentuk pada tahun 1976 sebagai awal gelombang punk rock. Bersamaan dengan aliran punk rock, mereka bereksperimen reggae, ska, dub, funk, rap dan rockabilly. Sebagian dari mereka merekam karier di band ini, The Clash terdiri dari (penyanyi utama, gitar ritmik), (gitar, vokal), (bass, penyanyi latar, kadang jadi penyanyi utama) dan (drum, perkusi). Headon meninggalkan grup pada tahun 1982, dan masalah internal membuat Jones meninggalkan pada tahun berikutnya. Band ini lanjut dengan anggota baru, tetapi akhirnya bubar pada awal 1986."@in . . . . . . . "\u30B6\u30FB\u30AF\u30E9\u30C3\u30B7\u30E5\uFF08The Clash\uFF09\u306F\u30011976\u5E74\u304B\u30891986\u5E74\u306B\u304B\u3051\u3066\u6D3B\u52D5\u3057\u305F\u3001\u30A4\u30F3\u30B0\u30E9\u30F3\u30C9\u51FA\u8EAB\u306E\u30D1\u30F3\u30AF\u30FB\u30ED\u30C3\u30AF\u30D0\u30F3\u30C9\u3067\u3042\u308B\u3002"@ja . "Clash \u2014 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u0438\u0439 \u0436\u0443\u0440\u043D\u0430\u043B \u043E \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0435 \u0438 \u043C\u043E\u0434\u0435. \u041F\u043E\u0441\u043B\u0435 \u043B\u0438\u043A\u0432\u0438\u0434\u0430\u0446\u0438\u0438 Clash Music Ltd \u043E\u043D \u043F\u0443\u0431\u043B\u0438\u043A\u0443\u0435\u0442\u0441\u044F 10 \u0440\u0430\u0437 \u0432 \u0433\u043E\u0434 \u0438\u0437\u0434\u0430\u0442\u0435\u043B\u0435\u043C Music Republic Ltd. Clash \u043E\u0442\u0434\u0435\u043B\u0438\u043B\u0441\u044F \u043E\u0442 \u0448\u043E\u0442\u043B\u0430\u043D\u0434\u0441\u043A\u043E\u0433\u043E \u0436\u0443\u0440\u043D\u0430\u043B\u0430 \u0431\u0435\u0441\u043F\u043B\u0430\u0442\u043D\u044B\u0445 \u043E\u0431\u044A\u044F\u0432\u043B\u0435\u043D\u0438\u0439 Vibe \u0432 2004 \u0433\u043E\u0434\u0443, \u0438 \u0432 \u0442\u043E\u043C \u0436\u0435 \u0433\u043E\u0434\u0443 \u043F\u043E\u0431\u0435\u0434\u0438\u043B \u0432 \u043D\u043E\u043C\u0438\u043D\u0430\u0446\u0438\u0438 \u00AB\u043B\u0443\u0447\u0448\u0438\u0439 \u043D\u043E\u0432\u044B\u0439 \u0436\u0443\u0440\u043D\u0430\u043B\u00BB \u043D\u0430\u0433\u0440\u0430\u0434\u044B \u00ABPPA Magazine Awards\u00BB. \u0412 \u0436\u0443\u0440\u043D\u0430\u043B\u0435 \u043E\u0441\u0432\u0435\u0449\u0430\u044E\u0442\u0441\u044F \u0442\u0430\u043A\u0438\u0435 \u0441\u043E\u0432\u0440\u0435\u043C\u0435\u043D\u043D\u044B\u0435 \u0433\u0440\u0443\u043F\u043F\u044B, \u043A\u0430\u043A, \u043D\u0430\u043F\u0440\u0438\u043C\u0435\u0440, The Horrors, Florence & The Machine \u0438 Jamie xx, \u0430 \u0442\u0430\u043A\u0436\u0435 \u0445\u0438\u043F-\u0445\u043E\u043F \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u0435\u043B\u0438 \u2014 DJ Shadow, Kanye West \u0438 Beastie Boys, \u0432\u0441\u0435 \u043E\u043D\u0438 \u0431\u044B\u043B\u0438 \u0432\u043A\u043B\u044E\u0447\u0435\u043D\u044B \u0432 \u043F\u043E\u0441\u043B\u0435\u0434\u043D\u0438\u0435 \u0432\u044B\u043F\u0443\u0441\u043A\u0438."@ru . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Clash est un magazine de musique et de mode et un site Web bas\u00E9 au Royaume-Uni. Il est publi\u00E9 quatre fois par an par Music Republic Ltd, son pr\u00E9d\u00E9cesseur, Clash Music Ltd, est en liquidation."@fr . . . . . . . . . . . . . "The Clash \u2014 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u043F\u0430\u043D\u043A-\u0440\u043E\u043A \u0433\u0443\u0440\u0442, \u0437\u0430\u0441\u043D\u043E\u0432\u0430\u043D\u0438\u0439 1976 \u0440\u043E\u043A\u0443. \u0419\u043E\u0433\u043E \u0434\u0456\u044F\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u0442\u0440\u0438\u0432\u0430\u043B\u0430 \u0432\u043F\u0440\u043E\u0434\u043E\u0432\u0436 10 \u0440\u043E\u043A\u0456\u0432. \u0422\u0432\u043E\u0440\u0447\u0456\u0441\u0442\u044C \u0433\u0443\u0440\u0442\u0443 \u0432\u0432\u0430\u0436\u0430\u0454\u0442\u044C\u0441\u044F \u043F\u0435\u0440\u0435\u043B\u043E\u043C\u043D\u043E\u044E \u0432 \u0456\u0441\u0442\u043E\u0440\u0456\u0457 \u043F\u0430\u043D\u043A-\u0440\u043E\u043A\u0443."@uk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Clash (rivista)"@it . . . . . . . . . . . . . . . . . "The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as \"The Only Band That Matters\", they also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky \"Topper\" Headon."@en . . . . . . . . . . . "Clash \u2013 brytyjskie czasopismo elektroniczne po\u015Bwi\u0119cone muzyce i modzie, filmowi i rozrywce. Serwis by\u0142 notowany w rankingu Alexa na miejscu 103111."@pl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Clash (\u0436\u0443\u0440\u043D\u0430\u043B)"@ru . . . . . . . . . . . . . . . . . . . . "* Joe Strummer\n* Mick Jones\n* Paul Simonon\n* Terry Chimes\n* Keith Levene\n* Rob Harper\n* Topper Headon\n* Pete Howard\n* Nick Sheppard\n* Vince White"@en . . . . . "\u885D\u64CA\u5408\u5531\u5718\uFF08\u82F1\u8A9E\uFF1AThe Clash\uFF09\u662F\u6210\u7ACB\u65BC1976\u5E74\u7684\u82F1\u570B\u9F90\u514B\u6A02\u5718\uFF0C\u662F\u82F1\u570B\u9F90\u514B\u6416\u6EFE\u6D6A\u6F6E\u7684\u6700\u521D\u6210\u54E1\u4E4B\u4E00\u3002\u9664\u4E86\u9F90\u514B\u6416\u6EFE\u4E4B\u5916\uFF0C\u885D\u64CA\u5408\u5531\u5718\u4E5F\u5617\u8A66\u4E86\u96F7\u9B3C\u3001\u65AF\u5361\u3001Dub\u3001\u653E\u514B\u3001\u9952\u820C\u8207\u5C71\u5730\u6416\u6EFE\u7B49\u591A\u7A2E\u66F2\u98A8\u3002\u4ED6\u5011\u7684\u4E3B\u8981\u9663\u5BB9\uFF0C\u662F\u4EE5\u55AC\u00B7\u53F2\u695A\u9ED8\uFF08\u4E3B\u5531\u3001\u7BC0\u594F\u5409\u4ED6\uFF09\u3001\u7C73\u514B\u00B7\u74CA\u65AF\uFF08\u4E3B\u594F\u5409\u4ED6\u3001\u526F\u5531\uFF09\u3001\u4FDD\u7F85\u00B7\u897F\u8499\u5102\uFF08\u8C9D\u65AF\u3001\u5408\u97F3\u3001\u5076\u723E\u7684\u4E3B\u5531\uFF09\u8207\u300C\u4E0A\u7B49\u8CA8\u300D\u5C3C\u57FA\u00B7\u9ED1\u767B\uFF08\u9F13\u3001\u6253\u64CA\u6A02\u5668\uFF09\u7D44\u6210\u3002 \u8FD9\u4E00\u4E50\u961F\u57281977\u5E74\u767C\u884C\u7684\u540C\u540D\u5C08\u8F2F\u5F00\u542F\u4E86\u4ED6\u4EEC\u5728\u82F1\u570B\u6210\u529F\u7684\u5927\u9580\u30021979\u5E7412\u6708\uFF0C\u7B2C\u4E09\u5F35\u5C08\u8F2F\u300ALondon Calling\u300B\u5728\u82F1\u570B\u53D1\u884C\uFF0C1980\u5E741\u6708\u5728\u7F8E\u570B\u53D1\u884C\u5F8C\uFF0C\u885D\u64CA\u5408\u5531\u5718\u5728\u7F8E\u570B\u7684\u4EBA\u6C23\u66B4\u6F32\u3002\u300ALondon Calling\u300B\u5F97\u5230\u4E86\u8A55\u8AD6\u7684\u4E00\u81F4\u559D\u91C7\uFF0C1989\u5E74\u7684\u300A\u6EFE\u77F3\u96DC\u8A8C\u300B\u79F0\u300ALondon Calling\u300B\u4E3A1980\u5E74\u4EE3\u7684\u6700\u4F73\u5C08\u8F2F\u3002 \u8FD9\u4E00\u4E50\u961F\u653F\u6CBB\u5316\u7684\u6B4C\u8A5E\u3001\u97F3\u6A02\u4E0A\u7684\u5BE6\u9A57\u8207\u53DB\u9006\u7684\u614B\u5EA6\uFF0C\u70BA\u6416\u6EFE\u97F3\u4E50\u5E36\u4F86\u4E86\u6DF1\u9060\u7684\u5F71\u97FF\uFF0C\u5C24\u5176\u662F\u53E6\u985E\u6416\u6EFE\u3002\u6709\u7740\u300C\u552F\u4E00\u91CD\u8981\u7684\u6A02\u5718\u300D\u7684\u7F8E\u540D\uFF0C\u800C\u8FD9\u4E00\u7F8E\u540D\u4E5F\u662F\u54E5\u502B\u6BD4\u4E9E\u5531\u7247\u7684\u5BA3\u50B3\u53E3\u865F\u3002 2003\u5E741\u6708\uFF0C\u885D\u64CA\u5408\u5531\u5718\u8FDB\u9A7B\u6416\u6EFE\u540D\u4EBA\u5802\u30022004\u5E74\u7684\u300A\u6EFE\u77F3\u96DC\u8A8C\u300B\u5C07\u885D\u64CA\u5408\u5531\u5718\u5217\u70BA\u53F2\u4E0A\u767E\u5927\u6B4C\u624B\u7B2C\u4E8C\u5341\u516B\u540D\u3002 \u4E50\u961F\u6210\u5458\u5C3C\u57FA\u00B7\u9ED1\u767B\u548C\u7C73\u514B\u00B7\u743C\u65AF\u5148\u540E\u4E8E1982\u5E74\u30011983\u5E74\u79BB\u56E2\u3002\u540E\u671F\u867D\u6709\u65B0\u6210\u5458\u52A0\u5165\uFF0C\u60DF\u6700\u7EC8\u4ECD\u4E8E1986\u5E74\u5BA3\u544A\u89E3\u6563\uFF0C\u4E3B\u5531\u4E54\u00B7\u65AF\u7279\u62C9\u9ED8\u57282002\u5E7412\u670822\u65E5\u56E0\u5148\u5929\u6027\u5FC3\u810F\u75C5\u4E0D\u5E78\u8F9E\u4E16\uFF0C\u5E74\u4EC550\u5C81\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash fue una banda brit\u00E1nica de punk que estuvo activa entre 1976 y 1986. El grupo fue uno de los m\u00E1s importantes e ic\u00F3nicos de la primera ola del punk originada a fines de los a\u00F1os 1970 y, a diferencia de la mayor\u00EDa de las bandas punk que se caracterizaban por su simplicidad musical,[cita requerida] incorpor\u00F3 reggae, rock, rockabilly, ska, rhythm and blues, jazz, funk y dub entre otros variados estilos en su repertorio.The Clash lleg\u00F3 a ser una banda muy influyente en la m\u00FAsica mundial. Sumado a esto, The Clash exhibi\u00F3 una intencionalidad pol\u00EDtica en sus letras que con el tiempo se convertir\u00EDa en su caracter\u00EDstica distintiva fundamental. El idealismo expresado en las composiciones de Joe Strummer y Mick Jones contrast\u00F3 con el nihilismo de Sex Pistols y la sencillez de Ramones, las otras bandas emblemas del punk en la \u00E9poca.\u200B\u200B Aunque su \u00E9xito en el Reino Unido fue inmediato, la banda no se gan\u00F3 al p\u00FAblico estadounidense hasta los a\u00F1os 1980.\u200B Su tercer \u00E1lbum, London Calling (publicado en 1979), es considerado uno de los mejores discos de la historia de la m\u00FAsica comercial. De hecho, la revista Billboard lo calific\u00F3 como el mejor de los a\u00F1os 1980,\u200B y seg\u00FAn la revista Rolling Stone como el octavo mejor de la historia en su lista de los 500 mejores \u00E1lbumes de todos los tiempos, donde tambi\u00E9n figuran otros dos discos del grupo, The Clash y Sandinista!, en las posiciones n.\u00BA 77 y n.\u00BA 404 respectivamente.\u200B Algunos de sus temas m\u00E1s reconocidos fueron \"Police & Thieves\", \"White Riot\", \"Tommy Gun\", \"London Calling\", \"Train in Vain\", \"(White Man) In Hammersmith Palais\", \"The Guns of Brixton\", \"Complete Control\", \"Rock the Casbah\" y \"Should I Stay or Should I Go\". Esta \u00FAltima canci\u00F3n fue un gran \u00E9xito 6 a\u00F1os despu\u00E9s de la disoluci\u00F3n del grupo debido a su uso en una campa\u00F1a publicitaria de Levi's. En 2003 fueron incluidos en el Sal\u00F3n de la Fama del Rock situado en Ohio, Estados Unidos.\u200B Un a\u00F1o m\u00E1s tarde, Rolling Stone los incluy\u00F3 en la posici\u00F3n n.\u00BA 28 de \"The Immortals\".\u200B A lo largo del tiempo, se ha asentado entre los fan\u00E1ticos y los cr\u00EDticos el apodo atribuido en una ocasi\u00F3n por su discogr\u00E1fica CBS Records, \"the only band that matters\" (en espa\u00F1ol \"la \u00FAnica banda que importa\") para referirlos. La aplicaci\u00F3n del mismo refiere a que el grupo nunca se desvi\u00F3 de sus ideales ni de sus costumbres por buscar beneficios personales.\u200B\u200B\u200B"@es . . . . . . . . . . . . . "30423"^^ . . . . . "Public Image Ltd"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "yes"@en . . . . "Clash (revista)"@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "July 2022"@en . . . . "The Clash est un groupe britannique de punk rock, originaire de Londres, en Angleterre. Il s'agit d'un des quatuors majeurs de l'histoire du rock et du punk rock britannique. Le groupe commence sa carri\u00E8re en 1976 et se dissout en 1986. En 2003, la formation entre au Rock and Roll Hall of Fame. Ce groupe se caract\u00E9rise \u00E9galement par sa capacit\u00E9 \u00E0 int\u00E9grer \u00E0 sa musique des sonorit\u00E9s vari\u00E9es en puisant \u00E0 la source des racines musicales de ses membres, parmi lesquelles le punk rock, le rock, le rockabilly, le reggae, le ska ou encore le dub."@fr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uD074\uB798\uC2DC \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.)( \uC74C\uBC18\uC5D0 \uB300\uD574\uC11C\uB294 The Clash (\uC74C\uBC18) \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.)\n\uB354 \uD074\uB798\uC2DC(The Clash)\uB294 1976\uB144 \uB7F0\uB358\uC5D0\uC11C \uACB0\uC131\uB41C \uC601\uAD6D\uC758 \uB85D \uBC34\uB4DC\uC774\uB2E4. \uBE0C\uB9AC\uD2F0\uC2DC \uD391\uD06C \uB85D\uC758 \uC81C1\uD30C\uC5D0 \uC788\uC5B4 \uC911\uC694\uD55C \uC5ED\uD560\uC744 \uD558\uC600\uC73C\uBA70, \uD391\uD06C\uC5D0 \uC787\uB530\uB77C \uBC1C\uC0DD\uD55C \uD3EC\uC2A4\uD2B8\uD391\uD06C \uBC0F \uB274 \uC6E8\uC774\uBE0C \uC6B4\uB3D9\uC5D0 \uD070 \uC601\uD5A5\uC744 \uBBF8\uCCE4\uB2E4. \uB610\uD55C \uADF8 \uC74C\uC545\uC5D0 \uB808\uAC8C, , \uD391\uD06C, \uC2A4\uCE74, \uB85C\uCEE4\uBE4C\uB9AC \uB4F1 \uB2E4\uC591\uD55C \uC7A5\uB974\uB97C \uC218\uC6A9\uD558\uAE30\uB3C4 \uD558\uC600\uB2E4. \uB354 \uD074\uB798\uC2DC\uC758 \uAD6C\uC131\uC6D0\uC740 \uB300\uAC1C \uB9AC\uB4DC \uBCF4\uCEEC\uB9AC\uC2A4\uD2B8 \uACB8 \uB9AC\uB4EC \uAE30\uD0C0\uB9AC\uC2A4\uD2B8 \uC870 \uC2A4\uD2B8\uB7EC\uBA38, \uB9AC\uB4DC \uAE30\uD0C0\uB9AC\uC2A4\uD2B8 \uACB8 \uBCF4\uCEEC\uB9AC\uC2A4\uD2B8 \uBBF9 \uC874\uC2A4, \uBCA0\uC774\uC2DC\uC2A4\uD2B8 \uD3F4 \uC0AC\uC774\uBAA8\uB10C, \uB4DC\uB7EC\uBA38 \uC73C\uB85C \uC774\uB8E8\uC5B4\uC84C\uB2E4. 82\uB144 \uD788\uB4E0\uC774 \uBC34\uB4DC\uB97C \uB098\uAC00\uACE0 \uC774\uC5B4\uC11C \uC774\uB4EC\uD574 \uBC34\uB4DC \uB0B4 \uB9C8\uCC30\uB85C \uC778\uD558\uC5EC \uC874\uC2A4\uAC00 \uD0C8\uD1F4\uD55C\uB2E4. \uC774\uD6C4\uB85C \uC0C8\uB85C\uC6B4 \uBA64\uBC84\uB97C \uC601\uC785\uD558\uAE30\uB294 \uD558\uC600\uC73C\uB098 \uACB0\uAD6D 86\uB144 \uCD08 \uD574\uC0B0\uB418\uACE0 \uB9CC\uB2E4. 2003\uB144 \uC870 \uC2A4\uD2B8\uB7EC\uBA38\uAC00 \uC8FD\uC740 \uC9C0 \uC870\uAE08 \uC548 \uB418\uC5B4 \uCC3D\uB9BD\uB2E8\uC6D0\uC778 \uD14C\uB9AC \uCC28\uC784\uC2A4\uB97C \uD3EC\uD568\uD558\uC5EC \uB85C\uD070\uB864 \uBA85\uC608\uC758 \uC804\uB2F9\uC5D0 \uD5CC\uC561\uB418\uC5C8\uB2E4. 2004\uB144 \u300A\uB864\uB9C1 \uC2A4\uD1A4\u300B\uC5D0\uC11C\uB294 \uB354 \uD074\uB798\uC2DC\uB97C ''\uC5D0\uC11C 28\uC704\uC5D0 \uB7AD\uD06C\uC2DC\uCF30\uB2E4."@ko . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "The Clash (\u0440\u0443\u0441. \u041A\u043B\u044D\u0448; \u041C\u0424\u0410: [\u00F0\u0259 kl\u00E6\u0283]) \u2014 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u0430\u044F \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u0430\u044F \u0433\u0440\u0443\u043F\u043F\u0430, \u043E\u0431\u0440\u0430\u0437\u043E\u0432\u0430\u043D\u043D\u0430\u044F \u0432 1976 \u0433\u043E\u0434\u0443 \u0432 \u041B\u043E\u043D\u0434\u043E\u043D\u0435 \u043F\u043E\u0434 \u0432\u043B\u0438\u044F\u043D\u0438\u0435\u043C \u043C\u0443\u0437\u044B\u043A\u0438 \u0438 \u0438\u043C\u0438\u0434\u0436\u0430 \u043F\u0430\u043D\u043A-\u0440\u043E\u043A-\u0433\u0440\u0443\u043F\u043F\u044B Sex Pistols. The Clash \u044F\u0432\u043B\u044F\u044E\u0442\u0441\u044F \u043E\u0434\u043D\u043E\u0439 \u0438\u0437 \u043F\u0435\u0440\u0432\u044B\u0445 \u0438 \u043D\u0430\u0438\u0431\u043E\u043B\u0435\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0445 \u0433\u0440\u0443\u043F\u043F \u2014 \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u0435\u043B\u0435\u0439 \u043F\u0430\u043D\u043A-\u0440\u043E\u043A\u0430. \u041D\u0435\u0441\u043C\u043E\u0442\u0440\u044F \u043D\u0430 \u0431\u043E\u043B\u044C\u0448\u0443\u044E \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u043E\u0441\u0442\u044C, \u043A\u043E\u0442\u043E\u0440\u0443\u044E \u043A\u043E\u043B\u043B\u0435\u043A\u0442\u0438\u0432 \u043E\u0431\u0440\u0451\u043B \u043D\u0430 \u043F\u0430\u043D\u043A-\u0441\u0446\u0435\u043D\u0435, \u043E\u043D \u0442\u0430\u043A\u0436\u0435 \u044D\u043A\u0441\u043F\u0435\u0440\u0438\u043C\u0435\u043D\u0442\u0438\u0440\u043E\u0432\u0430\u043B \u0441 \u0440\u0430\u0437\u043B\u0438\u0447\u043D\u044B\u043C\u0438 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u043C\u0438 \u0441\u0442\u0438\u043B\u044F\u043C\u0438 \u043E\u0442 \u0440\u0435\u0433\u0433\u0438 \u0434\u043E \u0445\u0438\u043F-\u0445\u043E\u043F\u0430. \u0422\u0430\u043A\u0430\u044F \u0448\u0438\u0440\u043E\u0442\u0430 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0434\u0438\u0430\u043F\u0430\u0437\u043E\u043D\u0430, \u043F\u043E\u043B\u0438\u0442\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u0431\u0435\u0441\u043A\u043E\u043C\u043F\u0440\u043E\u043C\u0438\u0441\u0441\u043D\u043E\u0441\u0442\u044C, \u043F\u043E\u043B\u043D\u044B\u0435 \u044D\u043D\u0435\u0440\u0433\u0438\u0438 \u0438 \u043F\u0440\u043E\u0432\u043E\u043A\u0430\u0446\u0438\u0439 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u044B \u043F\u0440\u0438\u043D\u0435\u0441\u043B\u0438 The Clash \u043D\u0435\u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u043D\u044B\u0439 \u0434\u043B\u044F \u043F\u0430\u043D\u043A\u0430 \u043A\u0440\u0443\u043F\u043D\u044B\u0439 \u0443\u0441\u043F\u0435\u0445 \u0443 \u0441\u0435\u0431\u044F \u043D\u0430 \u0440\u043E\u0434\u0438\u043D\u0435 (\u0432\u0441\u0435 \u0430\u043B\u044C\u0431\u043E\u043C\u044B \u0433\u0440\u0443\u043F\u043F\u044B \u043F\u043E\u043F\u0430\u0434\u0430\u043B\u0438 \u0432 \u0432\u0435\u0440\u0445\u043D\u044E\u044E \u00AB\u0434\u0432\u0430\u0434\u0446\u0430\u0442\u043A\u0443\u00BB \u0445\u0438\u0442-\u043F\u0430\u0440\u0430\u0434\u0430) \u0438 \u0437\u0430 \u0440\u0443\u0431\u0435\u0436\u043E\u043C."@ru . . . . . . . . . . "The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as \"The Only Band That Matters\", they also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky \"Topper\" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986.The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, The Clash (1977) and their second album, Give 'Em Enough Rope (1978). Their experimental third album, London Calling, released in the UK in December 1979, earned them popularity in the United States when it was released there the following month. A decade later, Rolling Stone named it the best album of the 1980s. Following continued musical experimentation on their fourth album, Sandinista! (1980), the band reached new heights of success with the release of Combat Rock (1982), which spawned the US top 10 hit \"Rock the Casbah\", helping the album to achieve a 2\u00D7 Platinum certification there. A final album, Cut the Crap, was released in 1985 with a new lineup, and a few weeks later, the band broke up. In January 2003, shortly after the death of Joe Strummer, the band\u2014including original drummer Terry Chimes\u2014were inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked the Clash number 28 on its list of the \"100 Greatest Artists of All Time\"."@en . . ""@en . . . . . . . . . . . . . . . "The Clash"@cs . . . . . . . . . . . . . . . "The Clash var ett brittiskt rockband bildat 1976 i London och splittrat 1986. Gruppen tillh\u00F6rde den tidiga brittiska punkv\u00E5gen. Bandets mest k\u00E4nda medlemmar var Joe Strummer (s\u00E5ngare, kompgitarrist), Mick Jones (sologitarrist, s\u00E5ngare), Paul Simonon (elbasist, bakgrundss\u00E5ngare) och Nicky \"Topper\" Headon (trumslagare och slagverkare). Deras tidiga fas kan j\u00E4mf\u00F6ras med samtida band som Sex Pistols och det svenska Ebba Gr\u00F6n (som spelat m\u00E5nga covers p\u00E5 The Clash). De flesta av l\u00E5tarna skrevs av paret Strummer\u2013Jones. Bandets musik \u00E4r energifylld och texterna handlar om livet i 1970-talets London med rasism, klassmots\u00E4ttningar och kravaller."@sv . . . . . . . . . "1122506411"^^ . . "The Clash \u2013 brytyjski zesp\u00F3\u0142 punkrockowy z Londynu, utworzony w 1976 roku. W pocz\u0105tkowym okresie dzia\u0142alno\u015Bci muzycy przedstawiali repertuar wy\u0142\u0105cznie punkrockowy, kt\u00F3ry w nast\u0119pnych latach stopniowo rozwijali, wzbogacaj\u0105c go innymi stylami muzycznymi, tj. reggae, ska, dub, funk, rap czy rockabilly. W czasach najwi\u0119kszej popularno\u015Bci The Clash tworzyli: Joe Strummer (wokalista, gitarzysta), Mick Jones (gitarzysta, wokalista), Paul Simonon (basista) i Nicky \u201ETopper\u201D Headon (perkusista)."@pl . . . . . . . . . . . . . . . . . . . "98897"^^ . . . . . . . "34.0"^^ . . . . . . . . . . . . . . . . . . . . . "The Clash var ett brittiskt rockband bildat 1976 i London och splittrat 1986. Gruppen tillh\u00F6rde den tidiga brittiska punkv\u00E5gen. Bandets mest k\u00E4nda medlemmar var Joe Strummer (s\u00E5ngare, kompgitarrist), Mick Jones (sologitarrist, s\u00E5ngare), Paul Simonon (elbasist, bakgrundss\u00E5ngare) och Nicky \"Topper\" Headon (trumslagare och slagverkare). Deras tidiga fas kan j\u00E4mf\u00F6ras med samtida band som Sex Pistols och det svenska Ebba Gr\u00F6n (som spelat m\u00E5nga covers p\u00E5 The Clash). De flesta av l\u00E5tarna skrevs av paret Strummer\u2013Jones. Bandets musik \u00E4r energifylld och texterna handlar om livet i 1970-talets London med rasism, klassmots\u00E4ttningar och kravaller."@sv . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "London, England"@en . . . . . "The Clash va ser una banda de rock activa des de l'any 1976 al 1986. Va ser una de les bandes m\u00E9s reeixides de l'ona punk a finals dels 70, i van anar incorporant al seu repertori influ\u00E8ncies de la m\u00FAsica reggae, rockabilly, dance, jazz, ska, hip hop, i ocasionalment altres estils musicals. Eren llegendaris pels seus directes intensos i plens d'energia. En diversos dels seus temes (per exemple: \u00ABShould I Stay or Should I Go\u00BB, o en la can\u00E7o sobre la Guerra Civil espanyola \u00ABSpanish Bombs\u00BB) incorporen trossos cantats en castell\u00E0. Des dels seus inicis com a banda, les lletres apassionades, plenes d'idealisme pol\u00EDtic dels l\u00EDders del grup Joe Strummer i Mick Jones contrastava amb l'an\u00E0rquic nihilisme dels Sex Pistols i de la simplicitat b\u00E0sica de The Ramones. Tot i que al Regne Unit eren un gran \u00E8xit des de l'aparici\u00F3 del seu primer \u00E0lbum el 1977, als Estats Units no hi van assolir la popularitat fins al 1980. El seu tercer \u00E0lbum, publicat al Regne Unit el desembre de 1979 i titulat London Calling \u00E9s considerat per molts cr\u00EDtics com un dels millors \u00E0lbums de la hist\u00F2ria de la m\u00FAsica rock. Als Estats Units es va publicar el gener de 1980, i una d\u00E8cada m\u00E9s tard la revista Rolling Stone el va nomenar com a millor \u00E0lbum de la d\u00E8cada dels 80. Rolling Stone tamb\u00E9 el va situar al n\u00FAmero 8 en la seva llista dels 500 millors \u00E0lbums de m\u00FAsica rock publicada el 2003. L'actitud i l'estil de The Clash, tant com la seva m\u00FAsica, va influir en incomptables bandes. El 2003 van ingressar al Rock and Roll Hall of Fame (Sal\u00F3 de la Fama del Rock and Roll)."@ca . . . . . . . . "London SS"@en . . . . . . . . . . . . . "The Clash"@sv . . . . . . .